James Stewart, Lee Remick, and Ben Gazzara head the cast in “Anatomy of a Murder”

Anatomy of a Murder (1959) is an American courtroom drama directed by Otto Preminger and starring James Stewart, Lee Remick, Ben Gazzara, Arthur O’Connell, Eve Arden, and Kathryn Grant. The supporting cast includes George C. Scott, Orson Bean, and Murray Hamilton. The musical score is by Duke Ellington.

Lawyer Paul Biegler (Stewart), a former district attorney, is contacted by Laura Manion (Remick) to defend her husband, US Army Lieutenant Frederick “Manny” Manion. Manny was arrested for murdering innkeeper Bernard “Barney” Quill. Manny doesn’t deny murdering Quill, but he said he did so because he raped his wife.

Biegler, a small-town lawyer in the Upper Peninsula of Michigan, uses all his knowledge of the law to defend Manny. Will his folksy lawyer strategy get Manny acquitted, or will the sophisticated prosecuting attorney, Claude Dancer (Scott), get Manny convicted of murder?

Otto Preminger (1905 -1986) was an American film director who made more than 35 feature films during a five-decade career. Born in the Austro-Hungarian Empire into a Jewish family. Preminger was drawn to acting from an early age and became the apprentice of famed stage director Max Reinhardt. In 1935, he was recruited by Twentieth Century-Fox to apprentice as a director at the studio. After a rocky start, Preminger established himself as an A-list director after Rouben Mamoulian was fired from Laura (1944). The film noir classic made major stars of Gene Tierney and Dana Andrews and is considered one of the best film noirs of all time. While under contract to Fox, Preminger directed Fallen Angel (1945), Centennial Summer (1946), Forever Amber (1947), and Daisy Kenyon (1947). After he left Fox, Preminger became a maverick, constantly clashing with members of the Production Code. He released two films without the approval of the Production Code: The Moon is Blue (1953) and The Man with the Golden Arm (1955). Both films were financial successes and helped bring an end to the Code entirely. Later successes for Preminger include Anatomy of a Murder (1959) and Exodus (1960).

James Stewart (1908 - 1997) was an American actor whose career spanned almost five decades and 80 films. Stewart often portrayed the ideal of the average American who was decent and honest. Stewart signed a seven-year contract with Metro-Goldwyn-Mayer, where he appeared in a variety of supporting roles in B and A pictures. It wasn’t until he was loaned out to Columbia Pictures to costar in Frank Capra’s You Can’t Take It With You (1938) that his home studio began to take notice. Still, his best roles were on loan to other studios, including Mr. Smith Goes to Washington (1939) at Columbia again and Destry Rides Again (1939) at Universal. M-G-M eventually cast him in The Philadelphia Story (1940) where he won the Academy Award for Best Actor, which cemented his reputation as a leading man and star. From there, he went on to make The Shop Around the Corner (1940) and The Mortal Storm (1940). After serving in the United States Army from 1941 - 1945, Stewart returned to Hollywood where he continued as a popular leading man. During the 1950s, Steward made two films with director Alfred Hitchcock, which are considered two of the director’s best films: Rear Window (1954) and Vertigo (1958). Vertigo was voted the greatest film ever made by Sight & Sound in 2012.

Lee Remick (1935 – 1991) was an American actress and singer. She made her film debut in A Face in the Crowd (1957) directed by Elia Kazan. She quickly established herself as a Major leading actress in films like Wild River (1960), Days of Wine and Roses (1962), which earned her a Best Actress Oscar nomination, No Way to Treat a Lady (1968), The Detective (1968), The Omen (1976), and The Europeans (1979). Remick also received a Best Actress Tony nomination for her lead performance in Wait Until Dark (1966), a role that Audrey Hepburn would portray in the screen version in 1967.She received Golden Globe Awards for her television work. She won a BAFTA TV Award for Best Actress for her performance in Jennie: Lady Churchill (1974).

Ben Gazzara (1930 – 2012) was an American actor, director, appearing on stage, film, and television. His big break came with his starring role as Brick in Cat on a Hot Tin Roof (1955 -1956). This led to a successful film career starting with Anatomy of a Murder (1959). He starred on television in Run for Your Life (1965 -1968). Gazzara was a frequent collaborator of John Cassavetes, working with him on the films Husbands (1970) and The Killing of a Chinese Bookie (1976). Some of his movies include The Bridge at Remagen (1969), Voyage of the Damned (1976), and Saint Jack (1979).

 

Anatomy of a Murder trivia

• The film pushed the boundaries of the Production Code by using words like “bitch,” “contraception,” and “rape,” words not heard in American films before.
• James Stewart’s father found the film offensive and took out an ad in his local paper advising people not to see it.
• Much of the movie was filmed on location in Marquette County, Michigan.
• Lana Turner turned down the role of Laura, leaving the door open for Remick, Preminger’s first choice.
• James Stewart received his last Oscar-nominated performance. It was George C. Scott’s first Academy Award nomination.
• The film was banned in Chicago upon its initial release.

 

Ben Gazzara and James Stewart

Click HERE to watch the movie on the Internet Movie Archive.

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Lee Remick, Eve Arden, and James Stewart

Discussion questions

1. This film was shocking for its frankness when dealing with a subject like rape and murder. Did you find anything about the film shocking or surprising?
2. Three actors from the film were nominated for Academy Awards: James Stewart, Best Actor; Arthur O’Connell, Best Supporting Actor; and George C. Scott, also for Best Supporting Actor. Did you think their performances were worthy of the nominations?
3. What did you think of the jazz score by Duke Ellington? Do you think it worked with the movie?
4. What did you make of the Lee Remick character? Do you think she was telling the truth about her relationship with Barney?
5. Did the Michigan location add to the film’s authenticity?
6. Would you recommend this film to a friend?