Ida Lupino stars in “The Man I Love”

The Man I Love (1947) is a melodramatic film noir directed by Raoul Walsh and starring Ida Lupino, Robert Alda, Andrea King, and Bruce Bennett.

Petey Brown (Lupino) is a lounge singer who is homesick for her family in California. She leaves New York City to visit her two sisters (King and Martha Vickers) and brother (Warren Douglas) on the West Coast. She gets a job at a Long Beach nightclub owned by a local hood, Nicky Toresca (Alda).

While avoiding passes from Toresca, Petey falls in love with a down-on-his-luck ex-jazz pianist, Sam Thomas (Bennett).

Will Petey make a life for herself in California or will she go back to New York City and the jazz clubs where she feels most at home?

 

Raoul Walsh (1887 - 1980) was an American director, actor, and founding member of The Academy of Motion Picture Arts and Sciences (AMPAS). Walsh got his start acting on the stage in New York. He eventually began acting in silent films and worked as an assistant director alongside D.W. Griffith. Eventually, he became a director working with major silent-film stars Douglas Fairbanks, Gloria Swanson, and Anna May Wong. He lost his right eye in a freak accident in 1928 and never acted again, instead of focusing exclusively on directing. Some of his notable films include The Roaring Twenties (1939) starring James Cagney and Priscilla Lane, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, The Strawberry Blonde (1941) starring Cagney and Olivia de Havilland, White Heat (1949) starring Cagney and Virginia Mayo, and Captian Horatio Hornblower (1951) starring Gregory Peck and Mayo.

Ida Lupino (1918 – 1995) was an English-American actress, director, and producer. She appeared in over 50 films and was one of Warner Bros.’s biggest contract players during the 1940s starring in High Sierra (1941), The Sea Wolf (1941), and The Man I Love (1947). After she left Warner Bros., Lupino formed her own production company, producing, writing, and directing films that tackled subjects the big studios wouldn’t touch. During the 1950s, Lupino was the only female director working in Hollywood. She produced and directed several small independent films but made a name for herself directing for television. Lupino directed episodes of The Twilight Zone (starred in one too), The Rifleman, Bonanza, Gilligan’s Island, It Takes a Thief, Family Affair, and Columbo. In 1966, she directed her one-and-only big-budget studio picture, The Trouble with Angels starring Rosalind Russell and Haley Mills.

Ida Lupino and Robert Alda

Robert Alda (1914 – 1986) was an American stage, screen, and television actor. He got his start in vaudeville and after winning a talent contest moved on the burlesque. He toured with Jack Carson and Marion Hutton (Betty Hutton’s sister) supporting Jack Carson’s radio show. Alda’s most famous film roles were as George Gershwin in Rhapsody in Blue (1945) and as the talent agent in Imitation of Life (1959). He created the role of Sky Masterson in Guys and Dolls on Broadway for which he won a Tony Award. He made numerous appearances on television throughout his career and was host of several game shows during the 1950s. He is the father of Alan and Antony Alda.

Andrea King (1919 – 2003) was an American actress of stage, film, and television. King got her start as a child actress and worked on Broadway. Her most famous stage role was as Mark Skinner (replacing Teresa Wright) in Life with Father. In 1944, she signed a contract with Warner Bros. She appeared in several uncredited roles but was eventually elevated to leading lady status in The Beast with Five Fingers (1946) and The Man I Love (1947). King never achieved star status but she continued to work in supporting roles in film and television.

Bruce Bennett (1906 – 2007) was an American actor, college and Olympic athlete. He won a silver medal in the shot put at the 1928 Olympic Games in Amsterdam. Bennett was all set to play Tarzan in 1931 but broke his shoulder filming the football film Touchdown. He was replaced by Johnny Weissmuler. Bennett would eventually play the lead in a Tarzan serial film. His film career was interrupted by World War II, where he served in the United States Navy. Bennett was busy in the 1940s appearing in Mildred Pierce (1945), Nora Prentis (1947), Dark Passage (1947), The Man I Love (1947), and The Treasure of the Sierra Madre (1948).

 

The Man I Love trivia

• Ida Lupino’s singing voice was dubbed by Peg La Centra.
• Lupino became ill during the production and fainted during a scene with Robert Alda. She had to be cut out of her tight-fitting gown.
• Filmed in mid-1945, it wasn’t released until 1947.
• The film was originally planned for Ann Sheridan and Humphrey Bogart.
• Martin Scorcese credited The Man I Love as the inspiration for his film New York, New York.
• Alan Hale appears with Lupino in The Man I Love. Lupino directed  his son, Alan Hale Jr. in several episodes of Gilligan’s Island

 

Click HERE to watch the film on YouTube.

 

Click HERE to join the online discussion on October 7, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

 

Discussion questions

1. Would you consider The Man I Love more of a melodrama or a film noir, or a combination of both.
2. Did you find the love story between Petey and Sam believable? Why or why not.
3. Was Robert Alda a convincing small-time hood?
4. Was Lupino convincing as a nightclub singer?
5. Was the film’s ending satisfying? Was it realistic? Did it remind you of other films you’ve seen?

 

Barbara Stanwyck is “Stella Dallas”

Stella Dallas (1937) is an American drama film directed by King Vidor and starring Barbara Stanwyck, John Boles, and Anne Shirley. Other members of the cast include Barbara O’Neil, Alan Hale, Marjorie Main, and Tim Holt. The film is based on the novel of the same name by Olive Higgins Prouty.

Growing up on the wrong side of the tracks, young Stella Martin (Stanwyck) manages to catch the eye of Stephen Dallas (John Boles), a well-bred business executive. The two fall in love and marry. For a time they’re happy, but after the birth of their daughter, Laurel (Anne Shirley), the marriage begins to deteriorate. Stella wants to dance and rub elbows with the upper-class folks at the country club. Stephen expects his wife to be content to stay at home with their child, a much quieter existence than the life Stella desires. They eventually divorce, with Stella having the main custody of Laurel. Stella is determined to give her daughter the things she never had, but when Stephen begins a new relationship, Stella feels her closeness with Laurel slipping away. Always putting her daughter’s happiness above her own, Stella faces a choice no mother should have to make.

Stanwyck received the first of her four Best Actress Oscar nominations for her role as Stella. Stanwyck was so determined to get the part that she submitted to a screen test—something unheard of for a star of her caliber. She convinced the director (King Vidor) and the producer (Samuel Goldwyn) that she could be convincing as a mother, especially as the character ages into midlife.

Anne Shirley, who turned 18 during the filming of Stella Dallas had this to say about Stanwyck: “She was prepared to the very top of her ability. Dialogue learned perfectly. Hair, clothes, energy ready.”

King Vidor (1894 - 1982) was an American film director, producer, and screenwriter whose career successfully spanned the silent and sound era. His most famous and successful film from the silent era was The Big Parade (1925) starring John Gilbert. In the sound era, he directed Northwest Passage (1940), Comrade X (1940), and Duel in the Sun (1946). Considered an actor’s director, Wallace Berry, Robert Donat, Barbara Stanwyck, Jennifer Jones, Anne Shirley, and Lillian Gish all received Academy Award nominations under Vidor’s direction.

Barbara Stanwyck (1907 – 1990) was an American film star who got her acting start with a supporting role on Broadway in a play called The Noose (1926). The next year she had the lead in another Broadway production, Burlesque which was a huge hit. She eventually made it to Hollywood where her success was not immediate. Director Frank Capra saw something in Stanwyck and he educated her in filmmaking and film acting and the rest is history. Stanwyck was nominated four times for the Best Actress Oscar—Stella Dallas (1937), Ball of Fire (1941), Double Indemnity (1945), Sorry, Wrong Number (1948)—and remains one of the most beloved movie stars from Hollywood’s Golden Age.

John Boles (1895 – 1969) was an actor and singer and a star of both silent and sound films. Boles is probably best known for playing Victor Moritz in Frankenstein (1931). Once sound pictures emerged, he starred in several popular musicals. He starred opposite Irene Dunne in Back Street (1932) and The Age of Innocence (1934). He starred with Shirley Temple in Curly Top and The Littlest Rebel both released in 1935. Once his film career ended, Boles went into the oil business.

Anne Shirley, John Boles, and Barbara Stanwyck

Anne Shirley (1993) began acting in silent movies when she was only four years old. She started out as Dawn O’Day, but when she portrayed Lucy Maud Montgomery’s heroine Anne Shirley in Anne of Green Gables, she took that name for her own. Shirley progressed from child star to adult roles; she was one of many actresses who tested for the role of Melanie Hamilton in Gone With The Wind, eventually losing out to Olivia de Havilland. Her last starring role was in Murder, My Sweet (1944). After completing that film, she retired from acting at the age of 26. Shirley was married three times. Her first husband was the actor John Payne.

Stella Dallas trivia

• The movie’s popularity spanned a radio series that lasted for 18 years.
• For her role, Stanwyck bleached her hair and wore padding to appear heavier later in the film.
• Samuel Goldwyn wanted Ruth Chatterton to play Stella, but she turned it down.
• Barbara O’Neil made her screen debut in the film and received encouragement from Stanwyck. O’Neil said Stanwyck was “a marvelous, warm-hearted person…”

Click HERE to watch the film on YouTube

Click HERE for to join the online discussion on July 8, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

Discussion questions

1. Was Stanwyck convincing in the role of Stella? Was she worthy of the Best Actress nomination?
2. Did the mother-daughter relationship between Stella and Laurel ring true?
3. What did you think of John Boles?  Could he have been more understanding of  his young wife?
4. Anne Shirley was nominated for Best Supporting Actress. Did she give an Oscar-worthy performance?
5. The Best Actress Academy Award competition was pretty stiff the year Stanwyck was nominated. The other actresses in contention were Greta Garbo in Camille (co-starring Robert Taylor who was married to Stanwyck), Irene Dunne in The Awful Truth, Janet Gaynor in A Star is Born, the winner was Luise Rainer in The Good Earth. Did the Academy get it right?

Clark Gable and Claudette Colbert in Frank Capra’s “It Happened One Night”

It Happened One Night (1934) is an American romantic comedy directed by Frank Capra and starring Clark Gable and Claudette Colbert. The supporting cast includes Walter Connolly, Roscoe Karns, and Alan Hale. The film was produced by Capra and Columbia Pictures studio head Harry Cohn. The script was written by Robert Riskin. The cinematography was by Joseph Walker (The Awful Truth, It’s a Wonderful Life, Born Yesterday).

Heiress Ellen “Ellie” Andrews (Colbert) has eloped with King Westley (Jameson Thomas), a fortune-hunting pilot, against her rich industrialist father Alexander Andrews’s (Walter Connolly) wishes. Ellie’s father wants to have the wedding annulled but Ellie has other plans. Ellie runs away from her father and takes a bus to New York City to reunite with Wesley. On the bus, Ellie meets Peter Warne (Gable), a newspaper reporter who just lost his job. When he realizes that he’s traveling with the runaway heiress, Warne makes a deal with Ellie that he will keep quiet and not expose her identity if she gives him an exclusive on her love story with Wesley. If she doesn’t, Peter will tell her father where she is.

As the two traveling companions evade her father and his detectives, they fall in love.

Will Peter and Ellie be able to sustain their love, or will Ellie’s father and King Wesley have something to say about it?

 

Frank Capra (1897 - 1991) was an American film director, producer, and writer. During the 1930s and 1940s, Capra’s films were among the most popular and awarded films. By 1938, Capra has won three Best Director Academy Awards. Born in Italy, Capra immigrated to the United States with his family when he was five years old. By sheer determination and his self-described cockiness, Capra talked his way into the movie business. He found a great home at “Poverty Row” studio, Columbia Pictures. At Columbia he had a major success with It Happened One Night (1934), which swept all the major categories at the Academy Awards that year. This helped turn Columbia Pictures from a Poverty Row studio into a major one. Other Capra successes include You Can’t Take It with You (1938), Mr. Smith Goes to Washington (1939), and It’s a Wonderful Life (1946).

Clark Gable (1901 – 1960) was an American film actor. Gable was one of the most consistent box office stars in the history of movies. He won an Academy Award for Best Actor for his role in the landmark romantic comedy It Happened One Night (1934) directed by Frank Capra. As “The King” of Hollywood, Gable starred alongside some of the biggest female stars of their day including Joan Crawford, Myrna Loy, Jean Harlow, Lana Turner, Norma Shearer, and Ava Gardner. Gable received two additional Best Actor nominations for Mutiny on the Bounty (1935) and Gone With the Wind (1939), one of the biggest money-makers of all time. Gables third wife was the legendary Carole Lombard. Gable married Lombard in 1939 and ended with her tragic death in a plane crash in 1942. Other Gable films include San Francisco (1937), Test Pilot (1938), Boom Town (1940), Honky Tonk (1941), Command Decision (1948), Teacher’s Pet (1958), It Started in Naples (1960), and The Misfits (1961), his last film before his death at 59.

Claudette Colbert (1903 -1996) was an American stage, film, and television actress. She is perhaps best known for her role as Ellie Andrews in Frank Capra’s It Happened One Night (1934). For her role in that film, she won the Academy Award for Best Actress. She was nominated two other times in that category. Colbert got her start in the theater where she played a variety of ingenue roles. In 1928, she signed a contract with Paramount Pictures where she quickly made a succession of movies. Her breakout role came in 1932 in The Sign of the Cross (1932) starring Fredric March and Charles Laughton. In 1934, she made three films that were nominated for the Academy Award for Best Picture: Imitation of Life, Cleopatra, and the eventual winner, It Happened One Night. No one had been able to match that record. Other popular films include I Met Him in Paris (1937), Drums Along the Mohawk (1939), Midnight (1939), The Palm Beach Story (1942), Since You Went Away (1944), and The Egg and I (1947).

 

It Happened One Night trivia

• Both Clark Gable and Claudette Colbert didn’t want to make the film. Gable was on loan to Columbia Pictures, which was considered a punishment by the star. Columbia was a minor studio, part of  “poverty row.” Colbert had worked with Frank Capra on a silent film, which wasn’t a pleasant or successful experience.
• At first, Colbert refused to show her leg in the hitchhiking scene. When she saw the body double’s leg, she changed her mind saying, “That’s not my leg!”
• It was the first film to win the top five Academy Award categories: Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. The other films to win the Oscar “grand slam” are One Flew Over the Cuckoo’s Nest (1975) and The Silence of the Lambs (1991).
• Constance Bennett and Myrna Loy turned down the script. Colbert only agreed to do the picture because Capra agreed to double her salary and not be required to work for more than four weeks. Bette Davis wanted the role of Ellie, but Warner Bros. wouldn’t loan her to Columbia. Miriam Hopkins, Margaret Sullivan, and Carole Lombard also turned down the role.
• Robert Montgomery and Fredric March both turned down the role of Peter Warne.                             

Click here to watch the film on YouTube.

Click here to join the discussion on December 4, 2023, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

 

Discussion questions

1. Some critics consider the film a screwball comedy. Would you put it in that category?
2. This film basically wrote the template for all romantic comedy films that came after it. Do you know any modern romantic comedies that owe a debt to It Happened One Night?
3. What did you think of the chemistry between Gable and Colbert? Was it believable?
4. Did you have a favorite scene or line of dialogue?
5. Considered one of the best films ever made, do you think its reputation is well deserved?

Screening of "Stella Dallas" at Daystar Center March 11

“Stanwyck on State Street” Film Series: Stella Dallas (1937)
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: March 11, 2017
Time: 6:45 p.m.
Hosted by Stephen Reginald


Growing up on the wrong side of the tracks, young Stella Martin (Stanwyck) manages to catch the eye of Stephen Dallas (John Boles), a well-bred business executive. The two fall in love and marry. For a time they’re happy, but after the birth of their daughter, Laurel (Anne Shirley), the marriage begins to deteriorate. Stella wants to go out dancing and rub elbows with the upper-class folks at the country club. Stephen expects his wife to be content to stay at home with their child, a much quieter existence than the life Stella desires. They eventually divorce, with Stella having the main custody of Laurel. Stella is determined to give her daughter the things she never had, but when Stephen begins a new relationship, Stella feels her closeness with Laurel slipping away. Always putting her daughter’s happiness above her own, Stella faces a choice no mother should have to make.

Barbara Stanwyck and Marjorie Main in Stella Dallas

Stanwyck received the first of her four Best Actress Oscar nominations for her role as Stella. Stanwyck was so determined to get the part that she submitted to a screen test—something unheard of for a star of her caliber. She convinced the director (King Vidor) and the producer (Samuel Goldwyn) that she could be convincing as a mother, especially as the character ages into midlife. The supporting cast includes Marjorie Main, Barbara O’Neil, and a very young Tim Holt.

Anne Shirley, who turned 18 during the filming of Stella Dallas had this to say about Stanwyck: “She was prepared to the very top of her ability. Dialogue learned perfectly. Hair, clothes, energy ready.”

This film is part of the “Stanwyck on State Street” series.

Check out the introduction to Stella Dallas by Robert Osborne and Drew Barrymore.

Have some Joe and Enjoy the Show!

You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion

Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.

Looking for more "Stanwyck on State Street?" Look for The Mad Miss Manton to screen on April 1. This screwball comedy paired Stanwyck and Henry Fonda for the first time. They made a total of three movies together: The Mad Miss Manton (1938), The Lady Eve, and You Were Meant for Me (both 1942).