Pat O’Brien, Claire Trevor, and Herbert Marshall are involved in a “Crack-Up”

Crack-Up (1946) is an American film noir directed by Irving Reis and starring Pat O’Brien, Claire Trevor, and Herbert Marshall. The supporting cast includes Ray Collins and Wallace Ford.

Art critic George Steele (O'Brien) remembers surviving a train wreck that never took place; it's just the first incident in a growing web of intrigue and murder.

Film critic Leonard Maltin described the film as a “Tense, fast-paced Hitchcockian thriller with many imaginative touches.

 

Irving Reis (1906 – 1953) was a radio program producer and director and a film director. Reis directed several notable and popular films including Hitler’s Children (1943) The Bachelor and the Bobby-Soxer (1947) All My Sons (1948).

Pat O’Brien (1899 – 1983) was an American film actor. O’Brien appeared in more than 100 films, often playing characters of Irish descent. He played cops, priests, and reporters. He was often paired with friend and movie star James Cagney. O’Brien is probably best known for his roles in Angels with Dirty Faces (1938), Knute Rockne, All American (1940), and Some Like it Hot (1959).

Claire Trevor (1910 - 2000) was an American actress who appeared in over 60 movies. She received nominations for the Academy Award for Best Supporting Actress for Dead End (1937), and The High and the Mighty (1954). She won the award for her performance in Key Largo (1948). Trevor got her start on the New York stage and made her film debut in 1933. She also appeared on radio with Edward G. Robinson in the popular radio program Big Town. Trevor’s most famous role is probably Dallas in Stagecoach, but she had other memorable roles in Murder, My Sweet (1944), and Born to Kill (1947). Her last film role was in Kiss Me Goodbye (1982) where she played Sally Field’s mother.

Herbert Marshall (1890 – 1966) was an English actor of stage, screen, and radio. Marshall was a popular leading man during the 1930s and 1940s. He starred opposite Barbara Stanwyck, Greta Garbo, Joan Crawford, and Bette Davis. Some of his films include Trouble in Paradise (1932), The Good Fairy (1935), Foreign Correspondence (1940), The Little Foxes (1941), and The Razor’s Edge (1946).

 

Pat O'Brien, Claire Trevor, and Herbert Marshall

Crack-Up trivia

• Crack-Up was the only film noir from director Irving Reis.
• Laura (1944) and Scarlet Street (1945) also make use of painting and art.
• The film was set in New York City, but several scenes were filmed in Los Angeles harbor.
• Reis directed many of the “Falcon” movies during the early 1940s.

 

Click HERE to watch the film on YouTube.

 

Click HERE to join the online discussion on November 18, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

Discussion questions

1. Did you like the background of the art world?
2. Was the story believable? Were you able to just enjoy the ride?
3. What did you think of the performances?
4. Did O’Brien and Trevor have good on-screen chemistry?
5. Were you surprised by anything?

Walther Huston is caught in Frank Capra’s “American Madness”

American Madness (1932) is a pre-Code drama film directed by Frank Capra and starring Walter Huston. Other members of the cast include Pat O’Brien, Kay Johnson, and Constance Cummings.

Tom Dickson (Huston) is the president of Union National Bank. The bank’s board is concerned that Dickson’s lending practices are too risky during the early years of the Great Depression.

When the bank is robbed, it causes a run and Dickson’s career and the banks survival are in Jeopardy.

Frank Capra (1897 - 1991) was an American film director, producer, and writer. During the 1930s and 1940s, Capra’s films were among the most popular and awarded films. By 1938, Capra has won three Best Director Academy Awards. Born in Italy, Capra immigrated to the United States with his family when he was five years old. By sheer determination and his self-described cockiness, Capra talked his way into the movie business. He found a great home at “Poverty Row” studio, Columbia Pictures. At Columbia he had a major success with It Happened One Night (1934), which swept all the major categories at the Academy Awards that year. This helped turn Columbia Pictures from a Poverty Row studio into a major one. Other Capra successes include You Can’t Take It with You (1938), Mr. Smith Goes to Washington (1939), and It’s a Wonderful Life (1946).

 

Walter Huston (1883 - 1950) was a Canadian singer, stage, and film actor. He is also the patriarch of the Huston clan which includes his writer-director son John, and his granddaughter, actress Anjelica. Huston worked in the theater, with roles on Broadway where he debuted in 1924. Once talking pictures began in Hollywood, Huston worked as both a leading man and also a character actor. Some of Huston’s films include The Virginian (1929), Rain (1932), Gabriel Over the White House (1933), The Devil and Daniel Webster (1941), and The Treasure of the Sierra Madre (1948) for which he won the Academy Award for Best Supporting Actor, directed by his son John. Huston’s last film was The Furies (1950) co-starring Barbara Stanwyck and Wendell Corey.

American Madness  trivia

• Frank Capra replaced Allan Dwan as director and started from scratch.
• Walter Huston was on loan from M-G-M.
• Capra modeled Walter Huton’s character after A. P. Giannini, the founder of the Bank of America.
• The film’s original title was Bank Story.
• American Madness is credited with helping to restore the public’s faith in the banking industry.
• This was the first collaboration between Capra and screenwriter Robert Riskin; American Madness was Riskin’s first original screenplay.

 

Click HEREHERE to watch the film on YouTube

Click HEREHERE for to join the online discussion on June 24, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

 

Sterling Holloway, Constance Cummings, and Pat O’Brien

Discussion questions

1. Did the film seem realistic to you?
2. Was Walter Huston convincing as the bank president?
3. What did you think of the pacing of the film? After only three years after the first all-talking pictures, American Madness seems fairly modern, especially when compared to other films from 1931. Do you agree?
4. Do you see some foreshadowing of future Capra movies? If so, which ones?
5. Did anything about the film surprise you?