Doris Day gets her due at The Music Box Theatre

For several weekends now, The Music Box Theatre, 3733 N. Southport Ave., Chicago, has been screening classic Doris Day movies. The series is titled “The Inimitable Doris Day” and the films have been screened, for the most part on Saturday mornings at 11:30 a.m.

Saturday, November 2, they’ll be screening one of Day’s most famous roles as Jan Morrow in Pillow Talk (1959). The film costarring Rock Hudson, was a tremendous box office hit, earning Day her only Academy Award Best Actress nomination. The picture did wonders for both Day and Hudson’s careers and they made two more successful comedies together: Lover Come Back (1961) and Send Me No Flowers (1964). The film also stars Tony Randall and Thelma Ritter. Randall also costars in Lover Come Back and Send Me No Flowers.

Pillow Talk demonstrates Day’s ability to tackle any movie genre with ease. She’s a natural comic actress and she’s a knockout in the clothes designed for her by Jean Louis.

Lover Come Back will be screened on November 23 and 24 at 11:30 a.m. For more details, please visit the Music Box Web site.

Remembering Doris Day (1922 – 2019)

When I was a kid, I remember my dad playing Doris Day records on our stereo system (remember those?). Not only was Day one of my dad’s favorite vocalists, but she was his favorite movie star. I can still remember the album covers of Day’s albums and the songs.

This was a popular recording in our house.

When I was still in single digits, I could sing along with “Pillow Talk,” having no clue what that song was about, and “Everybody Loves a Lover,” ditto. But Day’s voice was clear, true, and memorable. When I got a little bit older, I realized that Day made movies too! Some of our family favorites were Midnight Lace (1960), The Thrill of it All, Move Over Darling (both 1963), The Glass Bottom Boat (1966) and With Six You Get Eggroll (1968).

When I really started getting into classic movies, I realized the depth of Day’s talent. Early in her career, she was more than able to hold her own against the more experienced Kirk Douglas and Lauren Bacall in Young Man with a Horn (1950), which was her first dramatic role. Then there was Calamity Jane (1953), a rip-roaring musical and Love Me or Leave Me (1955), a biographical musical based on the life of Ruth Etting. One of her best dramatic performances was as Josephine “Jo” Conway McKenna in Alfred Hitchcock’s The Man Who Knew Too Much (1956) opposite James Stewart.

Her motion picture debut

What set Day apart was the honesty in all her performances be it comedy or drama. She always came across as natural in her singing, acting, and dancing (yes, she was a triple threat). Somehow that honesty connected with fans in a way few other stars were able to do. Even though she basically retired when The Doris Day Show ended in 1973, the public never forgot her. Her legend grew with the passing decades and her fan base was a big as ever.

Day was a true entertainment legend. She was the top box office star for four years, a feat equaled by only eight others. Her recordings sold in the millions, including her two signature songs: “Secret Love” and “Que Sera, Sera.” Her passing at age 97 is sad, but she left us with so much to enjoy. Her talent will endure for generations to come.


The Essential Doris Day in films
Romance on the High Seas (1948) –her feature film debut
Tea for Two (1950)
Calamity Jane (1953)
Love Me or Leave Me (1955)
The Man Who Knew Too Much (1956)
The Pajama Game (1957)
Teacher’s Pet (1958)
Pillow Talk (1959)
Lover Come Back (1961)
That Touch of Mink (1962)
The Thrill of It All (1963)
Move Over Darling (1963)
The Glass Bottom Boat (1966)
With Six You Get Eggroll (1968)

What’s your favorite Doris Day movie? Recording?