Showing posts with label Strangers on a Train. Show all posts
Showing posts with label Strangers on a Train. Show all posts

Friday, October 16, 2020

Don’t talk to “Strangers on a Train”

Strangers on a Train (1951) is a psychological thriller directed by Alfred Hitchcock starring Farley Granger, Ruth Roman, and Robert Walker. The film was based on the novel of the same name by Patricia Highsmith (The Talented Mr. Ripley), with cinematography by long-time Hitchcock collaborator Robert Burks and music by Dimitri Tiomkin.

The fateful moment that starts the action

The plot concerns two strangers who meet on a train: a young tennis player Guy Haines (Granger) and a somewhat charming psychopath named Bruno Antony (Walker). Bruno suggests that they should exchange murders, but Guy really doesn’t take Bruno seriously. When Bruno commits the first murder and tries to convince Guy to complete their “bargain,” the plot takes a series of strange and exciting twists and turns.

Strangers on a Train ushered in a golden period for director Hitchcock. He would go on to make some of the most memorable and successful films of the 1950s including, Dial M for Murder (1954), Rear Window (1954), To Catch a Thief (1955), and North by Northwest (1959).

Alfred Hitchcock (1899 – 1980) was an English film director, producer, and screenwriter. He is one of the most influential filmmakers of the 20th century. Hitchcock directed over 50 feature films, many are classics that have been honored and studied for years. Some of Hitchcock’s classic films include The 39 Steps (1935), Sabotage (1936), Rebecca (1940), Suspicion (1941), Shadow of a Doubt (1943), Rear Window (1954), Vertigo (1958), North by Northwest (1959), and Psycho (1960).

Robert Burks (1909 – 1968) was an American cinematographer. He was adept at both color and black and white photography. In 1928, Burks got his start in film at Warner Bros. He eventually worked his way up to Director of Photography in 1944. The first feature that he worked on as a cinematographer was The Fountainhead (1949) starring Gary Cooper and Patricia Neal. Burks is closely associated with Hitchock. He was the cinematographer on some of the directors most famous works from the 1950s and 1960s including Strangers on a Train (1951), I Confess (1952), Dial M for Murder (1954), Rear Window (1954), To Catch a Thief (1955), The Man Who Knew Too Much (1956), The Wrong Man (1956), Vertigo (1958) and North by Northwest (1959).

Dimitri Tiomkin (1894 – 1979) was a Russian-born American film composer. He received 22 Academy Award nominations and won four Oscars. Tiomkin got his big break working with director Frank Capra on the classic Lost Horizon (1937). He also collaborated with Capra on You Can’t Take it With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941) and It’s a Wonderful Life (1946). Tiomkin was famous for scoring western films including Duel in the Sun (1946), High Noon (1952), Giant (1956), Gunfight at the O.K. Corral (1957), and Rio Bravo (1959). Tiomkin also wrote the scores for three other Hitchcock films: Shadow of  Doubt (1943), I Confess (1953), and Dial M for Murder (1954).

Farley Granger and Ruth Roman

Farley Granger (1925 – 2011) was an American actor best known for his two films with Alfred Hitchcock: Rope (1948) and Strangers on a Train (19510). Signed to a long-term contract by Samuel Goldwyn. He made two films: The North Star (1943) and The Purple Heart (1944) before joining the United States Navy. When he returned to Hollywood he starred in They Live by Night (1948) which brought him to the attention of Hitchcock. Granger went on to star in other Goldwyn films including Enchantment (1948), Roseanna McCoy (1949), Edge of Doom (1950), and Our Very Own (1950). Granger worked in films, stage, and television, including work in several soap operas into the early 2000s.

Ruth Roman (1922 – 1989) was an American film, stage, and television actress. Roman got her start in the movies starring in the Jungle Queen (1945) film serial. She had a notable role in The Window (1949) which lead to her being cast in Champion (1949) co-starring Kirk Douglas. These successes earned her a contract with Warner Bros. During her years under contract, she costarred with some of Hollywood’s top leading men including Gary Cooper, Errol Flynn, Glenn Ford, and James Stewart. Roman also worked steadily on television during the 1950s and beyond, appearing on such popular shows as Mannix, Marcus Welby, M.D., The Mod Squad, The FBI, and The Outer Limits.

Robert Walker and Donna Reed in See Here, Private Hargrove

Robert Walker (1918 – 1951) was an American actor who was to the first husband of film actress Jennifer Jones. In 1943, he was signed to a contract with Metro-Goldwyn-Mayer, where he had supporting roles in Bataan (1943) and Madame Curie (1943). The studio started grooming him for stardom with the starring role in See Here, Private Hargrove (1944). Other starring roles followed in films like Thirty Seconds Over Tokyo (1944), The Clock (1945) co-starring Judy Garland, Her Highness and the Bellboy (1945) with Hedy Lamarr and June Allyson, and Till the Clouds Roll By (1946) where he portrayed composer Jerome Kern. Walker’s last film, My Son John (1952) used footage from Strangers on a Train when Walker died before production ended.

Strangers on a Train also features Leo G. Carroll, Patricia Hitchcock (the director’s daughter), and Laura Elliot (later known as Kasey Rogers).


Strangers on a Train trivia:

  • Hitchcock bought the rights to the novel for a mere $7,500.
  • Robert Walker was Hitchcock’s only choice to play Bruno Antony.
  • Hitchcock had wanted William Holden to play Guy Haines, but he was unavailable.
  • Patricia Hitchcock is the last surviving member of the cast.
  • Farley Granger said that Hitchcock didn’t like Ruth Roman and treated her badly in front of everyone.
  • Tennis pro Jack Cunningham coached Farley Granger for the tennis scenes and played his opponent in the movie.


To watch the film, click on the link below.



To join the discussion on Zoom on October 20, 2020, at 6 p.m. Central Time, click the link to the Chicago Film Club Meetup Group.


Questions for discussion:

  1. What did you think of the opening scenes of the movie?
  2. What clues do we have that Bruno may be “trouble?”
  3. How do the tennis match and Bruno’s struggle to retrieve Guy’s lighter add to the film’s suspense?
  4. The film develops the idea of the double: Bruno Guy, Miriam, Ann. Can you find any other pairs?


Sunday, April 12, 2015

Screening of Hitchcock’s “Strangers on a Train” at Daystar Center April 14, 2015

When: Tuesday, April 14, 2015 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

When an amateur tennis star (Farley Granger) meets a rather strange and disturbed man (Robert Walker) on a train, a weird nightmare begins. Bruno Antony (Walker) tries to convince tennis player Guy Haines (Granger) that they should “swap murders.” Anthony goes on to explain how much he’d like to get rid of his father and that he’s read how Guys failed marriage to Miriam (Laura Elliot) is getting in the way of his relationship with Anne Morton (Ruth Roman). While Guy laughs off the swapping murder idea proposition, Bruno takes it seriously and kills Guy’s wife. When Guy fails to murder Bruno’s father, Bruno threatens to expose Guy as a murderer, destroying his tennis career and his relationship with Anne. Considered one of director Alfred Hitchcock’s best films, it includes one of the most memorable climaxes in movie history.
Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Sunday, February 22, 2015

“Hitchcock in the 50s” film series to launch March 10 with screening of “Stage Fright”

Alfred Hitchcock directing Marlene Dietrich and Jane Wyman
on the set of Stage Fright
The 2015 Film Club is back at The Venue 1550 at the Daystar Center, 1550 S. State St., Chicago. Hosted by Stephen Reginald, the film club will feature “Hitchcock in the 50s.” Alfred Hitchcock films to be screened, include Rear Window, Vertigo, and North By Northwest. Movies will be screened at 6:30 p.m. on the second Tuesdays of the month, starting March 11, 2015. Reginald will introduce each film giving background information before screenings, with discussion afterward. Reginald is a freelance writer/editor and popular instructor at Facets Film School in Chicago.


Alfred Hitchcock is one of the most successful directors in the history of film. During the 1950s, Hitchcock, no longer under contract to producer David O. Selznick, was  able to produce and direct properties that he truly believed in. During the 50s, Hitchcock produced some of his most famous and commercially successful movies, including Rear Window and Vertigo. Few directors’ work has be dissected and analyzed the way Hitchcock’s work has. Always focused on entertaining the audience first, “The Master’s” work remains fresh and contemporary and ripe for discussion.

Join us for “Hitchcock in the 50s!”


Stage Fright, one of Hitchcock’s most underrated thrillers features great performances from recent Oscar winner Jane Wyman, Marlene Dietrich, Michael Wilding, Richard Todd, and Alastair Sim. Wyman plays Eve Gill, a drama student who becomes a maid to stage star Charlotte Inwood (Dietrich) in an attempt to clear the name of her friend Jonathan Cooper (Todd) who she believes is being framed for murder by Inwood. None of the characters in Stage Fright are what they seem to be, which makes for a very entertaining movie. Filmed in England with a wonderful ensemble cast that also includes Sybil Thorndike, Kay Walsh, and Patricia Hitchcock. Be careful because you may find yourself suffering from stage fright!

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Other dates and films screened

April 14, 2015                Strangers on a Train
May 12, 2015                 I Confess
June 9, 2015                  Dial M for Murder
July 14.2015                  Rear Window
August 11, 2015            To Catch A Thief
September 15, 2015      The Wrong Man
October 13, 2015           Vertigo
November 10, 2015       North By Northwest

Tuesday, March 29, 2011

Farley Granger, Star of Hitchcock's "Strangers on a Train" Dies at 85

Farley Granger (1925-2011), star of the Alfred Hitchcock classics Rope (1948) and Strangers on a Train (1951) died on Sunday. He was 85. 

The North Star was Farley Granger's first movie role.

Teenage Movie Star
Plucked from obscurity by a talent scout representing Samuel Goldwyn, Granger starred along side Dana Andrews, Anne Baxter, and Walter Houston in his very first film, The North Star (1943). The plot revolved around the residents of a Ukrainian village preparing for a Nazi invasion in the early days of World War II. Lewis Milestone directed the movie written by playwright Lillian Hellman. Milestone directed the anti-war classic All Quiet on the Western Front (1930). 

The Purple Heart was Granger's second film.

Navy Blue
Granger’s boyish good looks made him an instant hit with film fans. After The North Star, he again starred alongside Andrews in The Purple Heart (1944). After completing that film, Granger went into military service in the Navy. 

Granger, James Steward, and John Dall in Alfred Hitchcock's Rope

Post-War Movie Career
Upon his return to Hollywood after the war, Granger was loaned out to Hitchcock for Rope (1948) starring James Stewart. The film about two young men who murder a former schoolmate for the thrill of it was quite jarring for post-World War II audiences. Considered a classic today by many modern critics, the film wasn’t well received when originally released. Granger went on to star as Bowie in the Nicholas Ray classic They Live By Night (1949).  


Most Famous Role
Probably his most famous role was that of tennis pro Guy Haines in the Hitchcock directed Strangers on a Train (1951). In the film, Granger is manipulated by an obsessed, opportunistic fan (Robert Walker) who concocts a plan to “swap murders.”  The climax on a run-away carousel is one of the most famous in the history of cinema. 

Granger, left, with Robert Walker in Strangers on a Train

Stage Struck
Being under contract to Goldwyn was confining for Granger, who found himself constantly suspended for turning down film assignments. Eventually he bought himself out of his contract so he could pursue a career on Broadway. While he was learning how to navigate the stage world, Granger supported himself by starring on TV during its Golden Age in the 1950s. During this period, he made the occasional film like The Girl in the Red Velvet Swing (1955), but Granger remained a mainstay on the small screen well into the 1960s. Although the stage career never turned out the way he had hoped it would, Granger did have some memorable roles. He starred as the king in The King and I at New York's City Center in 1960 and played John Proctor in the 1964 Broadway production of Arthur Miller's the Crucible.

In 2007, Granger published his autobiography, Include Me Out: My Life From Goldwyn to Broadway, written with his longtime companion, Robert Calhoun.



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