Showing posts with label Sullivan's Travels. Show all posts
Showing posts with label Sullivan's Travels. Show all posts

Tuesday, February 18, 2025

Joel McCrea and Veronica Lake in Preston Sturges’s “Sullivan’s Travels”

Sullivan’s Travels (1942) is a satirical look at life in Hollywood as only director Preston Sturges could tell it. It centers around successful movie director John L. Sullivan (Joel McCrea) and his quest to learn more about life so he can film the deadly serious novel O Brother Where Art Thou?

Sullivan’s previous films were profitable comedies, but the director yearns for more. He wants to be taken seriously like Frank Capra.

To learn about life, Sullivan disguises himself as a hobo. Along the way, he meets a disillusioned young actress (Veronica Lake) who convinces him to take her on his quest. Together they experience many adventures where they discover that a bit of laughter goes a long way in tough times.

But then the movie world is suddenly turned upside down when Sullivan goes missing. Where is John L. Sullivan?

Sullivan’s Travels features the great Sturges stock company, featuring William Demarest, Robert Greig, Eric Blore, Esther Howard, and Franklin Pangborn.

Veronica Lake and Joel McCrea

Preston Sturges (1898 - 1959) was an American playwright, screenwriter, and film director. Sturges was one of the first film directors to direct his screenplays, opening the door for Billy Wilder and Joseph L. Mankiewicz to do the same. Sturges was a successful playwright, Hollywood screenwriter, and script doctor. As a writer-director, Sturges had an amazing output of films in five years, all considered classics today. These films include The Great McGinty (1940), Christmas in July (1940), The Lady Eve (1941), Sullivan's Travels (1941), The Palm Beach Story (1942), Hail the Conquering Hero (1944), and The Miracle of Morgan's Creek (1944). After leaving Paramount Pictures in a dispute with upper management, Sturges's career declined and he never produced anything close to the quality of his earlier successes. Despite this decline, Sturges is considered one of the greatest talents to come out of Hollywood.

Joel McCrea (1905 – 1990) was an American movie star who appeared in over 100 films. During his almost-five-decades career, McCrea worked with some of the top directors in Hollywood including Alfred Hitchcock (Foreign Correspondent 1940), Preston Sturges (Sullivan’s Travels 1941, The Palm Beach Story 1942), and George Stevens (The More the Merrier 1943). McCrea worked opposite some of the top leading actresses of the day including Miriam Hopkins, Irene Dunne, Veronica Lake, Claudette Colbert, and Barbara Stanwyck with whom he made six films. He was the first actor to play Dr. Kildare in the film Internes Can’t Take Money (1937) costarring Stanwyck. McCrea married actress Frances Dee in 1933. The two were married until McCrea died in 1990.

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941),  This Gun for Hire (1942), The Glass Key (1942), So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

Sullivan’s Travels trivia

  • Veronica Lake was six months pregnant when she signed on for this film. Costume designer Edith Head designed a wardrobe to hide this fact. Production was from June 12 to July 22, 1941, and her daughter Elaine Detlie was born on August 21, 1941.
  • Sturges wanted to use a clip from a Charlie Chaplin film in the church scene but Chaplin refused permission.
  • Sturges wrote the film with Joel McCrea in mind. He never considered anyone else for the role.
  • Anthony Mann was Preston Sturges’s assistant.

Click HERE to watch the film at the Internet Archive.

Click HERE to join the online discussion on February 24, 2025, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join us on Zoom.

Discussion questions

  1. What did you make of Sturges’s critique of Hollywood? Do you think there was any truth in his satire?
  2. This was Veronica Lake’s first big starring role. Was she up to the task? Many studio heads didn’t think she was right for the role.
  3. The film is filled with great dialogue. Was there a line from the movie that was, particularly memorable or funny?
  4.  Joel McCrea and Veronica Lake supposedly didn’t get along. Did that show in their performances?
  5. The film has many character actors that Sturges used in many of his movies. Do you have a favorite? 

Tuesday, July 25, 2023

Joel McCrea and Veronica Lake in Preston Sturges’s “Sullivan’s Travels”

 Sullivan’s Travels (1942) is a satirical look at life in Hollywood as only director Preston Sturges could tell it. It centers around successful movie director John L. Sullivan (Joel McCrea) and his quest to learn more about life so he can film the deadly serious novel O Brother Where Art Thou?

Sullivan’s previous films were profitable comedies, but the director yearns for more. He wants to be taken seriously like Frank Capra.

To learn about life, Sullivan disguises himself as a hobo. Along the way, he meets a disillusioned young actress (Veronica Lake) who convinces him to take her on his quest. Together they experience many adventures where they discover that a bit of laughter goes a long way in tough times.

But then the movie world is suddenly turned upside down when Sullivan goes missing. Where is John L. Sullivan?

Sullivan’s Travels features the great Sturges stock company featuring William Demarest, Robert Greig, Eric Blore, Esther Howard, and Franklin Pangborn.

Veronica Lake and Joel McCrea


Preston Sturges (1898 - 1959) was an American playwright, screenwriter, and film director. Sturges was one of the first film directors to direct his own screenplays, opening up the door for Billy Wilder and Joseph L. Mankiewicz to do the same. Sturges was a successful playwright and Hollywood screenwriter and script doctor. As a writer-director, Sturges had an amazing output of films in a period of five years, all considered classics today. These films include The Great McGinty (1940), Christmas in July (1940), The Lady Eve (1941), Sullivan's Travels (1941), The Palm Beach Story (1942), Hail the Conquering Hero (1944), and The Miracle of Morgan's Creek (1944). After leaving Paramount Pictures in a dispute with upper management, Sturges's career declined and he never produced anything close to the quality of his earlier successes. In spite of this decline, Sturges is considered one of the greatest talents to come out of Hollywood.

Joel McCrea (1905 – 1990) was an American movie star who appeared in over 100 films. During his almost-five-decades career, McCrea worked with some of the top directors in Hollywood including Alfred Hitchcock (Foreign Correspondent 1940), Preston Sturges (Sullivan’s Travels 1941, The Palm Beach Story 1942), and George Stevens (The More the Merrier 1943). McCrea worked opposite some of the top leading actresses of the day including Miriam Hopkins, Irene Dunne, Veronica Lake, Claudette Colbert, and Barbara Stanwyck with whom he made six films. He was the first actor to play Dr. Kildare in the film Internes Can’t Take Money (1937) costarring Stanwyck. McCrea married actress Frances Dee in 1933. The two were married until McCrea’s death in 1990.

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941),  This Gun for Hire (1942), The Glass Key (1942), So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

Sullivan’s Travels trivia

  • Veronica Lake was six months pregnant when she signed on for this film. Costume designer Edith Head designed a wardrobe to hide this fact. Production took place from June 12 to July 22, 1941, and her daughter Elaine Detlie was born on August 21, 1941.
  • Sturges wanted to use a clip from a Charlie Chaplin film in the church scene but Chaplin refused to give permission.
  • Sturges wrote the film with Joel McCrea in mind. He never considered anyone else for the role.
  • Anthony Mann was Preston Sturges’s assistant.


To watch the film on YouTube, click on the link below.


To join the discussion on July 31, 2023, at 6:30 p.m., click here. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

Discussion questions

  1. What did you make of Sturges’s critique of Hollywood? Do you think there was any truth in his satire?
  2. This was Veronica Lake’s first big starring role. Was she up to the task? Many studio heads didn’t think she was right for the role.
  3. The film is filmed with great dialogue. Was there a line from the film that was, particularly memorable or funny?
  4.  Joel McCrea and Veronica Lake supposedly didn’t get along. Did that show in their performances?
  5. The film has many character actors that Sturges used in his films over and over again. Did you have a favorite? 

Lake and McCrea taking direction from Preston Sturges


Wednesday, May 10, 2017

10 Things You May Not Know About Joel McCrea

Joel McCrea (1905 – 1990) was one of the most underrated stars from Hollwyood’s Golden Age, in my opinion. Unfairly labeled as the poor man’s Gary Cooper, McCrea was a talented actor in his own right. Here are some things about McCrea that you may not know.

1. Joel McCrea was Cecil B. DeMille’s paperboy.

I wonder if Cecil B. DeMille was a good tipper.

2. As a high school student he worked as a stunt double for silent movie cowboys William S. Hart and Tom Mix.

3. He was the first actor to play “Dr. Kildare” on the screen in Internes Can’t Take Money (1937).

McCrea was the first actor to portray Dr. Kildare.

4. When Gary Cooper turned down the part of the hero in Foreign Correspondent (1940), McCrea got one of his best known roles in the iconic Alfred Hitchcock thriller.

5. Writer-director Preston Sturges wrote Sullivan’s Travels (1941) and The Palm Beach Story (1942) with McCrea in mind for the male leads.

6. He starred in six films with Barbara Stanwyck; their first film together was the pre-Code Gambling Lady (1934).

7. McCrea married actress Frances Dee in 1933; they were married for 57 years (his death).

McCrea and Dee were considered one of the most glamorous couples in Hollywood.

8. He and his wife had three sons: David, Peter, and Jody.

9. Due to his shrewd financial and real-estate investments, he was a multi-millionaire by the end of the 1940s.

10. McCrea was inducted into the Western Performers Hall of Fame in 1968.

Tuesday, June 21, 2016

Preston Sturges series: Screening of “Sullivan’s Travels” June 28 at Daystar Center



Preston Sturges series: Sullivan’s Travels
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: June 28, 2016
Time: 6:30 p.m.
Hosted by Stephen Reginald


Veronica Lake and Joel McCrea
Sullivan’s Travels (1942) is a satirical look at life in Hollywood as only Preston Sturges could tell it. It centers around successful movie director John L. Sullivan (Joel McCrea) and his quest to learn more about life so he can film the deadly serious novel O Brother Where Art Thou?

Sullivan’s previous films were profitable comedies, but the director yearns for something more. He wants to be taken seriously like Frank Capra.

To learn about life, Sullivan disguises himself as a hobo. Along the way he meets a disillusioned young actress (Veronica Lake) who convinces him to take her along on his quest. Together they experience many adventures where they discover that a little laughter goes a long way in tough times.

But then the movie world is suddenly turned upside down when Sullivan goes missing. Sullivan’s Travels features the great Sturges stock company featuring William Demarest, Robert Greig, Eric Blore, Esther Howard, and Franklin Pangborn.

Backstory: Veronica Lake was six months pregnant when she signed on for this film, which made Preston Sturges furious. Fortunately, Sturges was able to film Lake in such a way that it is almost impossible detect.

Veronica Lake getting last minute makeup attention on the set

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.


Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.

Sunday, December 6, 2009

Preston Sturges: Master of the Cockeyed Caravan, Part 3

A writer-director is born
As the story goes, Sturges sold the screenplay for The Great McGinty to Paramount for $10, under the condition that he would also be allowed to direct. Since this seemed like a fairly reasonable risk for the studio, they acquiesced.

The Great McGinty (1940) didn't have big stars to pack the movie palaces, but it did have good reviews from some of the top critics of the day. New York Times film critic Bosley Crowther said this: "In the trade they call them 'sleepers'—these pictures which come drifting in without benefit of much advance publicity and which turn out delightful surprises." And a delightful surprise it was, and with its success, Sturges was on his way to the big leagues. At the 1941 Academy Awards, Sturges took home the Oscar for Best Original Screenplay.

Without taking a breath, it seems, Paramount released another film in 1940 written and directed by Sturges,  Christmas in July. Again, the film had no big stars, and again, Crowther called the film "another of those one-man creations by Preston Sturges for Paramount, is just about as cunning and carefree a comedy as any one could possibly preordain . . . ." Crowther ended his review by saying,  "As a creator of rich and human comedy Mr. Sturges is closing fast on the heels of Frank Capra."

The lady is a champ
It wasn't too long for the folks at Paramount to realize that Sturges as a writer-director was turning into a goldmine. Armed with a big budget and top-flight movie stars, Sturges jumped into production of The Lady Eve (1941) with Barbara Stanwyck and Henry Fonda, both turning in brilliant performances under his direction. Sturges was at his peak. At the end of 1941, The New York Times named The Lady Eve the best picture of the year, beating Citizen Kane!

Veronica Lake is on the Take
More hits followed in the financial success of The Lady Eve: Sullivan's Travels (1942), The Palm Beach Story (1942), The Miracle of Morgan's Creek (1944) , and Hail the Conquering Hero (1944). In a span of roughly four years, Sturges wrote and directed seven classic films! If you count The Great Moment (1944), a film that Sturges fan Crowther praised, you can make it an even eight classics in four years. It appeared that Sturges could do nothing wrong.

The shooting star crashes to earth
Almost overnight it seemed, things started going south for Sturges. At the height of his fame, he left Paramount and formed California Pictures Corporation with Howard Hughes. Nothing much came from this venture and eventually Hughes shut things down, bought RKO, and left Sturges without a home studio or any projects on the horizon.

Phoenix rising at Fox?
It would be four years before Sturges would release another film. Darryl Zanuck, at Twentieth Century Fox, hired Sturges to write and direct Unfaithfully Yours (1948) starring Rex Harrison and Linda Darnell. The film, although popular in the eyes of some critics (yes, Crowther was still a fan), didn't fare as well with the public at large. The humor, gags, and amazingly complicated narrative were all there, but as Crowther noted, "... a shade of something fatal to a champion may be perceived in his new picture at the Roxy. That's a slip in his timing and his speed. Like a boxer who takes too long a lay-off, Mr. Sturges has slowed up a bit. And this is something which his public will be the first to note and deplore." And the public did take notice and Unfaithfully Yours didn't turn out to be the next great Sturges hit. Sturges had one more chance at Fox with The Beautiful Blonde From Bashful Bend (1949) starring Betty Grable. But by then, the magic had completely rubbed off. The film was a disaster for Sturges and the studio. Sturges fan and supporter, Crowther ended his review of the film with this zinger: "Put out in Technicolor, The Beautiful Blonde looks good. But, to paraphrase the theme song, it looks pretty well shot in the end."

A lasting legacy
Although Sturges's film career basically ended with The Beautiful Blonde from Bashful Bend, his legacy lives on in the ground-breaking comedies he wrote and directed at Paramount. The body of work he produced in those four short years is a feat that has yet to be matched.

Preston Sturges was a man of uncommon intelligence and one of the most talented writer-directors to come out of Hollywood. He paved the for other writer-directors like Joseph L. Mankiewicz and Billy Wilder, and most importantly, he left us his wonderful films that still amaze, surprise, and delight us to this day.


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