Showing posts with label The Miracle Woman. Show all posts
Showing posts with label The Miracle Woman. Show all posts

Monday, January 9, 2017

Frank Capra’s “The Miracle Woman” screening at Daystar Center January 14

“Stanwyck on State Street” Film Series: The Miracle Woman
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: January 14, 2017
Time: 6:45 p.m.
Hosted by Stephen Reginald

Director Frank Capra (It Happened One Night and It’s a Wonderful Life) directed five movies starring Barbara Stanwyck. The Miracle Woman (1931) was their second collaboration and considered among their best. It’s a story of faith, disappointment, and redemption that was made at a time when American evangelism was at its peak.

Barbara Stanwyck and David Manners in The Miracle Woman

What’s it all about?
Stanwyck plays Florence Fallon whose pastor father is forced out of his church to make way for a younger man. Heartbroken over losing his pastorate, Florence’s father dies right before he’s set to give his farewell sermon. Florence starts to deliver her father’s sermon, but ends up scolding the church for firing her father so abruptly. After driving the congregation from the church with her fiery rebuke, Bob Hornsby, a con man, approaches her. He asks Florence to join forces with him to become a fake evangelist and faith healer. Bitter, disillusioned, and with no income of her own, Florence takes Hornsby up on his offer. In no time, “Sister Fallon” becomes a famous evangelist who heads a large church and whose sermons are broadcast over the radio. When one of Sister Fallon’s sermons helps a depressed, young blind man from committing suicide, Florence begins to reevaluate her life. Will she return to the faith of her father or will she continue to go down a path leading to her own destruction?

This pre-Code classic is as powerful today as it was 86 years ago. Filmmakers like Ron Howard (Apollo 13) consider it one of Capra’s best efforts.

The Miracle Woman is  part of the “Stanwyck on State Street” film series.

Barbara Stanwyck (left) and Frank Capra (right) made five films together

Have some Joe and Enjoy the Show!
You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.

Tuesday, December 27, 2016

“Stanwyck on State Street” film series at Daystar Center

The Chicago Film Club will present “Stanwyck on State Street” at Daystar Center, 1550 S. State Street. The series showcasing the films of Barbara Stanwyck will begin with The Miracle Woman (1931) on January 14. The legendary Frank Capra directed the story of a popular American evangelist played by Stanwyck. Capra and Stanwyck made five films together; The Miracle Woman was their second.
Stanwyck in Stella Dallas
Other films to be screened include, Baby Face (1933), Stella Dallas (1937), The Mad Miss Manton (1938), Union Pacific (1939), Golden Boy (1939), and Ball of Fire (1941).

Stanwyck and Henry Fonda in The Mad Miss Manton
Stanwyck’s film career began with appearances in silent films. Director Frank Capra cast her in his film Ladies of Leisure (1930), which helped established her as a major movie star. In interviews, Capra always spoke of his admiration for Stanwyck. When talking about the great actresses he worked with: Jean Arthur, Claudette Colbert, and Stanwyck, it was obvious which of the three he preferred. Of Stanwyck he said: “She [could] give you that burst of emotion better than the other two could … she [was] probably the most interesting of the three. She [was] also the hardest to define … she played the parts that were a little tougher.”

Stanwyck in between Joel McCrea and Robert Preston in Union Pacific
Perhaps more than any other actress of her generation, Stanwyck’s versatility and modern acting style still intrigue film critics and moviegoers alike. It’s hard to parody her films in the way it’s easy to mimic the performances of  Katharine Hepburn and Bette Davis. Her performances are lacking in exaggerated physical movements and tics, trademarks of Hepburn and Davis.

Besides Capra, Stanwyck worked the top directors of the day, including Howard Hawks, Cecil B. DeMille, Preston Sturges, King Vidor, William Wellman, Rouben Mamoulian, Melvin LeRoy, Wesley Ruggles, Billy Wilder, Fritz Lang, Lewis Milestone, Mitchell Leisen, Robert Wise, Anatole Litvak, and George Stevens.

Movies scheduled listed below. Saturday films begin at 6:45 p.m.; Tuesday movies begin at 6:30 p.m.More films will be scheduled later.

The Miracle Woman (1931) – January 14
Baby Face (1933) – February 18
Stella Dallas (1937) – March 11
The Mad Miss Manton (1938) – April 1
Union Pacific (1939) – May 13



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