Robert Newton and Celia Johnson head the cast in David Lean’s “This Happy Breed”

This Happy Breed (1944) is a British drama directed by David Lean and starring Robert Newton, Celia Johnson, Stanley Holloway, and John Mills. The screenplay is by Lean, Anthony Havelock-Allan, and Ronald Neame. The screenplay is based on the play This Happy Breed (1939) by Noel Coward.

The story dramatizes the life of a suburban London family from 1919 to the early years of World War II.

Robert Newton and Celia Johnson

David Lean (1908 - 1991) was an English film director, producer, screenwriter, and editor. He is considered one of the greatest and most influential directors of all time. Lean started out working in silent films where he worked his way up from teaboy to film editor. He made the transition to talking pictures and in directed his first feature In Which We Serve in 1942 which was made in collaboration with Noel Coward. Lean collaborated with Coward on This Happy Breed (1944), Blithe Spirit (1945), and Brief Encounter (1945) widely considered one of the greatest British films ever made. Today Lean is best known in America for his epic productions of films like The Bride on the River Kwai, Lawrence of Arabia, Doctor Zhivago (1965), and A Passage to India (1984).

Robert Newton (1905 – 1956) was a popular English actor and is probably best remembered for his role as Long John Silver in the Walt Disney version of Treasure Island (1950). His exaggerated accent in that role is credited with what we consider the “pirate voice.” Newton was a popular player in London’s West End and he also appeared on Broadway, replacing Laurence Olivier in Private Lives. He made several films in Hollywood including The Desert Rats (1953), Les Miserables (1952), Blackbeard the Pirate (1952), and The High and the Mighty (1954).

Celia Johnson (1908 - 1982) was an English actress who was a star on the stage, film, and television. She was nominated for a Best Actress Academy Award for her performance in Brief Encounter. Other films Johnson starred in include This Happy Breed (1944) and Captain's Paradise (1953). Later in her career, Johnson won a BAFTA Award for Best Actress in a Supporting Role for The Prime of Miss Jean Brodie (1969).

John Mills (1908 - 2005) was an English actor who made over 100 films in the United States and in Great Britain. He won an Academy Award for Best Supporting Actor for his performance in Ryan’s Daughter (1970). Mills worked on the stage in London in the Noel Coward revue Words and Music (1932). He made his film debut in the U.K. in 1932 and appeared with Ida Lupino in The Ghost Camera (1933). He had a supporting role in Goodbye Mr. Chips (1939) starring Robert Donat. Mills starred as Pip in Great Expectations (1946) to great acclaim and popular box office. Mills continued acting into the 2000s.

This Happy Breed trivia

• Laurence Olivier is the narrator during the film’s opening.
• David Lean’s first Technicolor movie and first solo directing credit.
• John Mills was the only cast member to reprise his role for the film.
• Robert Donat was offered the role of Frank Gibbons but turned it down.
• Celia Johnson plays John Mills’s mother-in-law but they were both the same age in real life.

 

To watch the film on YouTube, click here or the link below.

 

Discussion questions

1. Do you think Lean had an underlying message in the telling of the story of the Gibbons family?
2. Did Newton and Johnson make a believable married couple?
3. Were the family situations realistic? Could you relate to any of them?
4. Did the situation with Queenie (Kay Walsh) ring true?
5. Did you have a favorite character or scene?
6. Were you surprised that the film was in Technicolor? Was color a plus?

 

To join the discussion on August 7, 2023, at 6 p.m. Central Time, click here. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

 

Gregory Peck, Anne Baxter, and Richard Widmark star in the western classic "Yellow Sky"

Yellow Sky (1948) is an American western directed by William A. Wellman that stars Gregory Peck, Anne Baxter, and Richard Widmark.

Anne Baxter confronts Gregory Peck in Yellow Sky

The plot centers on Peck and his band of outlaws who rob a bank and flee the law by riding into the desert. Desperate and out of drinking water, they come upon a ghost town inhabited by a young woman named Mike (Baxter) and her grandfather (James Barton). They are Yellow Sky’s sole inhabitants. The old man has been prospecting for gold and the gang sees a chance for them to make some easy money by intimidating Mike and her grandfather out of the estimated $50,000 in gold he has mined thus far.

Yellow Sky is based on an unpublished novel by W. R. Burnett. Burnett is the best-selling author of Little Caesar, Scarface, and High Sierra. Many of his novels were turned into films, which led to a career as a scriptwriter in Hollywood. Burnett worked with top directors, writers, and actors like Raoul Walsh, John Huston, John Ford, Howard Hawks, John Wayne, Humphrey Bogart, Ida Lupino, Steve McQueen, and Clint Eastwood. As a scriptwriter, he wrote This Gun for Hire (1942), Action in the North Atlantic (1943), San Antonio (1945), and The Great Escape (1963).

Some exteriors for Yellow Sky were filmed at Death Valley National Monument. The ghost town of Yellow Sky was an old western set that actor Tom Mix had built in 1923. The crew hired by Twentieth Century-Fox basically demolished the movie set located near Lone Pine, California.

William Wellman directed the original version of A Star Is Born.

Director William A. Wellman (1896 – 1975) got his start in the movies as an actor but decided he’d rather work behind the camera as a director. He directed his first film in 1920. Seven years later, Wellman directed the World War I epic Wings. His other notable films in the sound era include The Public Enemy (1931), A Star Is Born, Nothing Sacred (both 1937), Beau Geste (1939), and The Ox-Box Incident (1943).

By 1948, Gregory Peck (1916 – 2002) was one of the biggest stars in Hollywood. He had three Best Actor nominations under his belt, including one for Gentleman’s Agreement (1947). Besides Gentleman’s Agreement, Peck starred in three other films that year, including Alfred Hitchcock’s The Paradine Case. He had non-exclusive contracts with David O. Selznick and Twentieth Century-Fox which gave him great flexibility in the roles he chose to play. Yellow Sky was Peck’s only film released in 1948.

Lobby card for The Valley of Decision (1945) starring Greer Garson and Gregory Peck

Anne Baxter (1923 – 1985) won a Best Supporting Actress Oscar for her role as Sophie MacDonald in The Razor’s Edge (1946). She was signed to a contract with Twentieth Century-Fox in 1940. In 1948, Baxter starred in four movies, with Yellow Sky being her most prominent role to date. She went on to have a prolific career in film, television, and theater. She is probably best known for her Oscar-nominated performance as Eve Harrington in All About Eve. Frank Lloyd Wright was Baxter’s grandfather.

Anne Baxter as Eve Harrington in All About Eve (1950)

Richard Widmark (1914- 2008) had a sensational movie debut playing the crazy villain Tommy Udo in director Henry Hathaway’s Kiss of Death (1947). In the film’s most notorious scene, Widmark’s character pushed an old lady in a wheelchair down a flight of stairs. His performance won him a Golden Globe Award for New Star Of The Year – Actor. He was also nominated for the Academy Award for Best Supporting Actor for his performance as Udo. Widmark was also under contract to Twentieth Century-Fox where he played mostly villains (Yellow Sky is no exception). Later in his career, he started playing more heroic roles in films like Slattery’s Hurricane and Down to the Sea in Ships (both 1949).

Richard Widmark stands between Cornell Wilde and Ida Lupino in Road House (1948).

Join us on October 24, 2022, at 6:30 p.m. Central Time, clicked here. Once you RSVP, you'll receive an invitation and link to join the discussion on Zoom.

To watch the movie on YouTube, click on the link below.

Questions for Discussion

1. What were your overall impressions?
2. Did the movie remind you of any other movies you’ve seen?
3. What did you think of Anne Baxter’s character? 
4. Did anything about the movie surprise you?
5. Was the ending satisfying? Was it realistic?

Screening of “Golden Boy” with discussion afterward September 23 at Daystar Center

“Stanwyck on State Street” Series: Golden Boy (1939)
Where: Daystar Center, 1550 S. State Street
When: September 23, 2017
Time: 6:45 p.m.
Hosted by Stephen Reginald

Golden Boy (1939) is the movie adaptation of the hit play by Clifford Odets, directed on film by Rouben Mamoulian. Barbara Stanwyck plays Lorna Moon, a girl from the wrong side of the tracks who tries to raise her station in life by being the mistress of Tom Moody (Adolphe Menjou), an older boxing promoter. Things get complicated when Joe Bonaparte (William Holden), a new young boxer, signs on with Moody. Joe’s first love is music—he plays the violin—but he gets caught up in the excitement and big money a prize fighter can earn. William Holden became a star, in, this, his film debut, but it almost didn’t happen. The producers didn’t think Holden was right in the role, but Barbara Stanwyck came to Holden’s defense and helped coach him to a successful performance.

William Holden, Adolph Menjou, and Barbara Stanwyck

This is part of the “Stanwyck on State Street” series.

Backstory: William Holden plays the Golden Boy, but the producers weren’t sure they made the right decision. When the rushed came in, many thought Holden’s acting was lacking and were ready to replace him. Barbara Stanwcyk came to Holden’s defense, helping the young actor with his line readings and basically boosting his confidence. Stanwyck basically saved Holden’s movie career, a fact that Holden acknowledged at the 1973 Academy Award ceremony. You can see that clip below.

Have some Joe and Enjoy the Show!

You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion

Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.