Ida Lupino and Louis Hayward in “Ladies in Retirement”

Ladies in Retirement (1941) is an American gothic suspense film directed by Charles Vidor and starring Ida Lupino and Louis Hayward. The movie was based on the play of the same name by Reginald Denham and Edward Percy. The cinematography was by George Barnes who won an Academy Award the previous year for his work on Alfred Hitchcock’s Rebecca.

The plot involves Ellen Creed (Lupino), a middle-aged spinster forced to work as a housekeeper/companion to Miss Leonora Fiske (Isobel Elsom), a wealthy retiree and former chorus girl in her youth. Ellen gets a letter about her two sisters Emily (Elsa Lanchester) and Louisa (Edith Barrett) who are odd, to put it mildly. The letter threatens to evict the sisters and send them to an institution.

Ellen suggests to Miss Fiske that her two sisters come for a visit. The visit turns disastrous with Miss Fiske ordering the sisters and Ellen to leave her home. To complicate matters, Albert Feather (Hayward), a distant relative shows up at the most inopportune moment.

Charles Vidor (1900 – 1959) was a Hungarian film director whose career started during the early days of talking pictures. Vidor is most famous for the work he did under contract to Columbia Pictures including Ladies in Retirement (1941), Cover Girl (1944), Together Again (1944), A Song to Remember (1945), and Gilda (1946). After leaving Columbia, Vidor directed Hans Christian Andersen (1952) for Sam Goldwyn, Love Me or Leave Me (1955) for M-G-M, and The Joker is Wild (1957) for Paramount. Vidor suffered a heart attack and died three weeks into filming.

George Barnes (1892 – 1953) was an American cinematographer who began his career during the silent era and worked into the early 1950s. Barnes was competent in both black-and-white and color cinematography. He won an Academy Award for black-and-white photography in Alfred Hitchcock’s Rebecca (1940). Some other films Barnes photographed include Jesse James (1939), Meet John Doe (1941), Jane Eyre (1944), Spellbound (1945), Samson Delilah (1949), and The War of the Worlds (1953).

Lupino and Hayward at home with their dog

Ida Lupino (1918 – 1995) was an English-American actress, director, and producer. She appeared in over 50 films and was one of Warner Bros.’s biggest contract players during the 1940s starring in High Sierra (1941), The Sea Wolf (1941), and The Man I Love (1947). After she left Warner Bros., Lupino formed her own production company, producing, writing, and directing films that tackled subjects the big studios wouldn’t touch. During the 1950s, Lupino was the only female director working in Hollywood. She directed several small independent films but made a name for herself directing for television. Lupino directed episodes of The Twilight Zone (starred in one too), The Rifleman, Bonanza, Gilligan’s Island, It Takes a Thief, Family Affair, and Columbo. In 1966, she directed her one-and-only big-budget studio picture, The Trouble with Angels starring Rosalind Russell and Haley Mills.

Charles Laughton visits the set of Ladies in Retirement

Louis Hayward (1909 – 1985) was a British-American actor. He worked on the London stage under the tutelage of Noel Coward. He made some films in England in the early 1930s and came to Broadway in 1935 working with Alfred Lunt and Lynn Fontanne in Noel Coward’s Point Valaine. His Broadway fame brought him to Hollywood where he was cast in some minor roles before getting starring roles in The Man in the Iron Mask (1939), My Son, My Son! (1940), and The Son of Monte Cristo (1940). Hayward was married to Ida Lupino from 1938 to 1945.

Ladies in Retirement trivia:

• Ida Lupino and Louis Hayward were married during the filming.
• Rosalind Russell was originally announced as the film’s lead.
• Lupino was 23 playing a woman in her mid-40s.
• The film was nominated for two Academy Awards: Best Art Direction-Interior Decoration, Black-and-White; Best Music, Scoring of a Dramatic Picture

Click HERE to watch the movie on YouTube.

Click HERE to join the online discussion on October 28, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

Questions for discussion:

1. What genre would you classify this film?
2. Did Ida Lupino make a credible middle-aged woman?
3. Why do you think Miss Fiske gave money to Albert?
4. What did you make of the two “batty” sisters?
5. Did you have any sympathy for Ellen?

  

Rita Hayworth and Glenn Ford burn up the screen in “Gilda”

Gilda (1946) is an American film noir directed by Charles Vidor and starring Rita Hayworth and Glenn Ford. The cinematography is by Rudolph Mate and Hayworth’s legendary costumes were designed by Jean Louis. The supporting cast includes George Macready, Joseph Calleia, and Steven Geray.

Johnny Farrell (Ford), a new arrival to Buenos Aires, Argentina almost loses his life after cheating at craps, he finds himself being saved by Ballin Mundson (Macready). Ballin tells Johnny about a high-class casino and recommends that he not try to cheat there.

Johnny ignores Ballin’s advice and starts winning at blackjack. Little does Johnny know that the casino is owned by Ballin. Instead of getting kicked out of the casino, Johnny convinces Ballin that he should hire him. Ballin hires Johnny and soon he becomes Ballin’s right-hand man.

When Ballin brings home Gilda (Hayworth) as his new wife, things get a bit rocky. Unknown to Ballin, Johnny and Gilda have a romantic history beginning to crack in public. Will Ballin discover the truth? And what will that mean for Johnny and Gilda?

“Put the Blame on Mame”  

Charles Vidor (1900 – 1959) was a Hungarian film director whose career started during the early days of talking pictures. Vidor is most famous for the work he did under contract to Columbia Pictures including Ladies in Retirement (1941), Cover Girl (1944), Together Again (1944), A Song to Remember (1945), and Gilda (1946). After leaving Columbia, Vidor directed Hans Christian Andersen (1952) for Sam Goldwyn, Love Me or Leave Me (1955) for M-G-M, and The Joker is Wild (1957) for Paramount. Vidor suffered a heart attack and died three weeks into filming.

Rita Hayworth (1918 - 1987) was an American actress, dancer, and producer. She was one of the biggest stars of the 1940s and was the top pin-up among GIs during World War II. Hayworth was Gilda (1946) opposite Glenn Ford. A still from this film made it to the cover of Life magazine where she was dubbed “The Love Goddess,” a title she hated. An accomplished dancer, she starred with Fred Astaire in two films: You’ll Never Get Rich (1941) and You Were Never Lovelier (1942). In 1944 she starred in Cover Girl with Gene Kelly. Other popular Hayworth films include Tonight and Every Night (1945), Down to Earth (1947), The Loves of Carmen (1948), Affair in Trinidad (1952), Miss Sadie Thompson (1953), Fire Down Below (1957), Pal Joey (1957) where she received top billing over Frank Sinatra and Kim Novak, Separate Tables (1958), and They Came to Cordura (1959). Hayworth was diagnosed with Alzheimer’s disease, which contributed to her death at age 68.

Glenn Ford (1916 - 2006) was a Canadian-American actor who was one of the biggest box office draws for three decades. Ford acted on stage in California before being signed to a contract with Columbia Pictures. He appeared in mostly B movies until The Lady in Question (1940), the first time he was paired with fellow Columbia contract player, Rita Hayworth. After serving in the Coast Guard during World War II, Ford’s career began to take off. He and Hayworth had a huge hit with Gilda (1946) and A Stolen Life (1946) with Bette Davis. Ford came into his own in the 1950s with films like Blackboard Jungle (1955), Interrupted Melody (1955) with Eleanor Parker, Jubal (1956), and The Fastest Gun Alive (1956) with Jeanne Crain, all box office successes. By the end of the decade, Ford was one of the biggest stars in the world. Ford continued making movies in the 1960s but his successes were more uneven than in the previous decade but had hits with Experiment in Terror (1962) and The Courtship of Eddie’s Father  (1963). In 1978, he played Clark Kent’s adoptive father in Superman. His last film role was Raw Nerve (1991).

Gilda trivia

• Rita Hayworth’s voice was dubbed by Anita Ellis.
• Humphrey Bogart was offered the role of Johnny Farrell but declined reasoning that no one would notice him playing against the beautiful Hayworth.
• Hayworth wore a corset when she shot the “Put the Blame on Mame” number. She had given birth to her first daughter, Rebecca Welles, just months before filming.
• Gilda was such a financial success that Hayworth’s agent negotiated that going forward, she received 25% of her films’ profits.
• Glenn Ford hadn’t been on the screen since 1943 due to his service in the Marines during World War II.
• Charles Vidor previously directed Hayworth in Cover Girl (1944).

To watch the movie on YouTube, click here.

 

To join the discussion on September 11, 2023, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation to join with a link to join the discussion on Zoom.

 

Glenn Ford and George Macready

Discussion questions

1. Gilda is considered one of the great films noir. Does it work as a film noir for you?
2. Is Gilda a femme fatale? Why or why not?
3. Modern reviewers make much of the relationship between Ballin and Johnny. What do you think is at the heart of their relationship?
4. What did you think of the on-screen chemistry between Hayworth and Ford?
5. We don’t get a lot of backstory, but do you think Gilda and Johnny really love each other?
6. The “Put the Blame on Mame” number has reached icon status. Do you think it’s deserved?
7. Could you follow the plot? Was that important?

Ida Lupino headlines “Ladies in Retirement”

Ladies in Retirement (1941) is an American gothic suspense film directed by Charles Vidor and starring Ida Lupino and Louis Hayward. The movie was based on the play of the same name by Reginald Denham and Edward Percy. The cinematography was by George Barnes who won an Academy Award the previous year for his work on Alfred Hitchcock’s Rebecca.

The plot involves Ellen Creed (Lupino), a middle-aged spinster who is forced to work as a housekeeper/companion to Miss Leonora Fiske (Isobel Elsom), a wealthy retiree and former chorus girl in her youth. Ellen gets a letter about her two sisters Emily (Elsa Lanchester) and Louisa (Edith Barrett) who are a bit odd, to put it mildly. The letter threatens to evict the sisters and send them to an institution.

Ellen suggests to Miss Fiske that her two sisters come for a visit. The visit turns disastrous with Miss Fiske ordering the sisters and Ellen to leave her home. To complicate matters, Albert Feather (Hayward), a distant relative shows up at the most inopportune moment.

Charles Vidor (1900 – 1959) was a Hungarian film director whose career started during the early days of talking pictures. Vidor is most famous for the work he did under contract to Columbia Pictures including Ladies in Retirement (1941), Cover Girl (1944), Together Again (1944), A Song to Remember (1945), and Gilda (1946). After leaving Columbia, Vidor directed Hans Christian Andersen (1952) for Sam Goldwyn, Love Me or Leave Me (1955) for M-G-M, and The Joker is Wild (1957) for Paramount. Vidor suffered a heart attack and died three weeks into filming.

George Barnes (1892 – 1953) was an American cinematographer who began his career during the silent era and worked into the early 1950s. Barnes was competent in both black and white and color cinematography. He won an Academy Award for his black and white photography in Alfred Hitchcock’s Rebecca (1940). Some other films Barnes photographed include Jesse James (1939), Meet John Doe (1941), Jane Eyre (1944), Spellbound (1945), Samson Delialah (1949), and The War of the Worlds (1953).

Lupino and Hayward at home with their dog

Ida Lupino (1918 – 1995) was an English-American actress, director, and producer. She appeared in over 50 films and was one of Warner Bros.’s biggest contract players during the 1940s starring in High Sierra (1941), The Sea Wolf (1941), and The Man I Love (1947). After she left Warner Bros., Lupino formed her own production company, producing, writing, and directing films that tackled subjects the big studios wouldn’t touch. During the 1950s, Lupino was the only female director working in Hollywood. She directed several small independent films but really made a name for herself directing for television. Lupino directed episodes of The Twilight Zone (starred in one too), The Rifleman, Bonanza, Gilligan’s Island, It Takes a Thief, Family Affair, and Columbo. In 1966, she directed her one-and-only big-budget studio picture, The Trouble with Angels starring Rosalind Russell and Haley Mills.

Charles Laughton visits the set of Ladies in Retirement

Louis Hayward (1909 – 1985) was a British-American actor. He worked on the London stage under the tutelage of Noel Coward. He made some films in England in the early 1930s and came to Broadway in 1935 working with Alfred Lunt and Lynn Fontanne in Noel Coward’s Point Valaine. His Broadway fame brought him to Hollywood where he was cast in some minor roles before getting starring roles in The Man in the Iron Mask (1939), My Son, My Son! (1940), and The Son of Monte Cristo (1940). Hayward was married to Ida Lupino from 1938 to 1945.

Ladies in Retirement trivia:

• Ida Lupino and Louis Hayward were married during the filming.
• Rosalind Russell was originally announced as the film’s lead.
• Lupino was 23 playing a woman in her mid-40s.
• The film was nominated for two Academy Awards: Best Art Direction-Interior Decoration, Black-and-White; Best Music, Scoring of a Dramatic Picture

To watch the film, click on the YouTube link below.

To join us on November 3, 2020, at 6:30 p.m. for a discussion on Zoom, visit the Chicago Film Club Meetup page.

Questions for discussion:

1. What genre would you classify this film?
2. Did Ida Lupino make a credible middle-aged woman?
3. Why do you think Miss Fiske gave money to Albert?
4. What did you make of the two “batty” sisters?
5. Did you have any sympathy for Ellen?

Screening of "Ladies in Retirement" at Daystar Center June 6

“Classic Movie Man’s Favorite” Series: Ladies in Retirement
Where: Daystar Center, 1550 S. State Street
When: June 6, 2017
Time: 6:30 p.m.
Hosted by Stephen Reginald

Ladies in Retirement (1941) was a hit on the Broadway stage with Flora Robson in the lead role. Director Charles Vidor brought it to the screen with an impressive cast headed by Ida Lupino. 

The story concerns Ellen Creed (Lupino) who is the paid companion to the wealthy Leonora Fiske (Isobel Elsom). When Ellen’s mentally challenged sisters (Elsa Lancaster and Edith Barrett) are kicked out of their London apartment, Ellen, with Leonora’s permission, invites them to stay with her for a “visit.” It doesn’t take long for things to go terribly wrong as Ellen’s batty older sisters disrupt the tranquility of Leonora’s home. Leonora reaches the end of her patience and orders Ellen’s sisters and Ellen herself to leave. With no income to take care of herself and her sisters, Ellen comes up with a desperate and diabolical plan.

The New York Times praised the film in its November 7, 1941 review. It said the film was “…beautifully photographed and tautly played, especially it’s central role…Give [Ida] Lupino the largest measure of credit, for her role is the clue to the suspense…she is none the less the thin ribbon of intensity that makes the film hair-raising.”

Elsa Lancaster, Ida Lupino, Edith Barrett

The impressive cast also includes Louis Hayward (Lupino’s husband at the time) as cousin Albert and Evelyn Keyes as Lucy the maid.