Showing posts with label Clifton Webb. Show all posts
Showing posts with label Clifton Webb. Show all posts

Tuesday, August 13, 2024

Dana Andrews and Gene Tierney lead the cast in "Laura"

Laura (1944) is set among New York City’s upper crust, with Detective Mark McPherson (Dana Andrews) investigating the murder of beautiful advertising executive Laura Hunt (Gene Tierney). The suspects are some of her closest friends and associates including fiancĂ© (Vincent Price), aunt (Judith Anderson), and mentor (Clifton Webb).



When production on Laura  started, no one believed that the end product would be worth seeing. From the beginning the project was problematic. Arguments between studio boss Darryl Zanuck and the original director, Rouben Mamoulian ended in Mamoulian being fired. Zanuck then assigned Otto Preminger, already the film’s producer, to be its director too. The only problem: Preminger had limited experience as a movie director. 


Under Preminger’s supervision, what began as a fairly ordinary murder mystery, turned out to be a critical and box office success. Tierney in the title role became a superstar and was forever identified with the beautiful, enigmatic Laura Hunt. Andrews, as Detective Mark McPherson, established himself as a major star and popular leading man. Webb, who hadn’t made a movie since the early days of talking pictures, earned an Academy Award nomination as Best Supporting Actor for his role as Waldo Lydecker. Thomas M. Pryor, in his October 12, 1944 New York Times review called Laura “a top-drawer mystery.”

With some of the sharpest and wittiest dialogue ever recorded on film, Laura set the standard for 1940s film noir. Andrews’s portrayal of McPherson became a prototype for what would become known as the hard-boiled detective, influencing a generation of movie actors. Pryor from the Times put it this way: “Mr. Andrews is fast proving himself to be a solidly persuasive performer, a sort of younger-edition Spencer Tracy.”

The musical score by David Raksin is one of the most hauntingly beautiful movie themes ever recorded and will forever be associated with the enigmatic Tierney.


Laura trivia

  • Vincent Price thought this was the best movie he ever made.
  • David Raskin's famous film score wasn't nominated for an Academy Award.
  • Jennifer Jones and Hedy Lamarr were both offered the role of Laura but turned it down.
  • Gene Tierney, knowing that she wasn't the first choice was reluctant to take the part.
  • Dorothy Adams, memorable as Laura's maid Bessie didn't receive screen credit.
  • Joseph LaShelle won an Academy Award for his black and white cinematography.


Click HERE to watch the film on Internet Archive. You can play the film on your laptop or phone. If you have an HDMI cable, you can hook it up to your TV.

Click HERE to join the discussion on August 19, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

Discussion questions
  1. Laura is considered one of the top films noir of all time. Do you think it deserves that reputation?
  2. Some critics upon the film's release thought that Gene Tierney was miscast. Do you agree with that assessment?
  3. Did David Raskin's score help the movie narrative?
  4. The film is filled with great performances; did one performance stand out to you?
  5. Where you surprised by the plot twists?
  6. Do you think Waldo Lydecker was in love with Laura?













Tuesday, October 31, 2023

Lucille Ball and Mark Stevens find themselves in “The Dark Corner”

The Dark Corner (1946) is an American film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix, and Mark Stevens. The screenplay was by Jay Dratler and Bernard Schoenfeld. The cinematography was by Joseph  (Joe) MacDonald (My Darling Clementine, Yellow Sky, How to Marry a Millionaire, and The Sand Pebbles). The music was by Cyril Mockridge.

Private investigator Bradford Galt (Stevens) has recently moved from San Francisco to New York City to leave a troubled past behind. Galt blames his former partner Tony Jardine (Kurt Kreuger) for all his troubles but is unaware of Jardine’s criminal involvement with Hardy Cathcart (Webb) an art gallery owner. And why is a man in a white suit following Galt?

With the help of secretary Kathleen Stewart (Ball), Galt sets out to discover the truth and clear his name.

Lucille Ball and Mark Stevens

Henry Hathaway (1898 – 1985) was an American film director and producer. Hathaway started working in silent films in 1925 as an assistant to established directors like Victor Fleming and Josef von Sternberg. His first solo directorial effort was Heritage of the Desert (1932) starring Randolph Scott. Hathaway, along with Scott, would be known for western movies. Besides Scott, Hathaway directed Gary Cooper in several films, including The Lives of a Bengal Lancer (1935) which earned him his only Best Director Academy Award nomination. In 1940, Hathaway began working at Fox where he directed Tyrone Power in Johnny Apollo and Brigham Young (both 1940), Gene Tierney in China Girl (1942), Don Ameche and Dana Andrews in Wing and a Prayer (1944), and Call Northside 777 (1948) starring James Stewart and Richard Conte. After leaving Fox, he was one of three directors who worked on the western epic How the West Was Won (1962). He directed Steve McQueen in Nevada Smith (1966), directed John Wayne in True Grit (1968) which won Wayne his one and only Best Actor Academy Award.

Lucille Ball (1911 – 1989) was an American actress. Ball started her career as a model and later appeared in films while under contract to RKO Radio Pictures during the 1930s and 1940s. At RKO, she starred in B-pictures and had supporting roles in A-pictures like Stage Door (1937) co-starring Katharine Hepburn and Ginger Rogers. Ball left RKO for M-G-M in the mid-40s but major stardom eluded her. Ball had a hit radio show, My Favorite Husband. CBS wanted her to develop the show for television but Ball insisted on having her real-life husband Desi Arnaz co-star with her. The studio wanted her to star with her radio husband, Richard Denning, but Ball held out for Arnaz and I Love Lucy was born. During her television career, Ball was nominated for 13 Primetime Emmy Awards, winning five times. Ball’s reputation as one of the world’s great comedians has never been disputed.

Clifton Webb (1889 - 1966) was an American stage and film actor. Webb was a successful Broadway star and had made several silent films before he appeared in Laura (1944). As the acerbic Waldo Lydecker, Webb established himself as a character actor and eventually a leading actor in films like Cheaper by the Dozen (1950), Dreamboat (1952), and Titanic (1953). Working exclusively for Twentieth Century-Fox, Webb's last film was Satan Never Sleeps (1962) co-starring William Holden and directed by Leo McCarey.

William Bendix (1906 – 1964) an American film, radio, and television actor. Bendix usually played rough guys, gangsters, and blue-collar characters. In 1942, he was nominated for a Best Supporting Actor Oscar for his performance in the World War II drama Wake Island. As a youngster, Bendix was a bat boy at Yankee Stadium. He was fired for buying Babe Ruth a hot dog and soda before the game. Bendix starred in several classic films noir, including The Glass Key (1942) and Blue Dahlia (1946). Perhaps his greatest role was as Chester A. Riley a role he played on radio and television to great success.

Mark Stevens (1916 – 1994) was an American actor and director. Stevens starred in films and was also a successful actor in the early days of television. In 1943, he was signed to a contract at Warner Bros. as Stephen Richards. At Warner’s, he had small parts, often uncredited in A-pictures like Destination Tokyo (1943), and Rhapsody in Blue (1945). When his contract was up at Warner Bros., he was signed by Fox where Darryl Zanuck changed his name to Mark Stevens. At Fox, he reached leading-man status starring opposite June Haver in I Wonder Who’s Kissing Her Now (1947) and with Haver once again in Oh, You Beautiful Doll (1949). Both films with Haver were big hits. He also starred in The Street With No Name (1948) where he was billed over Richard Widmark. He played Olivia de Havilland’s loyal husband in The Snake Pit (1948) and Dancing in the Dark (1949) with William Powell and Betsy Drake. Later in his career he directed himself in several movies and worked in television on shows like Magnum P.I. and Murder She Wrote.

The Dark Corner trivia

  • The studio hoped that this film would be as successful as Laura, but although it was well received by the critics, it wasn’t a commercial success.
  • Lucille Ball was borrowed from M-G-M for the role of Kathleen Stewart when Ida Lupino became unavailable.
  • Ball clashed with director Henry Hathaway who was critical of her performance.
  • The cast is a who’s who of 1950s television with Lucille Ball (I Love Lucy-1951), William Bendix (The Life of Riley­-1953), Reed Hadley (Racket Squad-1950 and Public Defender-1954), Mark Stevens (Big Town-1950).
  • Alfred Newman’s theme music “Street Scene” was used once again. “Street Scene” was used in more Fox films than any other musical theme.

To watch the film on YouTube click here.



To join the discussion on November 6, 2023, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation along with a link to join the discussion on Zoom.

Discussion questions

  1. What did you think of Lucille Ball’s performance as a film noir dame?
  2. The critics loved this movie but audiences didn’t. Why do you think this movie didn’t hit gold at the box office?
  3. Were Ball and Mark Stevens believable as an on-screen couple?
  4. What about Cliffton Webb? Was his character Waldo Liedecker 2.0?
  5. Did you have a favorite scene or piece of dialogue?
  6. Did anything about the film surprise you?

Friday, June 17, 2022

Robert Young, Maureen O'Hara, and Clifton Webb are "Sitting Pretty"

Sitting Pretty (1948) is an American comedy directed by Walter Lang and starring Robert Young, Maureen O'Hara, and Clifton Webb. Other members of the cast include Richard Haydn, Betty Lynn, and Ed Begley.

Harry King (Young) and his wife Tacey (O'Hara) have gone through several nannies for their three boys and are desperate. So desperate in fact that Lacey hires a Lynn Belvedere (Webb) sight unseen only to find out that Lynn is a man. A man with many talents and abilities that he puts to good use in the King household. 

But is Lynn too good at his job? He may have tamed the three boys but has he won over their parents?

Clifton Webb in Sitting Pretty

Walter Lang (1896 - 1972) was an American film director who is most identified with Twentieth Century-Fox studio where he directed some of their most popular films. At Fox, he directed all their top stars including Tyrone Power, Loretta Young, Shirley Temple, Alice Faye, Betty Grable, Don Ameche, John Payne, Henry Fonda, Dana Andrews, and Jeanne Crain. Some of the films Lang directed at Fox include The Little Princess (1939), Moon Over Miami (1941), State Fair (1945), Mother Wore Tights (1947), Cheaper by the Dozen (1950), With a Song in My Heart (1952), The King and I (1956), and Desk Set (1957). Lang was married to Madalynne Field who was an actress at the Mack Sennett studio. Field acted with Carole Lombard at Sennett where they became great friends and was Lombard's secretary until her marriage to Lang in 1937.

Robert Young (1907 - 1998) was an American actor. He was a radio, movie, and television actor. In spite of the fact that Young made over 100 films, he is best remembered for his starring roles in the television series Father Knows Best (1954 -1960) and Marcus Welby MD (1969 - 1976). Young was under contract with MGM early in his career. At Metro, he costarred with some of the most famous leading ladies from that studio including Katharine Hepburn, Margaret Sullavan, Joan Crawford, and Hedy Lamarr. Young received some of his best film roles once he left MGM. As a freelance artist, he starred in The Enchanted Cottage (1945), Claudia and David (1946), They Won't Believe Me (1947), and Crossfire (1947). Young's last theatrical film was Secret of the Incas (1954) co-starring Charlton Heston. Supposedly, this was the film that inspired Raiders of the Lost Ark (1981).

Maureen O’Hara (1920 - 2015) was an Irish-American actress and singer. In her native Ireland, O’Hara trained with the Abbey Theatre at age 14. She screen-tested for the role of Mary Yellan in Jamaica Inn at age 19. Director Hitchcock wasn't impressed with O’Hara’s test but Laughton persuaded him to cast her. After finishing the film, O’Hara moved to Hollywood where she was signed to a contract at RKO. In 1941 she starred in How Green Was My Valley, her first collaboration with director John Ford. She starred alongside Tyrone Power in The Black Swan (1942), The Spanish Main (1945) with Paul Henreid, and Sinbad the Sailor (1947) with Douglas Fairbanks Jr. That same year she starred in the Christmas classic Miracle on 34th Street with John Payne, Edmund Gwenn, and a young Natalie Wood. Other popular films include The Quiet Man (1952), The Parent Trap (1961), and McLintock! (1963).

Clifton Webb (1889 - 1966) was an American stage and film actor. Webb was a successful Broadway star and had made several silent films before he appeared in Laura (1944). As the acerbic Waldo Lydecker, Webb established himself as a character actor and eventually a leading actor in films like Cheaper by the Dozen (1950), Dreamboat (1952), and Titanic (1953). Working exclusively for Twentieth Century-Fox, Webb's last film was Satan Never Sleeps (1962) co-starring William Holden and directed by Leo McCarey.

Maureen O'Hara and Robert Young

Sitting Pretty trivia

  • John Payne was set to play the role of Harry King before Robert Young was cast.
  • Although third billed, Webb was nominated for Best Actor for his role as Lynn Belvedere.
  • Film debut of Betty Lynn (Thelma Lou in The Andy Griffith Show).
  • The movie produced two sequels all starring Clifton Webb repeating his role as Belvedere.


To watch the film on YouTube, click on the link below.


To join the discussion on June 27, 2022, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation and link to join the discussion on Zoom.


Discussion questions

  1. Was the premise of the film believable?
  2. Sitting Pretty was one of the most popular comedies of the late-1940s. Does it hold up in 2022?
  3. Clifton Webb's performance in this film earned him a Best Actor Academy Award nomination. Did he deserve it? Was his performance Oscar-worthy?
  4. Were Robert Young and Maureen O'Hara believable as a married couple having trouble raising their children?
  5. Did you have a favorite scene from this film?
  6. Was this film like any other family comedy you've seen?

 




Friday, November 4, 2016

Noirvember starts with “Laura” at the Daystar Center, November 5

The Noirvember film series begins Saturday night with Laura (1944) at the Daystar Center, 1550 S. State Street. The movie begins at 6:45 p.m.

Set among Park Avenue society, Laura concerns the murder of Laura Hunt (Gene Tierney), a beautiful young woman who captivated every man she met. Detective Mark McPherson (Dana Andrews) investigates the murder  by questioning the men in Laura’s life: literary critic Waldo Lydecker (Clifton Webb) and playboy fiancĂ© Shelby Carpenter (Vincent Price). Did they have motives to kill Laura? Hypnotized by Laura’s portrait, as he continues the investigation, McPherson finds himself falling in love. When the case takes a strange turn, the suspense really begins. Filled with witty dialogue and one of the most famous film scores of all time, Laura is considered one of the best films noir ever produced.


The complete schedule for the Noirvember series is listed below. All films begin at 6:45 p.m.

Murder, My Sweet (1945) November 12
Gilda (1946) November 19
Road House (1948) November 26

Thursday, April 12, 2012

The “Titanic” Disaster on Film


April 15, 2012 marks the 100th anniversary of the sinking of the Titanic. One of the most famous and storied maritime disasters of all time, it’s no wonder Hollywood found the tale irresistible. Alfred Hitchcock reportedly wanted to direct a film based on Titanic, but the technology of the 1940s wasn’t advanced enough for the master of suspense and he abandoned the project.

Hollywood Discovers Titanic
It wasn’t until 1953’s Titanic that Hollywood first tackled the story. The British filmed Walter Lord’s nonfiction narrative, A Night to Remember, in 1958. And with movie-making technology breakthroughs, Hollywood took on the subject once again in 1997.
The first Hollywood film about the Titanic disaster

Titanic (1953) directed by Jean Negulesco is a fictional melodrama set aboard the famous luxury liner. Clifton Webb and Barbara Stanwyck star as estranged husband and wife Richard and Julia Sturges, parents of two children (17-year-old-Annette and 10-year-old Norman), who, up until their journey on the “ship of dreams,” were being raised in Europe. Julia has decided that she wants to raise her children in the United States because, after all, they’re Americans. Richard objects to Julia’s plans, but when she tells Richard that Norman isn’t his son, he backs off. In the midst of all this turmoil, daughter Annette (Audrey Dalton) fails in love with Giff Rodgers (Robert Wagner), a 20-year-old college tennis player traveling with the Purdue University team. The romance between Annette and Giff foreshadows the romance between Rose DeWitt Bukater and Jack Dawson, in James Cameron’s Titanic, 44 years later.

After the ship hits the iceberg, the narrative speeds along and the film features some pretty impressive set pieces and special effects. As the disaster unfolds, Richard and Julia reconcile. In the confusion young Norman gives up his place in a lifeboat to a woman, while he goes in search of the man he believes is his father, who has taken his place with the men on Titanic’s deck. Both Richard and Norman go down with the ship; Julia, Annette, and Giff survive.

The accuracy of some of the details is questionable. The most glaring is the depiction of the ship hitting the iceberg on the port instead of the starboard side. In the DVD commentary, one film expert thought the negative may have been accidentally flipped, but there really is no good reason for the error. As melodrama though, Titanic is compelling and moving. In its 1953 review of the film, The New York Times said, “As a dramatization of an historic tragedy ‘Titanic’ is adult and restrained about fiction, heroism and history.” Stanwyck’s facial expression as the ship sinks is heartbreaking and captures the emotion of the moment.

This film is considered, by many, the best retelling
of the Titanic disaster.
A Sober Retelling
A Night to Remember, Lord’s sober account of the sinking of the Titanic is almost a documentary of the event. The disaster is seen through the eyes of Second Officer Charles Herbert Lightoller (Kenneth More), who remains steady and calm when the situation falls into chaos. The narrative is almost dispassionate, but it’s part of what makes the film so compelling. The circumstances are riveting enough; they don’t need to be embellished with the addition of fictional melodrama.

From a production standpoint, the film holds up very well. There is no attempt to dazzle us with special effects, but what we see seems real enough. As Lightoller, More gives a solid performance that anchors (no pun intended) the film. New York Times movie critic, Bosley Crowther said this about More’s performace: “His evidences of competence, compassion and unfailing bravery are in the best tradition of British seamanship.” Crowther also said of the production in his December 17, 1958 review that A Night to Remember is “as fine and convincing an enactment as anyone could wish—or expect.” The movie also stars Honor Blackman and features, future 1960s TV heartthrob, David McCallum  (The Man From U.N.C.L.E.) as assistant wireless operator Harold Bride, who survived the disaster.

With its attention to detail and straightforward narrative, A Night to Remember is considered, by many, to be the best movie about the Titanic ever filmed.

From joke to Best Picture
When director James Cameron set out to make a new film based on the Titanic disaster, many were skeptical that he could pull it off. The pre-publicity for the film was filled with news about cost overruns and trouble with the overall production. The movie cost a then-staggering $200,000,000. Many thought the movie would be a disaster of another kind. Due to the cost overruns, Cameron waived his salary, instead opting for a percentage of the gross, which seemed like a loosing proposition at the time. When the film opened December 21, 1997, it surprised critics and moviegoers with its meticulous recreation of Titanic.

Leonardo DiCaprio and Kate Winslet
were the tragic lovers aboard Titanic.
The movie included a predictable love triangle. Rose (Kate Winslet) a young woman sailing on Titanic with her possessive fiance (Billy Zane) who meets a destitute young artist named Jack (Leonardo DiCaprio). The love story between Jack and Rose captivated teenage moviegoers who saw the film multiple times. When DiCaprio appeared on screen, you could literally hear girls sighing.

What really made the movie memorable though was the extraordinary production. The recreation of the great ocean liner was impeccable. One really gets a sense of the grandeur of trans-Atlantic travel in the steamship era. The shots of the ship at sea from all angles are truly breathtaking. While the tragic romance of Jack and Rose is the main focus of the film, it takes a backseat once the ship hits the iceberg. When it sinks and breaks apart, the horror of the event is amazingly portrayed. Of the film, critic Janet Maslin said “‘Titanic’ is the first spectacle in decades that honestly invites comparison to ‘Gone With the Wind’.” As an epic, and Titanic is truly an epic, the comparison is a worthy one. Maslin also noted that Titanic was “the joke of the summer. Now it’s the movie of the year.” Titanic would go on to be the biggest grossing film in history (only to be surpassed by Cameron’s Avatar in 2009), winning 11 Academy Awards including one for Best Picture and Best Director.

With the re-release of the film in 3-D, we’ll see if its reputation will be burnished even more.

James Darren and Robert Colbert starred in Time Tunnel.
Not only has Titanic been the main attraction in several films, it’s been a character in many, including Cavalcade (1933), The Unsinkable Molly Brown (1964), and Raise the Titanic (1980). The ship was also the subject of a costly TV miniseries, Titanic (1996) starring George C. Scott, Peter Gallagher, Catherine Zeta Jones, and Eva Marie Saint. A new Titanic miniseries from the producers of Downton Abbey makes its American debut on the 100th anniversary of the Titanic’s sinking. And we can be sure that more Titanic movies and TV miniseries will be forthcoming.


Titanic Movie and TV Trivia
Twentieth Century Fox spent a lot of money on the sets for the 1953 production of Titanic. The major set pieces were used again in Fox productions released later that year: Gentlemen Prefer Blondes and Dangerous Crossing. In 1966, the TV show Time Tunnel used the sets once again when time travelers James Darren and Robert Colbert found themselves onboard the famous ship before it hit the iceberg.

Friday, November 12, 2010

Tierney is Tops!

A radiant Tierney in "The Return of Frank James"
Darryl F. Zanuck, the head of Twentieth Century Fox, thought Gene Tierney was the most beautiful woman in movie history. During the 1940s, Tierney’s face was on the covers of countless magazines; women copied her look and wore clothes and accessories inspired by her movie roles.

From the moment she first appeared on the big screen, Tierney was a star. The critics weren’t always taken with her performances, but audiences loved her mix of exotic and girl-next-door beauty. She had a slight overbite, which Tierney refused to correct, when she came to Hollywood. In fact, she had it written into her contract that she had “control” of her teeth and hair. A clause like that may seem odd to us today, but during the reign of the major Hollywood studios it was unusual for an actor or actress to have those kinds of exceptions written into their contracts.

Tierney was far from a diva or prima donna when it came to performing on the set. Known for her professionalism and kindness with both cast and crew, her first husband, Oleg Cassini said Tierney wanted everyone around her to “be happy.”
Tierney helped sell a lot of hats in the 1940s.

Gene Eliza Tierney was born in Brooklyn, NY, on November 19, 1920. Tierney’s father, Howard Sherwood was a successful insurance broker. Her mother, Belle Lavina Taylor was a former physical education instructor. Gene had an older brother, Howard Sherwood Jr. and a younger sister, Patricia.

The Tierney family eventually settled in Connecticut where all seemed ideal. Gene attended the best private schools in the state. At the age of 15, she spent two years attending the Brillantmont school in Lausanne, Switzerland. At Brillantmont, she learned to speak fluent French, a skill she would display in several future film roles.

Tierney’s film career might have started earlier had it not been for her father. In 1938, Gene and her family took a trip to Hollywood. On a tour of the Warner Brothers studio, she was “discovered” by Anatole Litvak. The studio wanted to give the seventeen-year-old a contract, but her father didn’t think the salary was very good and that ended that, or so it seemed.

Tierney is a Technicolor dream in "Heaven Can Wait."
Instead of going to Hollywood, Tierney struck a deal with her father. She would pursue an acting career on the legitimate stage. It was Howard Tierney’s belief (and hope) that his daughter would soon tire of a career, marry well and settle down. But that was not to be.

On the cover of "Life" in 1941
Tierney’s stage debut was inauspicious at best: she carried a pail of water across the stage in What a Life! (1938). Larger roles soon followed and influential critics like Brooks Atkinson from The New York Times took notice. Her real break came when she played Patricia Stanley in the Male Animal (1940). Her reviews were terrific and all of Broadway was at her feet.

One evening, Darryl F. Zanuck, head of Twentieth Century Fox studios, attended a performance of The Male Animal. He thought Tierney had movie star potential and soon she was on her way to Hollywood.

Tierney’s first movie was The Return of Frank James starring Henry Fonda and directed by Fritz Lang. The movie was a hit, but Tierney’s performance was panned. The Harvard Lampoon went so far as to call  her “The Worst Female Discovery” of 1940. Tierney took that slight in stride, but she didn’t like the way her voice sounded. She said she sounded like an “angry Minnie Mouse.” Someone suggested she take up smoking cigarettes to lower the register of her voice. Smoking did lower her voice, but it would also contribute to health problems later in life.

Tierney in "Tobacco Road"
Tierney may not have impressed the critics with her acting ability, but the public was enthralled with her beauty. As the new Hollywood “it girl,” Tierney made five movies in 1941, including Tobacco Road directed by John Ford, Sundown directed by Henry Hathaway, and The Shanghai Gesture directed by Joseph von Sternberg. Nineteen forty-one was also the year Tierney defied her family and studio by marrying a young fashion designer named Oleg Cassini. She and Cassini eloped against the advice of her parents and the brass at Fox.

The next year, Tierney starred in four movies, including Son of Fury: The Story of Benjamin Blake opposite Tyrone Power, Fox’s top male box office draw.

In 1943, Tierney starred in Heaven Can Wait with Don Ameche, directed by the legendary Ernst Lubitsch. The classic comedy filmed in Technicolor showcased Tierney’s radiant beauty. In the movie, her character aged from a young teenage girl to a middle-aged woman and mother. It was her performance as Martha Strabel Van Cleve that convinced Otto Preminger that Tierney had the right qualities to play the title character in the new movie he was producing.

A studio portrait
During the filming of Heaven Can Wait, Tierney discovered she was pregnant. On October 15, 1943, Tierney gave birth to a baby girl, Antoinette Daria Cassini. Born premature, Daria had several handicaps: she was deaf, partially blind, and severely retarded. This devastated Tierney and may have been the beginning of her struggles with mental illness.

After the birth of her daughter, it wasn’t a surprise that Tierney was reluctant to get back to the studio for the next assignment they had lined up for her. The role of Laura Hunt did not appeal to Tierney. Originally conceived as a vehicle for Jennifer Jones, producer Otto Preminger wanted Tierney and lobbied Zanuck hard for her services.

Hired as the producer, Preminger constantly clashed with Rouben Mamoulian, (The Mark of Zoro ,1940) the studio-assigned director. After viewing early footage that Mamoulian directed, Zanuck fired him and hired Preminger to both produce and direct. Preminger had directed several films before, but none had brought him any great success or acclaim. Laura was based on a novel by Vera Caspary, a popular novelist and screenwriter ( A Letter to Three Wives,1949).

Tierney, as Laura Hunt, surrounded by Dana Andrews, Vincent Price, and Clifton Webb
Set among New York’s Park Ave. set, the movie is populated with society’s “upper crust,” if you will, a group that fascinated Preminger. Casting Tierney as the mysterious Laura was a risk. The audience had to believe that she was able to captivate all three of the male protagonists. The director was sure he had made the right choice and felt the same about casting Dana Andrews as detective Mark McPherson. At this point in his career, Andrews was still playing second leads. Zanuck’s first choice for the role was John Hodiak. Laura gave Andrews his first big role and it made him a star.

When the film was released in late 1944, it was an instant hit. Tierney was more famous than ever. And she would be forever identified with the film and its haunting musical score penned by David Raksin.

Laura was nominated for five Academy Awards, including one for Best Director (Preminger) and Best Supporting Actor (Clifton Webb). Preminger and Webb lost that year, but cinematographer Joseph LaShelle won for his masterful black and white photography.

Tierney’s performance, as well as Andrews’s, was neglected at Oscar time. Today Tierney’s performance is appreciated as one of the best of the actress’s career. The American Film Institute named Laura the fourth best film in the mystery genre in 2008.

Saturday, October 30, 2010

"Laura" Starring Gene Tierney and Dana Andrews

Laura (1944) is set among New York City’s upper crust, with Detective Mark McPherson (Dana Andrews) investigating the murder of beautiful advertising executive Laura Hunt (Gene Tierney). The suspects are some of her closest friends and associates including fiancĂ© (Vincent Price), aunt (Judith Anderson), and mentor (Clifton Webb).

When production on Laura  started, no one believed that the end product would be worth seeing. From the beginning the project was problematic. Arguments between studio boss Darryl Zanuck and the original director, Rouben Mamoulian ended in Mamoulian being fired. Zanuck then assigned Otto Preminger, already the film’s producer, to be its director too. The only problem: Preminger had limited experience as a movie director. 

Under Preminger’s supervision, what began as a fairly ordinary murder mystery, turned out to be a critical and box office success. Tierney in the title role became a superstar and was forever identified with the beautiful, enigmatic Laura Hunt. Andrews, as Detective Mark McPherson, established himself as a major star and popular leading man. Webb, who hadn’t made a movie since the early days of talking pictures, earned an Academy Award nomination as Best Supporting Actor for his role as Waldo Lydecker. Thomas M. Pryor, in his October 12, 1944 New York Times review called Laura “a top-drawer mystery.”

With some of the sharpest and wittiest dialogue ever recorded on film, Laura set the standard for 1940s film noir. Andrews’s portrayal of McPherson became a prototype for what would become known as the hard-boiled detective, influencing a generation of movie actors. Pryor from the Times put it this way: “Mr. Andrews is fast proving himself to be a solidly persuasive performer, a sort of younger-edition Spencer Tracy.”

The musical score by David Raksin is one of the most hauntingly beautiful movie themes ever recorded and will forever be associated with the enigmatic Tierney.




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