Joan Bennett and James Mason in "The Reckless Moment"

Max Ophuls, a renowned German director who only made four films in the United States, directed The Reckless Moment (1949). It starred Joan Bennett and James Mason. It was only Mason’s third American film. The film is based on The Blank Wall (1947), a novel written by Elisabeth Sanxay Holding. The cinematography was by Burnett Guffey who won Academy Awards for From Here to Eternity (1953) and Bonnie and Clyde (1967).

The plot involves Lucia Harper (Bennett) who is trying to keep Ted Darby (Shepperd Strudwick) a low-life criminal from seeing her teenage daughter Bea (Geraldine Brooks). He tells Lucia that he’s willing to stop seeing Bea for a price. Lucia is confident that when she tells her daughter Darby’s true feelings the relationship will come to an end. This is film noir so no situation gets resolved that easily. Without giving anything away, let’s just say things go horribly wrong, exposing Lucia’s daughter and family to some pretty despicable characters. 

Max Ophuls (1931-1957) was born in Germany where his film career began. After it was clear the Nazis would take power in Germany, Ophuls, a jew, moved to France in 1933 where he became a French citizen in 1938. After the fall of France, he traveled through Switzerland and Italy, eventually ending up in the United States. In Hollywood, Ophuls directed Douglas Fairbanks Jr. in The Exile (1947), Joan Fontaine and Louis Jordan in Letter from an Unknown Woman (1948), and Caught starring James Mason, Barbara Bel Geddes, and Robert Ryan. The Reckless Moment would be his last Hollywood film before he returned to France, where he directed major successes La Ronde (1950) and The Earrings of Madame de…(1953) starring Charles Boyer and Danielle Darrieux.

James Mason (1909 – 1984) was an English actor who was a movie star in the UK before coming to Hollywood. His popular British films include The Seventh Veil (1945) and The Wicked Lady co-starring Margaret Lockwood (1945). His performance in Carol Reed’s Odd Man Out (1947) brought him international acclaim and success in Hollywood. In Hollywood he starred in four films in 1949: Caught, Madame Bovary with Jennifer Jones, The Reckless Moment with Joan Bennett, and East Side, West Side with Barbara Stanwyck. Other popular American films include The Desert Fox: The Story of Rommel (1951), The Prisoner of Zenda (1952), Julius Caesar (1953), A Star is Born (1954), 20,000 Leagues Under the Sea, Island in the Sun (1957), North by Northwest (1959), Journey to the Centre of the Earth (1959), and Lolita (1963). Mason continued to work in film and television up to the time of his death.

James Mason and Joan Bennett

Joan Bennett (1910–1990) began her film career during the early sound era. A natural blonde, Bennett dyed her hair as a plot device in the film Trade Winds (1938). As a brunette, Bennett projected a sultry persona that had her compared to the brunette beauty, Hedy Lamarr. During this period she starred in two costume epics. She played Princess Maria Theresa in The Man in the Iron Mask (1939) and Grand Duchess Zona of Lichtenburg in The Son of Monte Cristo (1940). Bennett was one of two finalists for the role of Scarlett O’Hara in Gone with the Wind (1939), along with Paulette Goddard. She had a very successful collaboration with the director Fritz Lang. With Lang, she starred in the classics Man Hunt (1940), The Woman in the Window (1944), and Scarlet Street (1945). Bennett acted on stage and on television where she became a pop culture icon playing Elizabeth Collins Stoddard on the gothic soap opera Dark Shadows (1966-1971).

To watch the film on YouTube, click on the link below.

To join the discussion on August 1, 2022, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation with a link to the discussion on Zoom.

The Reckless Moment trivia

• This was the last American film directed by Max Ophuls.
• This was the first film in which Bennett is the mother of an adult daughter.
• Geraldine Brooks was 24 years old when she played Bennett's 17-year-old daughter.
• Bennett made a career switch with this film, going from femme fatale to the "perfect" mother in films like Father of the Bride (1950) and Father's Little Dividend (1951).
• The movie The Deep End (2001) starring Tilda Swinton is loosely based on this film.

Discussion  questions

1. Did The Reckless Moment fit the film noir classification in your opinion?
2. What did you make of James Mason's character? 
3. Were the family dynamics believable? 
4. Could you relate to Bennett's dilemma? 
5. Filmed in Balboa, Newport Beach, and Los Angeles, California. Did the location filming give the film a more realistic feel?
6. Did anything in the film surprise you?
7. Did The Reckless Moment remind you of any other classic movies?

James Mason and Joan Bennett

James Mason, Barbara Bel Geddes, and Robert Ryan are "Caught"

Caught (1949) is an American film noir directed by Max Ophuls and starring James Mason, Barbara Bel Geddes, and Robert Ryan. The screenplay was by Arthur Laurents from the novel Wild Calendar by Libbie Block.

Leonora Eames (Bel Geddes) always dreamed about being rich. Her dreams come true when she marries Smith Ohlrig a multimillionaire. Her dreams quickly turn into nightmares when Ohlrig turns out to be mentally unstable and abusive. Leonora eventually leaves Ohlrig, going to work in a doctor's office, and befriends Dr. Larry Quinada (Mason). The two eventually fall in love but there's one problem: she's married to Ohlig and he's not going to give Leonora up easily.

Max Ophuls (1931-1957) was born in Germany where his film career began. After it was clear the Nazis would take power in Germany, Ophuls, a jew, moved to France in 1933 where he became a French citizen in 1938. After the fall of France, he traveled through Switzerland and Italy, eventually ending up in the United States. In Hollywood, Ophuls directed Douglas Fairbanks Jr. in The Exile (1947), Joan Fontaine and Louis Jordan in Letter from an Unknown Woman (1948), and Caught starring James Mason, Barbara Bel Geddes, and Robert Ryan. The Reckless Moment would be his last Hollywood film before he returned to France, where he directed major successes La Ronde (1950) and The Earrings of Madame de…(1953) starring Charles Boyer and Danielle Darrieux.

James Mason (1909 – 1984) was an English actor who was a movie star in the UK before coming to Hollywood. His popular British films include The Seventh Veil (1945) and The Wicked Lady co-starring Margaret Lockwood (1945). His performance in Carol Reed’s Odd Man Out (1947) brought him international acclaim and success in Hollywood. In Hollywood he starred in four films in 1949: Caught, Madame Bovary with Jennifer Jones, The Reckless Moment with Joan Bennett, and East Side, West Side with Barbara Stanwyck. Other popular American films include The Desert Fox: The Story of Rommel (1951), The Prisoner of Zenda (1952), Julius Caesar (1953), A Star is Born (1954), 20,000 Leagues Under the Sea, Island in the Sun (1957), North by Northwest (1959), Journey to the Centre of the Earth (1959), and Lolita (1963). Mason continued to work in film and television up to the time of his death.

Barbara Bel Geddes (1922 – 2005) was an American stage and screen actress. She starred as Maggie in the original Broadway production of Cat on a Hot Tin Roof (1955). She played Irene Dunne’s daughter in I Remember Mama (1948), and was Midge, James Stewart’s on-again-off-again girlfriend in Vertigo (1958). Bel Geddes also worked on television during the 1950s and 1960s. In 1978, she starred as Miss Ellie Ewing Farlow on Dallas (1978 – 1990), the role for which she is most famous.

Robert Ryan (1909 - 1973) was an American film and stage actor. Ryan got his start in acting with a theater group in Chicago, where he was born, in the late-1930s. By 1939, he had a film contract with Paramount appearing in minor roles in a variety of pictures. In 1943, he signed a long-term contract with RKO based on his stage performance in Clash by Night (1941). The studio was grooming him for stardom with 1943’s Tender Comrade co-starring Ginger Rogers when he enlisted in the United States Marine Corps, serving as a drill instructor. He resumed his career after the war and was nominated for a Best Supporting Actor Academy Award for his performance in Crossfire (1947). Ryan worked on stage, on TV, and in film during the next three decades. His other film roles include The Set-Up (1949), Flying Leathernecks (1951), On Dangerous Ground (1951), Clash by Night (1952), and Bad Day at Black Rock (1954).

Robert Ryan and Barbara Bel Geddes

Caught trivia

• James Mason was originally cast as Smith Ohlrig, the role Robert Ryan played.
• Smith Ohlrig was supposedly based on Howard Hughes.
• This was Mason's first American film.
• The film has three famous TV moms in the cast: Barbara Billingsley (June Cleaver of Leave it to Beaver), Natalie Schafer (Lovey Howell of Gilligan's Island), and Barbara Bel Geddes (Miss Ellie of Dallas),

To watch the film on YouTube, click on the link below.

To join the discussion on July 25, 2022, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation with a link to the discussion on Zoom.

Discussion questions

1. Contemporary reviews were negative but now the movie is considered a film noir classic. What do you think turned those critics off?
2. What did you think of James Mason's American film debut? Was he smart to switch roles with Robert Ryan?
3. Caught was Bel Geddes fourth movie in three years. What did you make of her performance? Any shades of Miss Ellie?
4. Many critics thought Robert Ryan's character was modeled after Howard Hughes. Did you see any resemblance?
5. Did anything about the film surprise you?

Joan Fontaine and Louis Jordan in “Letter from an Unknown Woman”

Letter from an Unknown Woman (1948) is an American drama directed by Max Ophuls and starring Joan Fontaine and Louis Jordan. The movie is based on the novella of the same name by Stefan Zweig.

Joan Fontaine (Lisa) and Louis Jordan (Stefan)

During the early days of the twentieth century in Vienna, Lisa, a teenage girl (Fontaine) becomes enamored by concert pianist Stefan Brand (Jordan) who is a new tenant in her apartment building. As Stefan’s career gains traction, Lisa becomes obsessed with him. She stays up late to listen to him play, and even sneaking into his apartment to see how he lives and to admire him from afar.

Lisa’s mother reveals that she is engaged to be married to a wealthy gentleman and that they will be moving to Linz. This makes Lisa distraught and she finds her life in Linz almost unbearable. Eventually, Lisa moves back to Vienna, working as a dress model. She lingers the streets of her old neighborhood hoping to get a glimpse of her idol and love, Stefan.

Will he notice her? Will the love she has for Stefan bloom into a relationship between the two of them?

The Backstory

Max Ophuls (1931-1957) was born in Germany where his film career began. After it was clear the Nazis would take power in Germany, Ophuls, a jew, moved to France in 1933 where he became a French citizen in 1938. After the fall of France, he traveled through Switzerland and Italy, eventually ending up in the United States. In Hollywood, Ophuls directed Douglas Fairbanks Jr. in The Exile (1947), Joan Fontaine and Louis Jordan in Letter from an Unknown Woman (1948), Caught starring James Mason, Barbara Bel Geddes, and Robert Ryan. The Reckless Moment would be his last Hollywood film before he returned to France, where he directed major successes La Ronde (1950) and The Earrings of Madame de…(1953) starring Charles Boyer and Danielle Darrieux.

Joan Fontaine (1917 – 2013) was a British-American actress who starred in more than 45 films during Hollywood’s “Golden Age.” After secondary roles in Gunga Din (1939) and The Women (1939), her fortunes turned with her starring role in Alfred Hitchcock’s first American film, Rebecca (1940). She was nominated for Best Actress for her role in that film but lost to Ginger Rogers. The next year, she worked with Hitchcock again in Suspicion and this time won the Best Actress Oscar, beating out her older sister Olivia de Havilland. She received a third and final nomination for The Constant Nymph (1943). Other popular Fontaine films include This Above All (1942), From This Day Forward (1946), Ivy (1947), Letter from an Unknown Woman (1948), The Emperor Waltz (1948), and Ivanhoe (1952). After the late-1950s, she appeared less in films and more on stage and television. Fontaine and her sister are the only siblings to have won major acting Academy Awards.

And older Lisa and Stefan

Louis Jourdan (1921 - 2015) was a French film and television actor. Jourdan worked on the stage in Europe and even began working in films as early as 1939, but his film work was interrupted due to World War II. After the war, Jourdan was brought to Hollywood by producer David O. Selznick. His first film in Hollowood was Alfred Hitchcock’s The Paradine Case (1947). The next year he made Letter from an Unknown Woman, one of his most famous roles during his long career. Jourdan made movies in Europe and Hollywood and starred on Broadway in The Immoralist in 1954 co-starring with Geraldine Page and James Dean. Jourdan’s most famous and successful American film was Gigi (1958). The film cos-starred Leslie Caron and Maurice Chevalier and won nine Academy Awards, including Best Picture.

Letter from an Unknown Woman trivia:

• Fontaine was 30 years old when she played Lisa, who was 16 years old at the beginning of the film.
• The film was made by Rampart Productions, an independent film company formed by Fontaine and her then-husband William Dozier.
• Japanese film director, Hideo Nakata considers this “The best film in the entire movie industry.”
• Both Fontaine and Jourdan were under contract to David O. Selznick at the time of production.

To watch the film on YouTube, click on the link below.

To join us on Zoom for a discussion of the film on February 6, 2021, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation and link to the Zoom meeting.

Questions for discussion:

1. Do you think Fontaine was convincing as a teenager early in the film?
2. Was Jourdan convincing as a concert pianist and playboy?
3. Do you think Stefan ever loved Lisa?
4. What did you think of the film’s production?

“The Reckless Moment”—an overlooked film noir gem

Max Ophuls, a renowned German director who only made four films in the United States, directed The Reckless Moment (1949). It starred Joan Bennett and James Mason. It was only Mason’s third American film.

The plot involves Lucia Harper (Bennett), who is trying to keep Ted Darby (Shepperd Strudwick), a low-life criminal, from seeing her teenage daughter, Bea (Geraldine Brooks). He tells Lucia that he’s willing to stop seeing Bea for a price. Lucia is confident that when she tells her daughter Darby’s true feelings, the relationship will come to an end. This is film noir, so no situation gets resolved that easily. Without giving anything away, let’s just say things go horribly wrong, exposing Lucia’s daughter and family to some pretty despicable characters.

Joan Bennett in a pivotal scene from The Reckless Moment

The Backstory
Director Ophuls (1931-1957) was born in Germany, where his film career began. After it was clear the Nazis would take power in Germany, Ophuls, a jew, moved to France in 1933, where he became a French citizen in 1938. After the fall of France, he traveled through Switzerland and Italy, eventually ending up in the United States. In Hollywood, Ophuls directed Douglas Fairbanks Jr. in The Exile (1947), Joan Fontaine and Louis Jordan in Letter from an Unknown Woman (1948), and Caught starring James Mason, Barbara Bel Geddes, and Robert Ryan. The Reckless Moment would be his last Hollywood film before he returned to France, where he directed major successes La Ronde (1950) and The Earrings of Madame de…(1953), starring Charles Boyer and Danielle Darrieux.

Joan Bennett (1910–1990) began her film career during the early sound era. A natural blonde, Bennett dyed her hair as a plot device in the film Trade Winds (1938). As a brunette, Bennett projected a sultry persona that had her compared to brunette beauty Hedy Lamarr. During this period, she starred in two costume epics. She played Princess Maria Theresa in The Man in the Iron Mask (1939) and Grand Duchess Zona of Lichtenburg in The Son of Monte Cristo (1940).

Joan Bennett in a still from one of her screen tests for Gone with the Wind. This is the famous paddock scene.

Almost Scarlett O’Hara
Bennett was one of two finalists for the role of Scarlett O’Hara in Gone with the Wind (1939), along with Paulette Goddard, who appeared to be the front-runner. There was concern that Goddard’s marriage to Charley Chaplin wasn’t legal, which made Bennett’s prospects to play Scarlett almost certain until Vivian Leigh showed up to watch the filming of the burning of Atlanta scenes on the Selznick backlot. Despite that disappointment, Bennett had a distinguished film career. She worked with many of the top directors of the period, including George Cukor, Mitchell Leisen, Tay Garnett, Henry Hathaway, and Vincente Minnelli. She had a very successful collaboration with the director Fritz Lang. With Lang, she starred in the classics Man Hunt (1940), The Woman in the Window (1944), and Scarlet Street (1945). She worked with the French director Jean Renoir in The Woman on the Beach and with director Zoltan Korda in The Macomber Affair (both 1947), co-starring Gregory Peck. In 1950, she became the perfect wife and mother in Father of the Bride (1950) and its sequel, Father’s Little Dividend (1951), both directed by Minnelli. A scandal after the release of Dividend pretty much ended Bennett’s film career. She continued to act on stage and on television, where she became a pop culture icon playing Elizabeth Collins Stoddard on the gothic soap opera Dark Shadows (1966-1971).

James Mason (1909-1984) was an English actor who was a popular film star in Great Britain before he came to Hollywood. Mason was a top box office star in the UK with hits like The Seventh Veil, The Wicked Lady (both 1945), and Odd Man Out (1947).

Barbara Stanwyck and James Mason in East Side, West Side (1949)

Hollywood Calling
Mason went to Hollywood to make Caught (1949), directed by Ophuls. He made three other films in 1949: Madame Bovary, East Side, West Side, and The Reckless Moment. In 1951, he entered into an agreement with 20th Century Fox, where they signed a seven-year contract. At Fox, he starred as General Rommel in The Desert Fox: The Story of Rommel (1951) directed by Henry Hathaway. It was a commercial and financial success. He reprised the role in The Desert Rats (1953), co-starring a young Richard Burton, with direction by Robert Wise. In 1954, he played the evil Sir Brack in Prince Valiant and Captain Nemo in Disney’s 20.000 Leagues Under the Sea. That same year, he starred in the role he is probably most identified with, Norman Maine in A Star Is Born, co-starring Judy Garland. For his performance in that film, he was nominated for the Academy Award for Best Actor. He continued to act through the fifties and sixties in a variety of films, including North by Northwest, Journey to the Center of the Earth (both 1959), The Marriage-Go-Round (1961), Lolita (1962), The Fall of the Roman Empire (1964), Georgy Girl (1966), and Mayerling (1968). During the 1970s and 1980s, Mason continued to act in film and on television. In 1982, Mason was nominated for the Academy Award for Best Supporting Actor in The Verdict, starring Paul Newman.

Joan Bennett and Elizabeth Taylor Trivia
Bennett and Elizabeth Taylor share the same birthday: February 27.
Bennett played Amy March in Little Women 1933.
Taylor played Amy in Little Women 1949.
Both Bennett and Taylor were grandmothers at 39.
Both Bennett and Taylor gave birth to one of their children on their birthdays.
Bennett and Taylor played mother and daughter, respectively, in Father of the Bride and Father’s Little Dividend.

You can read more about Joan Bennett by clicking here.