Claire Trevor and John Wayne head the cast of “Stagecoach”

Stagecoach (1939) is an American Western classic directed by John Ford and starring Claire Trevor and John Wayne. The film was produced by Walter Wanger Productions and the cinematography was by Bert Glennon (Young Mr. Lincoln-1939, Our Town-1940, Destination Tokyo-1943).

Considered not only one of the best westerns of all time, but Stagecoach is also considered one of the best pictures of all time. Supposedly, Orson Welles watched the film 40 times in preparation for the making of Citizen Kane (1941). Welles said Stagecoach was the “perfect textbook of film-making.”

When a group of strangers boards a stagecoach in June of 1885, from Tonto, Arizona Territory, to Lordsburg, New Mexico, little do they realize their lives will forever be changed. On that stagecoach is Dallas (Trevor) a prostitute who is run out of town by the all-female Law and Order League, Doc Boone (Thomas Mitchell), an alcoholic, Mrs. Lucy Mallory, (Louise Platt) an officer’s wife, whiskey salesman Samuel Peacock (Donald Meek), and gambler and Southern gentleman Hatfield (John Carradine). Along the way, they pick up dishonest banker Henry Gatewood (Berton Churchill) who has just embezzled money from his bank.

As if the stage wasn’t crowded enough, they meet up with the Ringo King (Wayne) who escaped from jail to avenge the deaths of his father and brother at the hands of Luke Plummer (Tom Tyler).

How these diverse personalities interact along the way is what makes the film so engaging. Will they be at each others’ throats or will they be able to pull together as they ride through dangerous Indian territory?

John Ford (1894 - 1973) was an American film director who won a record four Academy Awards, more than any other director in history. He is perhaps best known for his western films, but ironically the Academy Awards he won weren’t for his classic westerns like Stagecoach (1939) and The Searchers (1956). Ford got his start in silent film, first as an actor, then as a writer-director. He directed many silent films including the epic The Iron Horse (1924). Once the sound era arrived, Ford was one of its first pioneers. He hit his stride in the 1930s with films like The Lost Patrol (1934), The Whole Town’s Talking (1935), and The Informer (1935), which brought Ford his first Academy Award for Best Director. Other popular Ford films include The Hurricane (1937), Wee Willie Winkie (1937), Young Mr. Lincoln (1939), Drums Along the Mohawk (1939), and The Grapes of Wrath (1940) the last three all starring Henry Fonda. He also had a long collaborative relationship with John Wayne. Wayne starred in many classic Ford films including She Wore a Yellow Ribbon (1949), The Quiet Man (1952), The Searchers, and The Man Who Shot Liberty Valance (1962).

Walter Wanger (1894 - 1968) was an American film producer. He was active in films from 1910 until 1963. Wanger attended Dartmouth College and served in the United States Army during World War I. While working for what was to become Paramount Studios, during the early days of talking films, he recruited Broadway performers like Claudette Colbert, Jeanette MacDonald, Fredric March, and Miriam Hopkins to the movies. He also brought directors George Cukor and Rouben Mamoulian to the studio. Some of the films produced by Wanger include Foreign Correspondent (1940), The Long Voyage Home (1940), Scarlet Street (1945), The Reckless Moment (1949), Invasion of the Body Snatchers (1956), I Want to Live! (1958), and Cleapatra (1963). Wanger was married to actress Joan Bennett (1940 - 1965).

The cast of Stagecoach

Claire Trevor (1910 - 2000) was an American actress who appeared in over 60 movies. She received nominations for the Academy Award for Best Supporting Actress for Dead End (1937), and The High and the Mighty (1954). She won the award for her performance in Key Largo (1948). Trevor got her start on the New York stage and made her film debut in 1933. She also appeared on radio with Edward G. Robinson in the popular radio program Big Town. Trevor’s most famous role is probably Dallas in Stagecoach, but she had other memorable roles in Murder, My Sweet (1944), and Born to Kill (1947). Her last film role was in Kiss Me Goodbye (1982) where she played Sally Field’s mother. 

John Wayne (1907 - 1979) was an American actor and filmmaker. Nicknamed Duke, Wayne was a pop culture icon and one of the most popular movie stars of all time. During the end of the silent era, Wayne worked on movie sets and played bit parts in movies. He got the chance to play the lead in director Raoul Walsh’s The Big Trail (1930). The Western was an early widescreen epic and a box office disaster, which relegated Wayne to roles in a string of B Westerns. It wasn’t until his role as the Ringo Kid in Stagecoach that he became a star of A films who was now paired with some of the top actresses of the day. Wayne played a variety of roles in the movies but he is most identified with the Western genre and the movies he made with director John Ford. Some of Wayne’s popular films include Red River (1948), The Quiet Man (1952), Rio Bravo (1959), The Searchers (1956), and The Longest Day (1962). Wayne won his one and only Best Actor Academy Award for his role in Tue Grit (1969).

John Wayne and Claire Trevor

Stagecoach trivia

• The hat John Wayne wore in the film was his own. He wore it in many westerns but retired it in 1959 after completing Rio Bravo.
• Local Navajo Indians played Apaches.
• Stagecoach was one of several big-budget Westerns released in 1939 including Union Pacific, Jesse James, and Dodge City.
• John Wayne made less money than most of his costars
• Thomas Mitchell won a Best Supporting Academy Award for this film but was very busy in 1939. Besides Stagecoach, he had important roles in Only Angels Have Wings, Mr. Smith Goes to Washington, The Hunchback of Notre Dame, and Gone with the Wind!

To watch the film on YouTube, click the link below.

To join the discussion on July 5, 2021, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an email with an invitation and link to the discussion on Zoom.

Discussion questions:

1. What did you make of John Wayne’s star-making turn in this film?
2. Of all the character actors, did one stand out to you?
3. How much experience with women do you think Wayne’s character had before meeting Dallas?
4. Why do you think this film is held in such high regard by critics and filmgoers today?
5. What do you think director John Ford thought of the character of Dallas?

Filming Stagecoach on location

Great Films of 1939: "Stagecoach" April 16 at the Daystar Center

Great Films of 1939 series: Stagecoach
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: April 16, 2016
Time: 6:45 p.m.
Hosted by Stephen Reginald

Stagecoach (1939) changed the western film genre forever. Prior to this film, westerns weren’t taken too seriously and were relegated to low-budget second features or serials. John Ford’s classic also began the fruitful association and partnership with star John Wayne. Before Stagecoach, Wayne was starring in low-budget western second features at poverty row studios. The film boasts a wonderful performance from the female lead, Claire Trevor, who should have, like Wayne, emerged as a major movie star. The supporting cast features many who would become part of the John Ford stock company, including Thomas Mitchell (Academy Award Winner), Andy Devine, Tim Holt, and John Carradine.

Part of the “Great movies of 1939” series. Discover some of the greatest movies from Hollywood’s most famous year.

Backstory: Thomas Mitchell had a great 1939. Besides Stagecoach, Mitchell had major supporting roles in Only Angels Have Wings, Mr. Smith Goes to Washington, The Hunchback of Notre Dame, and Gone with the Wind!

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.


Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.

John Wayne: The Life and Legend sheds new light on iconic star

Scott Eyman’s new biography, John Wayne: The Life and Legend, follows Victoria Wilson’s recent biography of Barbara Stanwyck. Both biographies attempt to put the lives of their respective subjects in the context of their upbringing, relationships and Hollywood careers.

Marion Robert Morrison was born in 1907 in Winterset, Iowa. When Marion entered pictures, he adopted the name John Wayne, but his friends called him Duke. Wayne’s career as the heroic ideal in western, adventure, and war films sometimes made him appear one dimensional, but in real life he was much more complex. Wayne came from humble means, but was hard working, honest, and had the drive and desire to better himself. He was a good student, as well as an outstanding athlete. His football skills were impressive enough to earn him a scholarship to USC. He had a good relationship with his father, but his mother was remote. She made no attempt to hide her favoritism toward Wayne’s younger brother, Robert.

Stagecoach made John Wayne a star.

Wayne had an early shot at movie stardom in a Fox production called The Big Trail (1930), directed by Raoul Walsh. Walsh offered the lead role to Gary Cooper, but he wasn’t available. Fellow director John Ford recommended John Wayne for the part. The production was huge and it pioneered a new 70mm widescreen process called Grandeur. Wayne received a big buildup from the studio as a major new screen personality. Unfortunately, the film was not a success financially or critically. Most theaters couldn’t afford to upgrade to the new widescreen process, during the depression, with most moviegoers seeing the film in the traditional smaller screen ratio. This box office misfire relegated Wayne to making movies at poverty row studios. It would be nine years before he’d get another chance at stardom.

John Ford’s 1939 production of Stagecoach made Wayne a full-fledged movie star. His performance as the Ringo Kid was widely praised. It was also the beginning of Wayne’s successful association with mentor and friend Ford, a truly complicated relationship, interestingly detailed by Eyman.

Wayne received his one and only Best Actor Oscar
for True Grit in 1970. The award was presented
 by Barbra Streisand (right).

Politically conservative, Wayne never let his politics get in the way of friendships and business (although some of his films had politically conservative points of view). Most of the people who worked with Wayne, fellow actors and technicians alike, adored and respected him. As a movie star, Wayne was very careful about the roles he took and was fairly hands-on in almost every aspect of his films. As he got older, this involvement resulted in forming his own production company, Batjac. During this period, he produced and starred in several successful films, including Island in the Sky, Hondo, and The High and The Mighty.

Wayne’s personal life consisted of three failed marriages to Latina women, whose ups and downs were chronicled in the tabloids, as well as the Hollywood press. There is a funny retelling of Duke’s divorce from his second wife Esperanza “Chata” Bauer. Chata was trying to get a big divorce settlement from Wayne, so she drove to court every day in a beat up old truck, trying to look needy. One day when the divorce proceedings didn’t go Chata’s way she cried and left the courthouse in a Cadillac that somehow replaced the dilapidated pickup truck.

Eyman’s biography is a fair assessment of one of Hollywood’s biggest and most enduring stars. For Wayne fans it’s a must, but for those interested in film history, it’s a fascinating read as well. Publication for this new biography is set for April, 2014, but can be preordered at Amazon. The biography is available in both hardback and Kindle versions.

John Wayne: The Life and Legend
By Scott Eyman
672 pages