Monday, April 21, 2014

The most chilling of them all: Joseph Cotton in “Shadow of a Doubt”

Joseph Cotton created the role of C. K. Dexter Haven in the original Broadway production of The Philadelphia Story, opposite Katharine Hepburn. After the play’s successful run, Cotton thought he had a shot at playing Dexter in the film version. That didn’t happen, obviously, but Cotton stayed in Hollywood and we’re glad he did.
Our first glimpse of Uncle Charlie

Cotton is perhaps most famous for his films with Orson Welles, but his best screen performance, in my opinion, is as the mysterious Uncle Charlie in the Alfred Hitchcock classic, Shadow of a Doubt. As the dapper and sophisticated uncle visiting his older sister’s family in California, Cotton establishes himself as a menacing presence from the moment he first appears on the screen.

Our first glimpse of Charles Oakley is of him laying on a bed in a boarding house, dressed in a perfectly tailored suit, smoking a cigar. The way the scene is shot and Cotton’s non-verbal, acting, we’re tipped off that Uncle Charlie is an unsavory sort. His face is stiff and immobile at times. His movements measured and deliberate.

Was there ever a more menacing train?
While the audience suspects Uncle Charlie may have a darker side, it isn’t immediately obvious to his niece Charlotte “Charley” Newton, played by Teresa Wright. Young Charley, as she is called, is bored with what she thinks is a pretty dull life. When she finds out that her favorite uncle is coming to visit, she’s excited and happy, thinking he will snap the Newton family out of their drab existence.

Uncle Charlie travels to Santa Rosa, California, by railroad. When the train arrives, the engine’s smoke stack spits out the biggest, darkest cloud of smoke, casting a shadow on the small train station, another clue that this is no ordinary family visit. In the beginning, all is well. Charlie loves showing off her handsome uncle who dresses like a first class passenger on a luxury ocean liner. Then, little by little, things begin to change.

“You’re hurting me, Uncle Charlie!”
After dinner one evening, Uncle Charley is seen making a house out of newspaper, ostensibly to amuse the two younger Newton children, Ann (Edna May Wonacott) and Roger (Charles Bates). It’s clear to the audience that there is something in that newspaper that he doesn’t want anyone to see. The children are not amused and Young Charley senses this house-made-out-of-paper game is fishy too. Before she goes to bed, Young Charley brings a pitcher of water to her uncle. She spies the clipping that Uncle Charley ripped out of the paper. She grabs it, but Uncle Charley, who has been polishing his shoes, jumps out of his chair, face a blank, to wrestle the article out of Young Charley’s hands, hurting her.

Uncle Charlie, a murderer?
When two detectives, pretending to be government employees doing a profile of an “average American family,” show up asking questions, things begin to get tense. Uncle Charlie’s behavior becomes darker and just plain creepy. One of the detectives, Jack Graham (Macdonald Carey) takes Young Charlie on a date. He tells her that her uncle might be a killer. She doesn’t believe it’s possible, but there is a seed of doubt. What was in that newspaper article that Uncle Charley didn’t want anyone to see?

At the library, Young Charley finds the article that her uncle ripped out of the paper. It says that there are two men suspected of being the “Merry- Widow” Murderer. A man back east and one out west. One of the victims has the same initials that were engraved in a ring Young Charley’s uncle gave her. She is now convinced her uncle is a murderer. At dinner the next day, Uncle Charley talks about rich women, widows and all their money. The money their husbands made that they’re spending “frivolously.” Moments before Young Charley recounts a dream that makes it clear that she knows something about her uncle. From that moment on, the tension increases and it’s clear that Uncle Charley isn’t going to let his niece get in the way of his plans: to settle down in Santa Rosa. Cotton’s performance which had hints of menace now goes full throttle, warning his niece not to get in his way in so many words. The glimpses of charm that Young Charley saw earlier have vanished. Cotton’s face becomes tighter, more mask-like; it’s hard to know what he’s thinking, but you’re convinced it isn’t anything good.

“…or are they fact, wheezing animals?”
Now with things out in the open, Uncle Charlie does his best to intimidate his niece and when that doesn’t work, he tries to bump her off. He messes with the back stairs. Young Charley nearly falls down the entire flight when one of the steps breaks. Next he tries asphyxiating her in the garage with the family car running. She survives that attempt and it looks like she may have won the battle, especially when it is revealed that Uncle Charlie is leaving Santa Rosa rather suddenly.

Finally Uncle Charlie is leaving town by train. Young Charlie, Ann and Roger are on the train saying their good-byes. While Ann and Roger get off the train, Uncle Charlie grabs his niece. As the train starts moving, Young Charlie realizes that he’s going to kill her. “Your hands,” she shouts, as their struggle now becomes physical.

“Your hands!”
Of all the evil screen villains, and there are many, Joseph Cotton’s performance is one of the most chilling. Hitchcock loved exploring the theme that evil isn’t always “out there,” but generally closer to home. Contrasted against his young innocent niece and the All-American surroundings of Santa Rosa, Uncle Charlie’s evil is all the more striking.

Cotton is so good in Shadow of a Doubt that it is incredible to me that he was passed over come Oscar time. Cotton’s performance is so well played that it just looked too easy, I guess. Still it’s one of the great Hollywood injustices that He wasn’t even nominated.

If you’re looking for a good screen villain, you can’t do much better than Uncle Charlie in Shadow of a Doubt.

This post is part of the Great Villian Blogathon hosted by Ruth of Silver ScreeningsKaren of Shadows & Satin, and Kristina of Speakeasy. Click on any of the links to read more posts on great movie villains.

Friday, April 18, 2014

Hitchcock in the 40s—New film series begins May 13, 2014

New film series announced
The 2014-15 Film Club is back at The Venue 1550 at the Daystar Center, 1550 S. State St., Chicago. Hosted by Stephen Reginald, the film club will feature “Hitchcock in the 40s.” Alfred Hitchcock films to be screened, include Rebecca, Shadow of a Doubt, and Notorious. Movies will be screened at 6:30 p.m. on the second Tuesdays* of the month, starting May 13, 2014. Reginald will introduce each film giving background information before screenings, with discussion afterward. Reginald is a freelance writer/editor and popular instructor at Facets Film School in Chicago.

Hitchcock’s films endure
Alfred Hitchcock was one of the most successful directors in the history of film. Probably no other director’s work has been so widely acclaimed, examined, and written about. Hitchcock never took his audience for granted. He always believed that entertaining them was his primary goal as a filmmaker. During the 1940s, Hitchcock amassed an incredible body of work in Hollywood. It was during this decade that he first collaborated with Cary Grant and Ingrid Bergman, two of his favorite actors. It was a period where he stretched his storytelling ability by directing Lifeboat, a film where the entire cast is confined to a rowboat. And just to prove he could do it all, Hitchcock directed a screwball comedy starring the screwball girl herself, Carole Lombard!


May 13, 2014
Rebecca (1940) was Alfred Hitchcock’s first American film and collaboration with producer David O. Selznick. It was also the only Hitchcock film to ever win the Academy Award for Best Picture. Rebecca is based on the best-selling novel by Daphne du Maurier. The moody suspense classic stars Laurence Olivier and Joan Fontaine. Fontaine plays a young, innocent woman who falls in love with the older widower, Maxim de Winter (Olivier), heir to the magnificent estate, Manderley. When the new Mrs. de Winter settles in to her new home, the spirit of Rebecca, Maxim’s deceased first wife, overwhelms her. And to make matters worse, housekeeper, Mrs. Danvers (Judith Anderson) does everything to keep Rebecca’s memory alive, thus diminishing her new mistress. What is the secret that Rebecca took with her to the grave? A secret that haunts the inhabitants of Manderley still. A secret that even the grave cannot contain.

June 10, 2014
Foreign Correspondent (1940) The master of suspense’s second American film was nominated for six Academy Awards, including Best Picture, losing the award to Hitchcock’s Rebecca! The story of a foreign correspondent (Joel McCrea) in prewar Europe is a roller coaster ride of action and suspense. Filmed entirely on Hollywood sound stages and back lots, the movie boast some impressive sets, including a 10-acre recreation of Amsterdam Square. The film features an outstanding supporting cast that includes Laraine Day, Herbert Marshall, George Sanders (also in Rebecca that same year), and Robert Benchley.

July 8, 2014 
Mr. & Mrs. Smith (1941) A classic screwball comedy from the master of suspense? Yes, yes, indeed! When Ann Smith (Carole Lombard) discovers that her marriage to David Smith (Robert Montgomery) isn’t valid due to a technicality, she wonders if she should renew her vows. When David muses, in moment of brutal honesty, that if he had it to do all over again, he might not get remarry, Ann decides she wants to call it quits. When she starts dating David’s law partner, Jeff Custer (Gene Raymond), David is determined to win her back at all costs. With a screenplay by Norman Krasna, Hollywood legends Lombard and Montgomery and a supporting cast that includes Jack Carson, Philip Merivale, Lucille Watson, and Esther Dale, you’ll swear the film was directed by Leo McCarey or Howard Hawks.

August 12, 2014
Suspicion (1941) Joan Fontaine won an Best Actress Academy Award for her portrayal of Lina McLaidlaw, a shy, but rich young woman who falls head-over-heels in love with Johnnie Aysgarth (Cary Grant), a playboy who may or may not want her dead. In his first collaboration with Alfred Hitchcock, Grant reveals a darker side to his persona, not seen on screen before. Featuring a cast of British supporting players, including Sir Cedric Hardwicke, Nigel Bruce, and Dame May Whitty, you’ll be mesmerized by the tale the Master weaves.

September 9, 2014 
Saboteur (1942) Hitchcock’s exciting war-time suspense thriller stars Robert Cummings, on the run, after being wrongly accused of bombing a defense plant and killing his best friend. On the lame he meets a beautiful model (Priscilla Lane) who travels with him across the country trying to clear his name and stop a group of foreign agents determined to bring American to her knees. The film takes you on a whirlwind journey across the United States with stops at Boulder Dam, Radio City Music Hall, and for the film’s amazing climax atop the Statue of Liberty. This was Hitchcock’s first film featuring an All-American cast that includes supporting players Norman Lloyd, Otto Kruger, Alan Baxter, and Alma Kruger. Saboteur also features some very witty dialogue from the pen of literary legend, Dorothy Parker.

October 14, 2014
Shadow of a Doubt (1942) Alfred Hitchcock’s personal favorite of all his films is packed with heart-pounding suspense and truly amazing performances. When Uncle Charlie (Joseph Cotton) visits his sister’s family in Santa Rosa, his niece and namesake “Young Charlie” (Teresa Wright) begins to suspect that he may be the “Merry Widow Murderer,” wanted by the authorities hot on his trail. As Young Charlie’s suspicions about her uncle prove to be true, she has a tough decision to make. Will she report her uncle to the detectives that are tailing him or will she let him get away with murder? With a unique mixture of charm and menace, Cotton’s characterization is one of the creepiest in the history of film. Considered Hitchcock’s first great American film, it features an extraordinary supporting cast that includes, MacDonald Carey, Patricia Collinge, Henry Travers, Wallace Ford, and Hume Cronyn, in his very first screen role. Shadow of a Doubt also has the distinction of being the only film Hitchcock made on location.

November 11, 2014
Lifeboat (1944) A remarkable tale of survival at sea from the Master of Suspense. After their ship is sunk by a German U-boat, eight people struggle to survive, in an overcrowded lifeboat. based on a story by John Steinbeck, this Hitchcock classic keeps you on the edge of your seat for the film’s entire 96 minute run time. The movie stars the legendary Talluhah Bankhead, supported by William Bendix, Walter Slezak, Mary Anderson, John Hodiak, Canada Lee, and Hume Cronyn. And you will be amazed at how Hitchcock makes his ubiquitous cameo!

January 13, 2015
Spellbound (1944) The Master’s first collaboration with star Ingrid Bergman is an intriguing look into the “secret recesses of the mind” as described by the New York Herald Tribune’s review. Bergman plays Dr. Constance Peterson, a dedicated psychiatrist who puts her career on the line when she falls in love with Dr. Edwardes (Gregory Peck). Is Dr. Edwardes an impostor, pretending to be someone he is not in order to avoid arrest for a cold-blooded murder? Or is he a victim of some horrible event from his past that threatens to destroy him? Produced by David O. Selznick, Spellbound is a stylish and complex love story, featuring standout performances from Bergman and Peck. The dream sequences designed by artist Salvidor Dali are hauntingly beautiful, as is the film’s score by Milos Rozsa (Ben-Hur).

February 10, 2015
Notorious (1946) This may be Hitchcock’s most complex love story, starring two of the Master’s favorite movie stars: Cary Grant and Ingrid Bergman. Besides being physically beautiful, Bergman and Grant give standout performances. Grant plays an American agent in search of a band of Nazis who have settled in post-war Rio. Berman plays Alicia Huberman a women with a somewhat sordid past who is enlisted by Grant to help him trap Alex Sebastian (Claude Rains), the leader of Rio’s Nazi ring. Devlin’s feelings for Alicia change drastically when he finds out that Alex has asked her to marry him. But have his feelings really changed or is he frustrated by his powerlessness when things get increasingly dangerous for Alicia? Featuring brilliant performances from Rains and Leopoldine Konstantin, as Alex’s mother—perhaps the most diabolical of all Hitchcock’s mothers—Notorious’s suspense just never lets up.

If you love classic cinema, you should join the Chicago Film Club. It’s free to join. You'll get updates on all the movie screenings. Come share your love of the movies; it’s fun!

Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.

Monday, April 7, 2014

Screen Legend, Mickey Rooney is Dead at 93

We lost another movie legend: Mickey Rooney. Just recently we lost Shirley Temple, another movie icon. Rooney’s career had its ups and downs, but it was a remarkable career any way you look at it. He was once king of the box office, more popular than even Clark Gable, three years running. Many of us will remember him fondly for the Andy Hardy series, not to mention his pairing with another screen legend, Judy Garland.

Here’s an interview that Rooney gave in 2010. It’s interesting (long), but worth a look.



Friday, April 4, 2014

A Look at the Life and Times of Bette Davis

A very young and very blond, Bette Davis
By Kate Voss

Bette Davis was born Ruth Elizabeth Davis in Lowell, Massachusetts on April 5, 1908. When she was only seven, her parents separated, and Bette was promptly sent to a boarding school. In 1921, at the age of 13, she moved to New York with her mother, and it was here where she first garnered an interest in acting. Inspired by the films she had seen, Bette auditioned and received a part in a school play, which only cemented her desire to be an actress. To further her dream, she enrolled into the John Murray School of Theatre, where she studied acting alongside a young Lucille Ball and dance with Martha Graham.

After securing a place in George Cukor’s stock theater company, Bette landed her first Broadway role in 1929’s Broken Dishes, which she soon followed up with a performance in Solid South. Upon the urging of a Hollywood talent scout she moved to Hollywood in 1930, where she landed a contract with Universal Pictures and starred in her first movie: The Bad Sister. She spent the next three years acting in 21 films, none of which secured her a place as a respected actress. Bette gained some attention when she starred in 1934’s Of Human Bondage, a film which earned her rave reviews. Afterwards, Bette took a role in the film Dangerous, which won her an Academy Award.


A tense scene from Juarez, left to right,
Paul Muni, Gale Sondergaard, and Davis
In 1936, after agreeing to star in two films in England, she became entangled in a breach of contract lawsuit with Warner Bros. Davis sued Warner Bros. in England, in an attempt to nullify her contract due to the fact that she felt the studio wasn’t giving her good parts. She lost the case, and the legal proceedings left her broke. However, her streak of bad luck ended quickly when she earned praise for her role as prostitute in Marked Woman which she followed with her second Academy Award winning performance in Jezebel in 1938. But, with professional success came personal failure; her first marriage to Ham Nelson fell apart, and the couple decided to divorce. As has been covered on this blog before, 1939 was Davis’s most profound acting year; fans saw her star in Dark Victory, Juarez, The Old Maid, and The Private Lives of Elizabeth and Essex. She quickly became of the most commercially and critically successful actresses in Hollywood, as well as one of the most famous and respected.

Paul Henried and Davis between takes on
the set of Now, Voyager
Bette started the 1940’s with more professional successes like The Great Lie, as well as a new husband, Arthur Farnsworth. Then, the year of 1941 saw her star in one of her most famous roles: Regina Giddens in The Little Foxes, which landed her the sixth Academy Award nomination of her career. She spent 1942 leading Hollywood’s war effort by selling $2 million worth of war bonds in two days and opening The Hollywood Canteen, where movie stars would entertain servicemen. That same year she starred in another iconic role for her in Now, Voyager. She continued her successes until her husband suddenly died after suffering a skull fracture, causing her to behave erratically on the set of her next film, Mr. Skeffington. While she did remarry and have a daughter in the late 1940’s, her career was in a state a flux. After a series of box office failures, she was released from her contract with Warner Bros.

Joan Crawford and Davis in a publicity still
for Whatever Happened to Baby Jane
However, in 1950 she returned, guns blazing, as Margo Channing in All About Eve, which is widely regarded as her best film, the film is still so popular that it’s widely available through many streaming sites and video on demand services from most cable and satellite TV providers. That same year, she ended her third marriage and married her fourth husband, her co star Gary Merrill. Unfortunately, her career started to dwindle as the 50’s continued and she ended the decade appearing mostly on television. Never one to be counted out, she made yet another triumphant comeback in 1961’s What Ever Happened to Baby Jane? alongside longtime nemesis Joan Crawford which earned her one last Academy Award nomination. She continued to act in films in the 1960’s like Dead Ringer, Where Love Has Gone, and Hush… Hush, Sweet Charlotte.

Davis as Margo Channing
The first few years of the 1970’s saw Davis tour Australia and England in a one woman show discussing her life and work. She attempted a few television pilots, but none were picked up, and she continued to take supporting roles in films like  Burnt Offerings. She did manage to win an Emmy for her work on made-for-TV movie Strangers: The Story of a Mother and Daughter in 1979. Bette began to suffer many health set backs in the early 80’s, including a fight with breast cancer that resulted in a mastectomy and a series of four strokes that left her paralyzed on her left side. Despite her suffering, her adopted daughter B.D. Hyman published a scathing memoir about her mother called My Mother’s Keeper in 1985, which Davis always stated was fabricated. Bette continued to do work for television until she discovered her cancer had returned in 1989 while in France, where she passed away on October 6th.

Her acting legacy and personality have let Davis live on for many years following her passing. With a staggering 11 Academy Award nominations, 2 wins, a career spanning 50 years, countless fans, and the praise and respect of some of the most well regarded directors, actors, and critics, Davis will always remain a Hollywood icon.

Guest blogger, Kate Voss is an entertainment blogger from Chicago. A romantic at-heart, she will be delighting in the classical works of Wilder and Frank Capra this Valentine's Day. You can find her on Twitter at @Kateevoss.

Friday, March 21, 2014

Publisher releases trailer for "John Wayne: The Life and Legend" in bookstores April 1, 2014

Check out this book trailer for Scott Eyman’s new biography of John Wayne. John Wayne: The Life and Legend will be available for purchase at bookstores everywhere or from Amazon on April 1, 2014. I received a review copy a few months ago. To check out my review, click here.

Eyman examines both the man and the legend, which is quite revealing. Even the most devoted Wayne fan is bound to find a lot of new material to chew on in this comprehensive biography.

To see my book review click here.


You can follow Eyman on Twitter @Eyman1

Wednesday, March 12, 2014

“What’s Up Doc?” final film screened in screwball comedy series April 12, 2014

When: Saturday, April 12, 2014 4:00 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

I can’t think of a better film to end our screwball comedy series than with What’s Up Doc? This modern comedy classic directed by Peter Bogdanovitch is a homage to the screwball comedies from the 1930s and 40s. It owes much of its plot and structure to Howard Hawks’s Bringing Up Baby, but it more than stands on its own merits.

Barbra Streisand and Ryan O’Neal, in their first screen pairing, play Judy Maxwell and Howard Bannister respectively. Judy is a free spirit and college dropout who seems to create trouble wherever she goes. Howard is a Ph.D. and musicologist from the Iowa Conservatory of Music, engaged to Eunice Burns (Madeline Kahn) who is a bit controlling, to put it mildly. The trouble all begins in San Francisco when four identical overnight bags get mixed up. Of course Judy and Howard’s bags are part of the mix up and their lives become entangled from there on in.

Streisand and O’Neal were at the top of their box office appeal in 1972, and Bogdanovitch exploits this. Like screwball comedies past, there are inside jokes, and allusions to other films, all with great good humor. Apart from the stars, Bogdanovitch assembled some of the best character actors available, including Kenneth Mars, Austin Pendleton, Sorrell Brooks, John Hillerman, Graham Jarvis, and Mabel Alberston to name a few. Kahn, in her movie debut, all but steals the picture. As the constantly unhinged Eunice Burns, Kahn is pitch-perfect. Annoying to both O’Neal and Streisand’s characters, she is never annoying to the audience. When I first saw the film in theaters, audiences howled with laughter every time Kahn was on the screen.

As a screwball comedy, What’s Up Doc? is so good that if released in the late 1930s or early 40s, audiences would have responded to it the way they did My Man Godfrey, The Awful Truth, and The Lady Eve.

Backstory: This was Peter Bogdanovich’s homage to the screwball comedies of the 1930s and 40s, as well as a tribute to directors Howard Hawks, Leo McCarey, and Preston Sturges.

Trivia: Madeline Kahn was nominated as Most Promising Newcomer, female by the Foreign Press Association (Golden Globes). The Writers Guild of American (WGA), USA awarded What’s Up Doc? Best Comedy Written for the Screen (Buck Henry, David Newman, Robert Benton). The film’s first 2 weekends broke the Radio City Music Hall house record that had stood since 1933.

Ryan O’Neal and Barbra Streisand talk under the table.

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats.

Join the Chicago Film club, join the discussion
The Chicago Film Club is for classic movie fans. Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here.To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Friday, March 7, 2014

“The Lady Eve” 5th film in Screwball Comedy series screened March 11, 2014

When: Tuesday, March 11, 2014 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

The Lady Eve (1941) Father and daughter con artists (Charles Coburn and Barbara Stanwyck) travel on transatlantic cruise ships swindling rich passengers in card games. When the two spot a big fish Charles Poncefort Pike (Henry Fonda), heir to Pike Ale—“The ale that won for Yale”—they decide to take him for all he’s worth. But when the daughter falls in love with their mark, things get complicated and hilarious. Preston Sturges directed his first big-budget hit with with amazing results. A critical and financial success, the New York Times declared The Lady Eve the best picture of 1941, above Citizen Kane! Once you see this film you’ll understand why they came to that amazing conclusion.

This was Preston Sturges’s third film as both writer and director and his first big-budget production, with A-list movie stars. After the critical and financial successes of The Great McGinty and Christmas in July, both released in 1940, Paramount gave Sturges free rein to craft The Lady Eve. For his leads, Sturges got Stanwyck and Fonda. From all accounts, both stars enjoyed working with each other and with Sturges. Sturges wrote The Lady Eve with Stanwyck in mind after he saw her performance in Remember the Night the year before. Sturges was so impressed with her characterization in that film that he knew she would be ideal as Eve.

Fonda, who had four films in release in 1940, including The Grapes of Wrath, was happy to star in a comedy. As Charles Pike, Fonda showed his lighter side, being especially deft at physical comedy. Fonda’s numerous pratfalls are one of the film’s major delights. Bosley Crowther in theNew York Times said, “No one could possibly have suspected the dry and somewhat ponderous comic talent which is exhibited by Henry Fonda as the rich young man.” As Eve, Stanwyck is one part of a trio of card sharks mixing it up with rich swells, like Pike, traveling by ocean liner. Along with her father, “Colonel” Harrington (Charles Coburn) and their “butler” Gerald (Melvin Cooper), Eve sees Pike as an easy mark.


A publicity shot during the filming of The Lady Eve

The Lady Eve is filled with a host of great character actors, most of which became part of the “Sturges Stock Company.” This stock company included William Demarest, Eric Blore, and Robert Grieg. The latter two appeared in Sturges’s Sullivan’s Travels, also released in 1941.

When the movie was opened, Crowther, declared Sturges, “the most refreshing new force to hit the American motion pictures in the past five years.” He went on to say that a “more charming or distinguished gem of nonsense has not occurred since It Happened One Night.”

The Lady Eve is not only one of the best screwball comedies, but one of the best American films ever made.

Henry Fonda said Barbara Stanwyck was his favorite leading lady.

Backstory: Preston Sturges wrote the screenplay for Remember the Night with Carole Lombard in mind. He was disappointed that Paramount didn't secure her services, but when he saw Stanwyck in the lead, he was impressed. Stanwyck told Sturges that no one writes comedies for her. Sturges said he would write one for her; that screenplay was The Lady Eve.

Join the Chicago Film club, join the discussion
The Chicago Film Club is for classic movie fans. Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click hereTickets are $5 general admission; $3 for students and seniors. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


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