Carole Lombard, Fred MacMurray, and John Barrymore star in “True Confession”

True Confession (1937) is an American screwball comedy directed by Wesley Ruggles and starring Carole Lombard, Fred MacMurray, and John Barrymore. The supporting cast included Una Merkel, Porter Hall, Edgar Kennedy, Fritz Feld, and Hattie McDaniel.

Carole Lombard plays Helen Bartlett, a housewife and aspiring fiction writer. Helen is a habitual storyteller; she is often fast and loose with the truth. Helen bangs out short stories on her portable typewriter at home while her husband, Ken (MacMurray), tries to establish his fledgling law practice. He has a problem: he’s only interested in taking on clients who are truthful and innocent. He is the complete opposite of Helen. Ken’s refusal to take on “guilty” clients causes friction between the young couple struggling to make ends meet. Helen writes stories in an attempt to help with the family finances, which Ken resents. When Helen is conjuring up a lie, her tongue is planted firmly in her cheek, and you can see the wheels turning in her head.

When Helen applies for a private secretary position at an incredibly generous salary, her best friend, Daisy (Una Merkel), smells a rat. Helen’s boss, Otto Krayler (John T. Murray), really doesn’t want a secretary, but rather a playmate. On her very first day on the job, Krayler makes a pass at Helen and she quits in a huff. Later, she realizes that she left her hat and coat at Krayler’s lavish apartment. When she and Daisy go to retrieve them, the two discover that Krayler has been murdered and that, according to Detective Darsey (Edgar Kennedy), Helen is the prime suspect!

How is Helen going to get out of this mess?

 

Fred MacMurray, Carole Lombard, and John Barrymore

True Confession trivia

• Lombard lobbied to get John Barrymore hired to play Charlie Jasper. She also insisted that he get star billing.
• This was the fourth and final film that Lombard and Fred MacMurray made together. All four of their films were box office successes.
• True Confession was released within weeks of the more famous Lombard film Nothing Sacred. Ironically, True Confession was the bigger box office hit.
• The film was remade in 1946 as Cross My Heart starring Betty Hutton.
• This blogger thinks this film was a template for the I Love Lucy television situation comedy.

 

Click HERE to watch the movie on the Internet Movie Archive.

Click HERE to join the online discussion on May 26, 2025, at 6:30 p.m. Central Time. Once you RSVP, you will receive an email with a link to join the discussion on Zoom.

 

Una Merkel, Carol Lombard

Discussion questions

1. Why do you think Lombard fans preferred this film over Nothing Sacred, released the same year?
2. Was Lombard believable as a congenital liar?
3. What did you think of the girlfriend chemistry between Lombard and Una Merkel? Did their friendship remind you of another famous girlfriend team?
4. As noted in the trivia section, this was the fourth and last film that MacMurray and Lombard made. Did you think they had good on-screen chemistry?
5. What did you think of John Barrymore’s performance? Was Lombard right in insisting he be cast in the role of Charlie Jasper?
6. Did the film remind you of any other films you’ve seen?

Jeanne Crain in her big starring moment as "Margie"

In 1943 at 18, Jeanne Crain was under contract with 20th Century Fox. She had a small part in the Alice Faye musical The Gang's All Here. The next year she played the love interest of Lon McCallister in Home in Indiana also starring Walter Brennan. The Technicolor film was a big hit with movie audiences and Crain was on her way to movie stardom.

Darryl F. Zanuck, head of 20th Century Fox, wanted to groom Crain as the next Janet Gaynor. Crain's natural beauty and pleasant screen personality made her a hit with film fans. Typical of the studio system, Crain was in movies one after the other. In 1944 she starred in In the Meantime, Darling directed by Otto Preminger and Winged Victory. In 1945, she co-starred with Dana Andrews, another star on the rise, in State Fair in the role that Gaynor created in 1933. Also that year, she played the good girl cousin of bad girl Gene Tierney in Leave Her to Heaven, the studio's biggest box office success up to that time.

Crain's banner year would be 1946. She starred in Centennial Summer, again directed by Preminger, Fox's attempt to match the success of M-G-M's Meet Me in St. Louis. She received top billing over Cornel Wilde and Fox veteran Linda Darnell. But her biggest success that year was Margie.

The film begins with the now-married Margie telling her daughter about her high school days at Central High, the school her daughter is attending.

Every once in a while an actress makes a role her own and it's hard to imagine anyone else playing the part. This was the case with Margie, directed by Henry King. The film with music set during the 1920s was a perfect fit for Crain. At just 21 years of age, she was totally believable as Margie McDuff a high school senior with a crush on her French teacher (Glenn Langan).

Crain as Margie McDuff, daydreaming while studying

The promotion of Crain for the film was enormous. The poster proclaimed "Jeanne Crain in her big starring moment as Margie." The poster went on to call Crain "The girl of the moment..." She was on the cover of Life magazine. In the film, Crain is surrounded by a wonderful supporting cast which includes Langan, Lynn Barrie, Allan Young, Barbara Lawrence, Conrad Janis, Esther Dale, and Hattie McDaniel. But it's Crain's picture.

As the shy Margie always having trouble with her bloomers, Crain is believable and charming. It's easy to see how she quickly endeared herself to movie audiences. During the 1940s, her fanmail was second only to Betty Grable.

A month before the movie's release, Jeanne Crain was on the cover of Life with the cover story promoting Margie.

Crain's Margie wishes she were popular like her best friend Marybelle Tenor and her steady beau Johnny "Johnikins" Green (Janis). But her strict grandmother (Dale), who she lives with, encourages her to concentrate on her studies and not to be as flighty as Marybelle. Margie is smart and she's a good debater. The debate scene in the film is classic with the subject being of great concern to many Americans during the 1920s: "Take the Marines out of Nicaragua!"

Margie's father (Hobart Cavanaugh) is an undertaker or "mortician" as Margie would say to Roy Hornsdale (Young). Her father's profession embarrasses her but she adores him. He lives apart from Margie and her grandmother and always seems occupied with his work.

Jeanne Crain, Conrad Janis, and Barbara Lawrence

When the new Central High French teacher Professor Ralph Fontayne (Langan) arrives on the scene, Margie becomes smitten with him and it seems that the feeling may be mutual. Through several embarrassing situations between Margie and the professor, Margie is convinced she has ruined her chances of winning his attention. But Margie is about the underdog coming out on top so you can be sure of a happy ending.

Of all the films Crain made none is as much fun as Margie. She's lovely, sweet, and absolutely perfect in the title role.

If you haven't seen this film, you own it to yourself to give it a look.

Ann E. Todd, Glen Langan, and Jeanne Crain

Must see Jeanne Crain films

Home in Indiana (1944)

State Fair (1945)

Leave Her to Heaven (1945)

Apartment for Peggy (1948)

The Fan (1949)

A Letter to Three Wives (1949)

Pinky (1949)

Cheaper by the Dozen (1950)

The Model and the Marriage Broker (1951)

People Will Talk (1951)

Carole Lombard and Fredric March star in “Nothing Sacred”

Nothing Sacred (1937) is a screwball comedy film directed by William A. Wellman, produced by David O. Selznick, with a screenplay by Ben Hecht. Oscar Levant wrote the original music score.

New York newspaper reporter Wally Cook (March) was demoted to writing obituaries due to a scandal involving a phony African nobleman and a charity event in the nobleman’s honor. Wally begs his boss Oliver Stone (Walter Connolly) for a second chance.

Wally points out a story about Hazel Flagg (Carole Lombard), a young woman dying of radium poisoning. Wally convinces his boss that a story on the dying girl could boost the circulation of his paper the Morning Star. Wally is off to the fictional town of Warsaw, Vermont in pursuit of Hazel Flagg and her story. Wally meets Hazel and he invites her and her doctor to New York as guests of the paper. Unknown to Wally is the fact that Hazel isn’t dying of radium poisoning and that her original diagnosis was a mistake. Hazel anxious to leave the sleepy town of Warsaw for a trip to New York doesn’t let on that she’s not dying.

Will Hazel’s secret be found out and will Wally be sent back to writing obituaries once again?

William A. Wellman (1896 – 1975) got his start in the movies as an actor but decided he’d rather work behind the camera as a director. He directed his first picture in 1920. Seven years later, Wellman directed the World War I epic Wings. His other notable films in the sound era include The Public Enemy (1931), A Star Is Born (1937), Beau Geste (1939), and The Ox-Box Incident (1943).

Carole Lombard (1908 – 1942) was an American film actress best know for starring in a string of screwball comedies. So popular was she in the genre that Life magazine dubbed her “the screwball girl.” Lombard began her career in silent films, but her career was stalled when she was in a car accident that scarred her face. After the accident, she was dropped from her Fox Film Corporation contract. She underwent plastic surgery, which was relatively new at the time, hoping it would help jumpstart her career. The surgery was a success resulting in a minor scar that was hardly noticeable on screen. She made almost 40 films before her breakout role as Lily Garland opposite John Barrymore in Twentieth Century. Now a bona fide star, Lombard would be the highest-paid actor in Hollywood by the late 1930s. Lombard was Oscar-nominated for My Man Godfrey (1936) and starred in Alfred Hitchock’s only screwball comedy Mr. & Mrs. Smith. In 1939, Lombard married Clark Gable and the two were the most famous couple in Hollywood. Lombard died tragically in a plane crash on January 16, 1942. She was 33 years old. Her final film was the Ernst Lubitsch comedy To Be or Not to Be (1942) which was released after her death.

Frederic March (1897 – 1975) was an American actor of both stage and film. He started his career as an extra in silent movies and by 1926 he appeared on Broadway and by the end of the decade, he was in Hollywood. March was one of the most successful actors working in Hollywood during the 1930s and 1940s. He starred in Dr. Jekyll and Mr. Hyde (1932) a role for which he won a Best Actor Oscar, Design for Living (1933), Les Miserbles (1935), Anna Karenina (1935) with Greta Garbo, and A Star is Born (1937) with Janet Gaynor. In the 1940s, March starred in I Married a Witch (1942) and The Best Years of Our Lives, which brought him his second Best Actor Oscar. March was also a major star on Broadway. He won Tony Awards for Best Actor for his performances in Years Ago (1947) and Long Day’s Journey into Night (1956).

Nothing Sacred is a who’s who of 1930s character actors including Charles Winninger, Walter Connolly, Sig Ruman, John Qualen, Hattie McDaniel, and Margaret Hamilton.

Nothing Sacred has a creative title sequence.

Nothing Sacred trivia:

• This was the first screwball comedy filmed in Technicolor and Lombard’s only color film. 
• Frank Fay who plays the master of ceremonies in the film was Barbara Stanwyck’s first husband. His film career was basically over at the time of the film’s release, but he went on to Broadway fame as Elwood P. Dowd in Harvey (1944).
• The film was not a hit upon its release and recorded a loss of $400,000 at the box office.
• Lombard starred in True Confession (1937) with Fred MacMurray, the same year as Nothing Sacred. True Confession, almost forgotten today, was a huge box office success.

For more information on True Confession, which also starred John Barrymore, click here.

Fred MacMurray, Carole Lombard, and John Barrymore in True Confession

To watch the film, click on the YouTube link below. Please use this link because there are other versions that are on the channel that isn’t as good.



After you’ve watched the film, join us for a discussion on Zoom at 6:30 p.m. on August 11, 2020. The links for the Zoom meeting are below.

Stephen Reginald is inviting you to a scheduled Zoom meeting.

Topic: Discussion of "Nothing Sacred"
Time: Aug 11, 2020 06:30 PM Central Time (US and Canada)

Join Zoom Meeting

https://us04web.zoom.us/j/74847286053?pwd=aFdsaElXcEdqcmZHVGthMTE0aUJyUT09

Meeting ID: 748 4728 6053
Passcode: ck2W1Q


Questions for discussion:
1. Were you surprised to see such an old film in color? Did color add anything to the narrative?
2. What did you think of Carole Lombard’s performance?
3. What did you make of the town of Warsaw? Did you understand why Hazel wanted to leave it?
4. Was Frederic March convincing as a newspaperman?
5. Was there a message or meaning behind the comedy? If yes, what was the message?