Joan Crawford, Dana Andrews, and Henry Fonda in Otto Preminger's Production of “Daisy Kenyon”

Daisy Kenyon (1947), based on the best-selling novel by Elizabeth Janeway, is one of many films referred to as “women’s pictures” during Hollywood’s Golden Age. In many ways, it fits that genre perfectly, especially with Joan Crawford—“an old hand at being emotionally confused” according to The New York Times review—playing the title role. However, in director Otto Preminger’s hands, it’s so much more, with the male protagonists, Henry Fonda and Dana Andrews, also grabbing the spotlight.

Andrews plays prominent attorney, Dan O’Mara who is married to Lucile (Ruth Warrick). They have two daughters Rosmund (Peggy Ann Garner) and Marie (Connie Marshall). O’Mara leads a double life: On the one hand, he’s a family man, and on the other, he’s a philandering husband carrying on an affair with Daisy (Crawford), a single career woman. The relationship is a strained one primarily because O’Mara refuses to divorce his wife and marry Daisy. Daisy is torn between her love for Dan and her desire for a relationship that doesn’t need to be kept secret. To complicate matters further, Daisy meets World War II veteran, Peter Lapham (Fonda). Not as exciting a character as Dan, but a safe one.

Who will Daisy choose? 

Otto Preminger (1905 -1986) was an American film director who made more than 35 feature films during a five-decade career. Born in Austro-Hungarian into a Jewish family. Preminger was drawn to acting from an early age and became the apprentice of famed stage director Max Reinhardt. In 1935, he was recruited by Twentieth Century-Fox to apprentice as a director at the studio. After a rocky start, Preminger established himself as an A-list director after Rouben Mamoulian was fired from Laura (1944). The film noir classic made major stars of Gene Tierney and Dana Andrews and is considered one of the best film noirs of all time. While under contract to Fox, Preminger directed Fallen Angel (1945), Centennial Summer (1946), Forever Amber (1947), and Daisy Kenyon (1947). After he left Fox, Preminger became a maverick, constantly clashing with members of the Production Code. He released two films without the approval of the Production Code: The Moon is Blue (1953) and The Man with the Golden Arm (1955). Both films were financial successes and helped bring an end to the Code entirely. Later successes for Preminger include Anatomy of a Murder (1959) and Exodus (1960).

Crawford at the top of the triangle.

Joan Crawford (190? – 1977) was an American actress. A former dancer, Crawford was signed to a movie contract by M-G-M in 1925. She started out in small parts in silent films, sometimes doubling for established star Norma Shearer. Crawford was an amazing self-promoter and by the 1930s, her popularity rivaled Shearer and Greta Garbo. She was famous for playing shop girls who somehow made it big. During the height of the Depression, women flocked to her films. But by the late 1930s, her popularity was beginning to wane. She left M-G-M and was absent from the screen for almost two years. She signed with Warner Bros. and made a successful comeback in Mildred Pierce (1945). The film was a hit with audiences and critics alike and won Crawford her one-and-only Academy Award for Best Actress. She went on the star in Humoresque (1946) with John Garfield, Possessed (1947) with Van Heflin, and Flamingo Road (1949). 

Dana Andrews (1909 – 1992) was an American stage, film, and television actor. During the 1940s, Andrews was a major star and leading man starring in Laura (1944), State Fair (1945), A Walk in the Sun (1945), The Best Years of Our Lives (1946), Canyon Passage (1946), Boomerang! (1947), and Daisy Kenyon (1947), the latter co-starring Joan Crawford and Henry Fonda. During the 1950s, film roles were harder to come by, but he had success in Elephant Walk (1954) co-starring Elizabeth Taylor and Peter Finch, While the City Sleeps (1956), and Curse of the Demon (1957). In 1958 he replaced Henry Fonda on Broadway in Two for the Seesaw. Andrews worked a lot on television guest-starring on shows like The Twilight Zone, Checkmate, The Barbara Stanwyck Show, Ben Casey, The Love Boat, Ironside, and Falcon Crest. He also starred in the daytime soap opera Bright Promise (1969 - 1971).

Trouble in the O’Mara household

Henry Fonda (1905 –1982) was an American stage and film actor. Fonda came to Hollywood in 1935 and became a star overnight. Early starring roles include Jezebel (1938), Jesse James (1939), Young Mr. Lincoln (1939), and The Grapes of Wrath (1940) for which he received his first Best Actor nomination for playing Tom Joad. Fonda played opposite Barbara Stanwyck in The Lady Eve (1942), My Darling Clementine (1946), and Mister Roberts (1955). In 1981 he finally won the Best Actor Oscar for his role as Norman Thayer Jr. in On Golden Pond.

Daisy Kenyon triva

• Joan Crawford requested both Henry Fonda and Dana Andrews as her co-stars.
• Fond and Andrews didn’t want to make the film but had to it to fulfill their contracts.
• During an interview during the 1970s, Otto Preminger said he had no recollection of Daisy Kenyon.
• Crawford was borrowed from Warner Bros. for her role as Daisy.
• Andrews had already worked with Preminger on Laura (1944) and Fallen Angel (1945).
• John Garfield appears as an extra sitting at the bar in the Stork Club.
• Columnist Walter Winchel, writer Damon Runyon, and New York Post columnist Leonard Lyons all have cameos as themselves.

Dan O’Mara at the Stock Club with Leonard Lyons and check out
John Garfield drinking far left!

Click HERE to watch the film on the Internet Archive.

Click HERE to join the online discussion on October 21, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an email with a link to join the discussion on Zoom.

Discussion questions

1. When the film was released on DVD, the film company classified it as a film noir. Do you think this film fits that genre? How would you classify it?
2. Did you find the relationships between the three stars believable? 
3. Do you think Daisy made the right choice?
4. Were you surprised by anything?
5. Was the ending satisfying?