Showing posts with label Audrey Hepburn. Show all posts
Showing posts with label Audrey Hepburn. Show all posts

Monday, November 14, 2022

Bogart, Hepburn, and Holden star in Billy Wilder's "Sabrina"

Sabrina (1954) is an American romantic comedy directed by Billy Wilder and starring Humphrey Bogart, Audrey Hepburn, and William Holden. The screenplay was by Wilder, Ernest Lehman, and Samuel A. Taylor. The supporting cast includes John Williams, Martha Hyer, Francis X. Bushman, Ellen Corby, and Nancy Kulp.

Sabrina Fairchild (Hepburn), the daughter of the Larrabee family’s chauffeur (Williams) has been in love with David Larrabee for as long as she can remember. David has been married three times and is the handsome, non-working playboy younger brother of the hard-working Linus (Bogart). Sabrina has lived at the Larrabee estate on Long Island her entire life. To David, she is still a little girl.

As a way to help her forget David, her father has arranged for her to attend the Le Cordon Bleu culinary school in Paris. Before she is supposed to leave, she leaves her father a suicide note and proceeds to start all the cars in the garage in an effort to kill herself. Linus, who happens to walk by the garage and hearing all the car engines running, finds Sabrina about the pass out from the fumes. Linus saves Sabrina and brings her to her family’s apartment above the garage.

Sabrina goes to Paris and after completing her cooking course, she comes back to Long Island a sophisticated young woman who David doesn’t even recognize. David finds Sabrina enchanting but there’s one problem; he’s engaged to be married to socialite Elizabeth Tyson (Hyer).

What will happen to Sabrina? Will she find happiness with her childhood crush, David, or is there someone else who is a better match?


Billy Wilder (1906 - 2002) was an Austrian-born American film director, screenwriter, and producer. He won six Academy Awards for his writing and direction and was nominated twenty-one times over a career that spanned five decades. Wilder started his career as a writer, penning the screenplays for Ninotchka (1939), Ball of Fire (1942), Double Indemnity (1945), The Lost Weekend (1946), Sunset Boulevard (1951)  Boulevard (1951)Sabrina (1955), Some Like it Hot (1960), and The Apartment (1961). As a director, he won Academy Awards for directing The Lost Weekend (1946) and The Apartment (1961). Wilder directed fourteen different actors in Oscar-nominated roles. He is considered one of the most versatile directors from Hollywood’s Classical period.

Humphrey Bogart (1899 – 1957) was an American film and stage actor. He is one of the most famous and popular movie stars of Hollywood’s Golden Age. Nicknamed Bogie, the actor toiled in supporting roles in both A and B pictures for a decade before his breakout role as Roy Earle in High Sierra (1941). Many more film roles followed including The Maltese Falcon (1941), Casablanca (1942), Key Largo (1948), and The Treasure of the Sierra Madre (1948). His career continued with good roles in films like In a Lonely Place (1950), The Caine Mutiny (1954), and Sabrina (1954) co-starring William Holden and Audrey Hepburn. Bogart died from cancer in 1957.

Audrey Hepburn and William Holden

Audrey Hepburn (1929 – 1993) was a British actress. Hepburn won an Academy Award for Best Actress for her first starring role in Roman Holiday (1953), co-starring Gregory Peck. Peck predicted that Hepburn would be a big star during production and insisted that she receive equal screen building with him. Hepburn also starred on Broadway in Gigi and Ondine. Other film roles include Sabrina (1954), War and Peace (1955), Breakfast at Tiffany’s (1961), My Fair Lady (1964), How to Steal a Million (1966), Wait Until Dark (1966), Two for the Road (1967). Besides her acting career, Hepburn was a fashion icon and a humanitarian working as Goodwill Ambassador with UNICEF.

William Holden (1918 - 1981) was an American actor and major movie star. He was one of the most bankable stars of the 1950s. Holden starred in some of the most popular and beloved films of all time including Sunset BoulevardSabrina, Picnic (1955), The Bridge on the River Kwai (1957), and Stalag 17 for which he won the Academy Award for Best Actor. Holden became a star with his very first role in Golden Boy (1939). He had lead roles in other popular films like Our Town (1940), and  I Wanted Wings (1941). World War II interrupted his career. Holden was a first lieutenant in the United States Army Air Force. After the war, he made some popular but forgettable films. It wasn’t after he collaborated with director Wilder on Sunset Boulevard that Holden’s popularity and stature in Hollywood grew to superstar status.


Sabina trivia

  • Cary Grant was Wyler's first choice to play Linus. 
  • Humphrey Bogart wanted his wife (Lauren Bacall) to play Sabrina.
  • Bogart did not enjoy working with Hepburn and Holden. Bogart thought Hepburn was inexperienced.
  • The script was being worked on as they filmed. Reportedly, one scene was written in the morning and shot that afternoon. Writer Ernest Lehman had a nervous breakdown during production.
  • Hepburn was 24, Holden was 35, and Bogart was 53 during the film's production.
  • Bogart was paid $300,000, Holden $150,000, and Hepburn $15,00.


To watch the film on YouTube, click on the link below.



To join the discussion on November 21, 2022, at 6:30 p.m. Central Time, click here. Once you RSVP, you will receive an invitation and a link to the discussion on Zoom.

Bogart, Hepburn, and Holden


Discussion questions

  1. Would you have rather seen Cary Grant in the role of Linus or did you think Humphrey Bogart was just right for the role? Joseph Cotten played Linus in Sabrina Fair, the play on which the movie is based. Can you see Cotten in the Bogart role?
  2. Some critics think that William Holden was miscast as David; do you agree with the critics?
  3. This was only Hepburn's second major film role. What did you make of her performance?
  4. Do you think Lauren Bacall would have made a good Sabrina?
  5. Did this film remind you of any other romantic comedies you've seen?

Thursday, November 19, 2015

Chicago Film Club field trip: “Roman Holiday” November 29 at The AMC East

Where: AMC East 21, 322 East Illinois, Chicago, IL
When: November 29, 2015
Time: 2:00 p.m.
Hosted by Stephen Reginald

Special Fathom Feature: Enjoy a specially produced introduction from Turner Classic Movies that will give insight into William Wyler’s classic.

Fathom Events, Turner Classic Movies and Paramount Pictures are delighted to bring the 1953 American romantic-comedy classic, Roman Holiday, back to the big screen in cinemas nationwide on Sunday, November 29.


Starring Gregory Peck and Audrey Hepburn and directed by William Wyler, Roman Holiday won three Academy Awards® for Best Actress in a Leading Role, Best Costume Design and Best Writing. In this timeless classic, Hepburn is at her transcendent best as a sheltered princess who falls for an American newsman in Rome.

This film will be shown in the same aspect ratio as when it was originally released in cinemas.

The purchase tickets in advance click here.

Run Time: 2 hours and 15 minutes (approximate). Let's try to meet at 1:45 p.m. by the concessions, theater level.


Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Wednesday, April 7, 2010

Becoming Grace Kelly

Everyone knows the name Grace Kelly (1929-1982). But do they know the person behind that name? Is she the glamorous movie star who took the mid-1950s by storm and then gave it all up to marry a prince? Or is she the shy girl, who did not quite fit in with the athletic and outgoing Kelly clan?

Quiet Grace
Grace Patricia Kelly is all of the above. The third of four children, Grace was quiet and solitary in contrast to her older sister, Peggy, older brother John, and younger sister Lizanne. How she became a movie icon is a Hollywood story if ever there was one, but it’s also about timing. If there weren’t a Grace Kelly in the mid-1950s, we would have had to invent her.

New girl in town
Kelly was part of a new crop of female movie stars, a crop that also included Audrey Hepburn and Sophia Loren, groomed during the waning days of the old studio system. She signed a seven-year contract with MGM, but they didn’t seem to know what to do with her. Her best movie roles came by way of other studios on loan outs.

Mogambo (1953), was her biggest role at this point in her career. She played opposite two undisputed superstars: Clark Gable and Ava Gardner. But she almost didn’t get that role. Gene Tierney (who starred with Gable in Never Let Me Go that same year) was director John Ford’s (and MGM’s) first choice. Due to her developing mental illness, Tierney had to drop out. It was then that Kelly was given the role of the unfaithful wife who falls for Gable’s character, but loses him in the end. For this role, Kelly received an Academy Award nomination as Best Supporting Actress. But even with the nomination, Kelly’s stardom wasn’t a sure thing.

The New York Times’s movie critic, Bosley Crowther gave a rather lukewarm review of Mogambo, waiting until the very last paragraph (first sentence of a two-sentence paragraph at that) to even mention Kelly. That was all about to change; the public and Crowther would soon take notice.

Kelly gets noticed
In 1953, Alfred Hitchcock was searching for a female lead for a film he was directing at Warner Bros., Dial M for Murder. While looking for an actress to cast, he reviewed an old screen test Kelly had done at Twentieth Century Fox and watched Mogambo. While Hitchcock thought Kelly was stiff, if not a bit wooden, he saw that she had potential. Almost immediately, the master of suspense started to mold Kelly into the prototypical cool Hitchcock blond. When Dial M for Murder was released, the reviews were good, some even thinking it better than the stage play upon which it was based. This time, Crowther mentioned Kelly in the sixth paragraph (out of seven) of his review saying, “Grace Kelly does a nice job of acting the wife's bewilderment, terror and grief.” From the likes of Crowther, that was absolutely glowing praise.

Edie Doyle or Lisa Fremont?
Almost on the back of filming Dial M for Murder, Hitchcock requested Kelly’s services again for Rear Window. At the time the role of Lisa Carol Fremont was offered to her, Kelly was considering the role of Edie Doyle for On the Waterfront,the role that eventually went to Eva Marie Saint. Kelly loved the Rear Window script and decided she'd rather portray a model from Manhattan than a middle-class girl from New Jersey. She could not have imagined how fortuitous a choice that would be.

Careful collaborations
Once again, Hitchcock took complete control of Kelly’s image and introduced her to screenwriter, John Michael Hayes. As Hayes would state in an interview before his death in 2008, Hitchcock asked him to get to know Kelly and study her speech patterns. Hayes was instructed to write dialogue that would seem natural coming out of Kelly’s mouth. Hitchcock thought (and rightly so) that if Kelly collaborated with Hayes on some of her dialogue, her characterization would avoid the stiffness of some of her earlier roles. The fact that Hayes’s wife was a former model made him the perfect person to write for Kelly.

Another person Hitchcock introduced to Kelly was renowned costume designer Edith Head. Under Hitchcock’s direction, Head went to work on creating a wardrobe that would be true to Kelly’s character as well as showcase her incredible beauty. With Kelly, Head had a clean canvas upon which she could create a look that was stylish, chic, and deceptively simple in design.

When Rear Window opened at the Rivoli in August of 1954, 2,000 people attended the premier, a benefit for the American-Korean Foundation. It was an immediate commercial and critical success and people took notice of Grace Kelly in what would become an iconic role for the then 25-year-old actress.

Five movies in one year!
In 1954, moviegoers couldn’t avoid Grace Kelly. That year, she had no fewer than five films in release: Dial M for Murder (May), Rear Window (August), The Country Girl, The Bridges at Toko-ri, and Green Fire (December). For her performance in The Country Girl, she was awarded the Best Actress Academy Award for 1955. The competition was unusually stiff that year, with Kelly besting Dorothy Dandridge (Carmen Jones), Jane Wyman (Magnificent Obsession), Audrey Hepburn (Sabrina), and Judy Garland (A Star is Born). Garland was the sentimental and the odds-on favorite, so Kelly’s win was a bit of a shock to many. Supposedly, six votes separated the two stars.

A star is born and then she's gone
As quickly as Kelly’s star rose, so did her departure from Hollywood. She would have one film released in 1955, To Catch a Thief, again working with Hitchcock and Edith Head. In 1956, she would have two films in release, The Swan and High Society, which would be her last. On April 19, 1956, Kelly wed Prince Rainier of Monaco. Rumors of a comeback never materialized. Grace Kelly remained Princess Grace of Monaco until her traffic death in a car accident on September 14, 1982. She was 52 years old.

Friday, August 21, 2009

“Breakfast at Tiffany’s”: Classic Audrey Hepburn


A fashion icon is born
Audrey Hepburn as Holly Golightly has become a film icon, but she wasn’t the original choice for the role. Author Truman Capote and the original producers wanted Marilyn Monroe to play Holly. 


Famed acting coach Lee Strasburg, who was working with Monroe at the time, told her playing a call girl would be bad for her image, so she turned the role down. 


When Hepburn stepped into the part, script changes were made to tailor it to her unique talents. Even though Breakfast at Tiffany’s is one of Hepburn’s most popular films, Hepburn thought she was miscast as Holly.


Steve McQueen was Wanted
Steve McQueen was offered the role that eventually went to George Peppard, but the producers of McQueen’s popular TV show, Wanted: Dead or Alive, wouldn’t let him out of his contract.

Audrey Hepburn was paid $750,000 for her role, which made her one of the highest paid movie actress of the decade.  Elizabeth Taylor would soon be paid $1,000,000 for Cleopatra (1963).






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