Ladd, Lake, and Donlevy star in “The Glass Key”

The Glass Key (1942) is an American film noir directed by Stuart Heisler and starring Brian Donlevy, Veronica Lake, and Alan Ladd. The supporting cast includes William Bendix, Bonita Granville, Richard Denning, and Joseph Calleia.

The Glass Key centers on Ed Beaumont (Alan Ladd), the trusted right-hand man of political boss Paul Madvig (Brian Donlevy). When a local gangster, Shad O’Rory, is found murdered, suspicion immediately falls on Madvig, especially since he had recently been publicly feuding with Shad over the affections of Janet Henry (Veronica Lake), the daughter of a powerful senator whom Madvig intends to marry. Ed, despite his personal feelings for Janet, is fiercely loyal to Madvig and sets out to clear his name. He dives deep into the seedy underworld, navigating corrupt politicians, rival gangsters, and the cynical social circles of the elite, all while facing threats and beatings designed to deter him.

As Ed investigates, he uncovers a tangled web of deceit, betrayal, and hidden motives. 

 

Stuart Heiser (1896 – 1979) was an American film and television director. Heisler started out as a film editor from 1921 to 1936. He then worked as a director for the remainder of his career. He directed films starring Bing Crosby, Fred Astaire, Gary Cooper, and Loretta Young. He directed Susan Hayward in Smash-Up, the Story of a Woman, considered her breakout performance. She earned her first Best Actress Academy Award nomination for her performance. Other films directed by Heiser include Along Came Jones (1945), Blue Skies (1946), Tulsa (1949), Dallas (1950), The Star (1952), and I Died a Thousand Times (1955).

Brian Donlevy (1901–1972) was an American actor noted for playing tough guys in movies. He mostly worked as a supporting actor, but sometimes played the lead, as in the Preston Sturges classic The Great McGinty (1940). Donlevy worked in the theater but soon found regular work in silent films. He transitioned to sound pictures and starred in “A” and “B” pictures at most of the major studios. He supported the biggest stars of Hollywood’s Golden Age, including Robert Taylor, Barbara Stanwyck, Gary Cooper, Marlene Dietrich, and Bing Crosby.

Veronica Lake (1922 - 1973) was an American film, stage, and television actress. She was a popular star of film noirs, often paired with Alan Ladd in the 1940s. She was also famous for her peek-a-boo hairstyle. Her home studio, Paramount, dubbed her the peek-a-boo girl. Women and girls all over the world copied her hair-over-one-eye hairstyle. Lake became an overnight sensation with her role in I Wanted Wings (1940). During the height of her career, Lake was making $4,500 a week. Some of her popular films include Sullivan’s Travels (1941), This Gun for Hire (1942), The Glass Key (1942), So Proudly We Hail! (1943), and The Blue Dahlia (1946). Lake’s career declined due to her struggle with alcoholism. She died from cirrhosis of the liver in 1973. She was 50 years old.

Alan Ladd (1913 – 1964) was an American actor and film producer. Before Ladd made in big in movies, he had a successful career on the radio. After numerous bit parts at just about every Hollywood studio, Paramount signed him to a long-term contract and crafted roles that propelled him to superstardom. Ladd established himself in films noir like This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946). Other important films include Two Years Before the Mast (1946) and The Great Gatsby (1949). Ladd also established himself in the western genre, starring in Whispering Smith (1948) and one of the most famous westerns of all time, George Stevens’s Shane (1953). George Stevens offered the role of Jett Rink in Giant (1956), but Ladd turned it down because it wasn’t the lead. Ladd’s last film was in a supporting role in The Carpetbaggers (1964).

 

Click HERE to watch the movie on the Internet Archive.

Click HERE to join the online discussion on Monday, August 4, 2025, 6:30 p.m. Central Time. Once you RSVP, you will receive an email with a link to join the Zoom discussion. 

 

Brian Donlevy, Veronica Lake, and Alan Ladd

The Glass Key trivia

• William Bendix accidentally knocked Alan Ladd in a fight scene.
• This was a remake of the version first filmed in 1935, starring George Raft in the Ladd role.
• Paulette Goddard was originally cast in the role of Janet Henry, but had to drop out due to a prior commitment. It was announced that Patricia Morison would replace her, but after the producers saw the chemistry between Lake and Ladd in This Gun for Hire (1942), Lake was cast as Janet.
• This was the second of the four Ladd/Lake pairings.

 

Discussion questions

1. What do you think of the second pairing of Veronica Lake and Alan Ladd?
2. Some film noir plots are hard to follow, or in some cases, are second to the relationships between the male and female characters. Was the plot of this film hard to follow?
3. What did you think of the supporting cast? Did anyone's performance stand out to you?
4. Did anything surprise you?
5. Was the ending satisfying, believable?

Gary Cooper and Ann Sheridan star in Leo McCarey’s “Good Sam”

Good Sam (1948) is an American comedy-drama directed by Leo McCarey and starring Gary Cooper and Ann Sheridan. The supporting cast includes Ray Collins, Edmund Lowe, Louise Beavers, and Ruth Roman.

Gary Cooper is Sam Clayton, a Good Samaritan who is so helpful to others that he neglects his own family. Sam’s wife Lucille “Lu” Clayton is frustrated with her husband’s efforts to help everyone he meets, including her free-loading brother who has lived with them rent-free for six months.

Will Sam’s “helpful” efforts destroy his career and family life or will he realize that he can’t save the entire world on his own?

Ann Sheridan and Gary Cooper

Leo McCarey (1898 – 1969) was an American film director, screenwriter, and producer. McCarey is perhaps most famous for his critically acclaimed and commercially popular comedies like Duck Soup (1933), The Ruggles of Red Gap (1935), and The Awful Truth (1937). Other popular films directed by McCarey include Going My Way (1944), The Bells of St. Mary’s (1945), and Good Sam (1948). McCarey won two Best Director Oscars for The Awful Truth and Going My Way.

Gary Cooper (1901 - 1961) was an American film actor who was known for his down-to-earth, understated acting style. He was a major star for almost four decades until his untimely death at age 60. Cooper got his start in silent film but easily made the transition to sound. During the early 1930s, he became a major star in films like A Farewell to Arms (1932), The Lives of a Bengal Lancer (1935), and Mr. Deeds Goes to Town (1936). Other popular Cooper films include Meet John Doe (1941), Sergeant York (1941), The Pride of the Yankees (1942), and For Whom the Bell Tolls (1952). Cooper won two Best Actor Academy Awards: Sergeant York and High Noon (1952).

Ann Sheridan (1915 - 1967) was an American actress and singer. Her movie career began in 1934 when she appeared in 19 films! Her roles were all small and mostly unbilled, but she appeared in another 20+ films before she was signed to Warner Bros. in 1938. She was given better roles and was groomed for major stardom. The studio dubbed her “The Oomph Girl,” a title she hated but helped contribute to her popularity. During World War II she was a popular pin-up girl. As a star, Sheridan starred in Angels Wash Their Faces (1939), Castle on the Hudson (1940), It All Came True (1940), They Drive by Night (1940), City for Conquest (1941), and The Man Who Came to Dinner (1942). During this time she starred opposite Warner’s top leading men including John Garfield, James Cagney, and George Raft. Her biggest success during this period came with Kings Row (1942), a film in which she received top billing over Robert Cummings, Ronald Reagan, and Betty Field. Sheridan made the transition to television and was starring in the weekly western series, Pistols 'n' Petticoats (1966-67) when she became sick with cancer. She died on January 21, 1967, at the age of 51.

Gary Cooper and Ann Sheridan in church

Good Sam trivia

• The film was a big commercial success which enabled Gary Cooper to negotiate a favorable contract with Warner Bros.
• Ann Sheridan was borrowed from Warner Bros. to co-star as Cooper’s wife, Lu.
• Director McCarey shot two different endings and let preview audiences decide which ending to use. The alternate ending is lost to film history.

 

Click HERE to watch the film on YouTube.

Click HERE to join us for an online discussion on January 6, 2025, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation along with a link to the discussion on Zoom.

Discussion questions

1. How would you, categorize this film? Do you consider it a comedy-drama, romantic comedy, or something else?
2. What did you think of Gary Cooper and Ann Sheridan as a married couple?
3. Do you think there was a serious message amidst the comic situations?
4. Did this film remind you of any others you’ve seen?

Alfred Hitchcock's "Rear Window" screens at Daystar Center July 14, 2015

When: Tuesday, July 14, 2015 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

A favorite with both the public and critics, Rear Window’s reputation only seems to grow with each passing year. 

L.B. “Jeff” Jefferies (James Stewart) is confined to a wheelchair after breaking his leg while photographing a racetrack accident. While recuperating in his Greenwich Village apartment, Jeff suspects that his neighbor across the courtyard, Lars Thorwald (Raymond Burr) murdered his invalid wife. At first his girlfriend Lisa Freemont (Grace Kelly) and home-care nurse Stella (Thelma Ritter) think he’s imagining things, but soon both begin suspecting there may be some truth to his suspicions.

Alfred Hitchcock’s Rear Window is a master class in filmmaking; its technique and storytelling are timeless.

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

This amazing courtyard was built on the Paramount studio sound stage for Rear Window.

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.

Hitchcock’s “Spellbound” to screen January 13, 2015 at Daystar Center

When: Tuesday, January 13, 2015 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

Spellbinding Suspense

Spellbound (1945) The Master’s first collaboration with star Ingrid Bergman is an intriguing look into the “secret recesses of the mind” as described in the New York Herald Tribune’s review. 

The Mysterious Dr. Edwardes

Bergman plays Dr. Constance Peterson, a dedicated psychiatrist who puts her career on the line when she falls in love with Dr. Edwardes (Gregory Peck). Is Dr. Edwardes an impostor, pretending to be someone he is not in order to avoid arrest for a cold-blooded murder? Or is he a victim of some horrible event from his past that threatens to destroy him? 

Gregory Peck and Ingrid Bergman

A David O.Selznick Production

Produced by David O. Selznick, Spellbound is a stylish and complex love story, featuring standout performances from Bergman and Peck. The dream sequences designed by artist Salvidor Dali are hauntingly beautiful, as is the film’s score by Miklos Rozsa (Ben-Hur).

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens $3. 

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Backstory: Spellbound was one of the first films to deal with psychoanalysis. Producer David O. Selznick had his own psychoanalyst on the set for accuracy. Selznick objected to the use of artist Salvador Dali because of the expense, but then decided that the publicity his work would bring to the project would be worth it.

“The Postman Always Rings Twice”: 5th Film in “High Heels and Fedoras” series at Daystar Center June 11, 2013

Tuesday, June 11, 2013
6:30 p.m.
The Venue 1550 at the Daystar Center
1550 S. State Street

The Postman Always Rings Twice was one of the top box office hits of 1946. It also provided stars, Lana Turner and John Garfield with, arguably, the best screen roles of their careers.

Based on the novel by James M. Cain, The Postman Always Rings Twice has a lot in common with Double Indemnity, also penned by Cain. Both feature duplicitous couples planning a murder. And just like Double Indemnity, Postman’s femme fatale is married to an older man who is “inconvenient.”

Cora Smith (Turner) is a beautiful young waitress who works at her husband Nick’s (Cecil Kellaway) gas station and hamburger restaurant. When a drifter named Frank Chambers (John Garfield) starts working alongside Cora, the sparks fly. When Cora suggests that she and Frank could be together if something should happen to Nick, things begin to get crazy. Will Cora and Frank be able to pull off the perfect crime? Will they both get away with murder? Find out on Tuesday!

Here’s what New York Times critic Bosley Crowther said about the stars’ performances in his May 3, 1946 review:

Too much cannot be said for the principals. Mr. Garfield reflects to the life the crude and confused young hobo who stumbles aimlessly into a fatal trap. And Miss Turner is remarkably effective as the cheap and uncertain blonde who has a pathetic ambition to “be somebody” and a pitiful notion that she can realize it through crime.

To purchase tickets for in advance for the June 11 screening, click here. Tickets are $5 per person general admission $3 for students and seniors. Tickets may also be purchased at the door. To stay on top of film events like this, join the Chicago Film Club Meetup.

To download a flyer to post in your building or office, click here.

Director Tay Garnett with Lana Turner and John Garfield
on the set of The Postman Always Rings Twice

The Venue 1550 is located at 1550 S. State St. in the Daystar Center. The Daystar Center offers a variety of educational, artistic and cultural activities, including classes for children that teach practical life skills like social aptitude, creativity and cultural awareness in fun ways; classes for adults that give space for self-reflection and improvement; room rentals for many different-sized groups in several multipurpose rooms. For more information, call 312.674.0001 or visit their Web site.