Ronald Colman struggles to avoid “A Double Life”

A Double Life (1947) is a film noir directed by George Cukor, starring Ronald Colman and Signe Hasso. The husband and wife team of Ruth Gordon and Garson Kanin wrote the screenplay. Milton R. Krasner did the cinematography and Miklos Rozsa wrote the score.

The plot concerns the famous Broadway stage actor Anthony “Tony” John (Colman) who is coming off tremendous success in a comedy entitled A Gentleman’s Gentleman. Max Lasker (Philip Loeb), a theatrical producer wants Tony’s next play to be Shakespeare’s Othello. Lasker also wants Tony’s ex-wife, Brita (Hasso) to co-star as Desdemona.

Tony and Brita star in Othello to wonderful reviews and the play runs for over a year on Broadway. As time goes by, Tony finds it difficult to distinguish between the character he is playing and reality. Will Tony be able to hold on to his sanity or will he disintegrate into madness?

George Cukor (1899 – 1983) was an American director. He was famous for directing comedies and literary adaptations of classics like Little Women (1933) and David Copperfield (1935). He was famously fired from directing Gone with the Wind (1939), but that incident didn’t mar an impressive directorial career that included The Philadelphia Story (1940), Gaslight (1944), and Born Yesterday (1950). Cukor won an Academy Award as Best Director for My Fair Lady (1964).

Ronald Colman (1891 – 1958) was an English-born actor whose career started in the theatre. In 1923, Colman appeared opposite Lillian Gish in the silent film The White Sister. He was a hit with the public and starred in over 20 silent films in America. Due to his wonderfully trained stage voice, Colman made the transition to talking pictures with ease. Some of his sound films include Clive of India (1935), A Tale of Two Cities (1935), Lost Horizon (1937), The Prisoner of Zenda (1937), The Talk of the Town (1942), and Random Harvest (1942). Colman was nominated three times for the Best Actor Academy Award. He finally won for his performance in A Double Life (1947).

Signe Hasso (1915 – 2002) was a Swedish actress who was promoted in the United States by RKO Pictures as “the next Garbo.” Although she wouldn’t live up to the promotion, Hasso had some memorable film roles in Heaven Can Wait (1943), The Seventh Cross (1944), Johnny Angel (1945), and The House on 92nd Street (1945). Hasso also acted on the Broadway stage and appeared on television making guest appearances on Route 66, Starsky and Hutch, Trapper John, M.D., and Hart to Hart.

A Double Life trivia:

• Laurence Olivier was originally slated for the role of Anthony John.
• The film was nominated for four Academy Awards: Best Actor (Colman winner), Best Music, Scoring of a Dramatic or Comedy Picture (Miklos Rozsa winner), Best Director (George Cukor), and Best Writing, Original Screenplay (Garson Kanin and Ruth Gordon).
• Colman had never performed any Shakespeare before and was uneasy about doing so on film.

Click HERE to watch the film on the YouTube. Please use this link because other versions on the channel aren’t as good.

Click HERE to join the online discussion on January 27, 2025, at 6:30 p.m. Central Time. Once you RSVP, you will receive an email invitation to join the discussion on Zoom. 

Questions for discussion:

1. Noir or not? Does this film fit in with your idea of what makes a movie qualify as a film noir?

2. Was Ronald Colman convincing as a major Broadway star?

3. Did Colman and Signe Hasso have good on-screen chemistry?

4. There are lots of double images in the film; do you recall any of them? There is the contrast between illusion and reality. Our hero seems to have trouble distinguishing between the two as the film progresses.

5. Was the ending inevitable? Does it help with its film noir credibility?

“The Hitch-Hiker,” a taut film noir directed by Ida Lupino

The Hitch-Hiker (1953) is a film noir directed by Ida Lupino and starring Edmund O’Brien, Frank Lovejoy, and William Talman. The movie is based on the true-crime spree of psychopathic murderer Billy Cook. The cinematography is by Nicholas Musuraca (Out of the Past, The Bachelor and the Bobby Soxer, I Remember Mama).

Frank Lovejoy, William Talman, and Edmund O’Brien

The plot concerns two friends Roy Collins (O’Brien) and Gilbert Bowen (Lovejoy) driving down to Mexico to go fishing. On the way, they pick up a hitchhiker named Emmett Myers (Talman) whose car (stolen car) has run out of gas. Myers has committed several murders and uses Roy and Gilbert to help elude the police that is hot on his trail. Roy and Gilbert held at gunpoint by Myers try to devise a plan to survive their ordeal while plotting how they can overtake him when the time is right.

Ida Lupino directing O’Brien and Lovejoy

Ida Lupino (1918 – 1995) was an English-American actress, director, and producer. She appeared in over 50 films and was one of Warner Bros. biggest contract players during the 1940s starring in High Sierra (1941), The Sea Wolf (1941), and The Man I Love (1947). After she left Warner Bros., Lupino formed her own production company, producing, writing, and directing films that tackled subjects the big studios wouldn’t touch. During the 1950s, Lupino was the only female director working in Hollywood. She directed several small independent films but really made a name for herself directing for television. Lupino directed episodes of The Twilight Zone (starred in one too), The Rifleman, Bonanza, Gilligan’s Island, It Takes a Thief, Family Affair, and Columbo. In 1966, she directed her one-and-only big-budget studio picture, The Trouble with Angels starring Rosalind Russell and Haley Mills. To learn more about Lupino and her impact on Hollywood, click here.

Edmund O’Brien (1915 – 1985) was an American actor who appeared in more than 100 films. He received an Academy Award for Best Supporting Actor for The Barefoot Contessa (1954). His other films include The Huncback of Notre Dame (1939), The Killers (1946), A Double Life (1947), White Heat (1949), and The Man Who Shot Liberty Valance (1961). Lupino cast O’Brien in the title role of The Bigamist (1953).

Frank Lovejoy (1912 – 1962) was an American actor in radio, film, and television. Lovejoy had supporting roles in dozens of films like Home of the Brave (1949), House of Wax (1953), Strategic Air Command (1955), and, Julie (1956). His role in The Hitch-Hiker was probably the role he is best remembered for.

William Talman (1915 – 1968) was an American television and movie actor. He is probably best known for his role as Los Angeles District Attorney Hamilton Burger in the television series Perry Mason. Talman began his career on the stage, including Broadway productions of Beverly Hills, Spring Again, and A Young Man’s Fancy. In their review of The Hitch-Hiker, The New York Times took notice of Talman's performance stating that “William Talman, as the ruthless murderer, makes the most of one of the year’s juiciest assignments.”

The Hitch-Hiker Trivia:

• Ida Lupino interviewed the two men that Billy Cook held captive as research for the film.
• The Hitch-Hiker is considered the first American film noir to be directed by a woman.
• The film was selected in 1998 for preservation in the United States Film Registry as being “culturally, historically, or aesthetically significant.

To watch the film on YouTube, click on the link below.

To join us for a discussion of the film on Zoom October 27, 2020, at 6 p.m. Central Time, click on the link to RSVP and get invitation details.

Questions for discussion:

1. Noir or not? Do you think this film qualifies as film noir, based on your knowledge of the genre?
2. Do you think the movie would have been different if a man directed it?
3. What did you think about the performances of the three male leads? Did anyone of the three stand out?
4. Did you have any sympathy for the killer?
5. What did you think of the portrayals of the Mexican and American police officers?