Showing posts with label Connie Gilchrist. Show all posts
Showing posts with label Connie Gilchrist. Show all posts

Tuesday, September 10, 2024

Jeanne Crain, Linda Darnell, and Ann Sothern receive “A Letter to Three Wives”

A Letter to Three Wives (1949) is an American romantic comedy-drama film directed by Joseph L. Mankiewicz and starring Jeanne Crain, Linda Darnell, and Ann Sothern. The supporting cast includes Kirk Douglas, Paul Douglas, Jeffrey Lynn, Connie Gilchrist, Barbara Lawrence, and Thelma Ritter.

The film is based on the novel A Letter to Five Wives (1945) by John Klempner. Mankiewicz wrote the screenplay based on an adaptation by Vera Caspary (Laura). The cinematography was by Arthur C. Miller, with music by Alfred Newman. A Letter to Three Wives was one of Twentieth Century-Fox’s most important productions of the year.

The movie tells the story of a woman (Addie Ross) who sends a letter to three of her “dearest friends” (Crain, Darnell, and Sothern) informing them that she has run off with one of their husbands but not revealing which one. The letter is delivered while the women board a riverboat to chaperone a group of underprivileged children. While they cruise up the river and spend the day picnicking with the children, each wife reflects on her marriage and wonders if their husband has run off with Ross.

Linda Darnell, Anne Sothern, and Jeanne Crain

Joseph L. Mankiewicz (1929 – 1972) was an American film director, screenwriter, and producer. Mankiewicz won Academy Awards for directing and writing A Letter to Three Wives (1949), and All About Eve (1950). He is the only director to win back-to-back Academy Awards for writing and directing. Other films directed by Mankiewicz include Dragonwyck (1946), The Ghost and Mrs. Muir (1947), Julius Caesar (1953), The Barefoot Contessa (1954), and Guys and Dolls (1955). He directed the 1963 crisis-plagued production of Cleopatra which negatively affected his career as a director.

Jeanne Crain (1925 – 2003) was an American actress whose career spanned more than three decades. While still a teenager, she was asked to take a screen test with Orson Welles. He was testing for the part of Lucy Morgan in his production of The Magnificent Ambersons (1942). She didn’t get the part (Anne Baxter did), but she was on her way. She had a bit part in The Gang’s All Here (1943) but had a leading role in Home in Indiana (1944). The film was a box office hit and Crain became a favorite of film fans everywhere. She had another hit with Winged Victory (1944) and co-starred with Dana Andrews in the musical State Fair (1945). That same year, she was the “good girl” opposite Gene Tierney’s “bad girl” in Leave Her to Heaven. More good roles came her way including leads in A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). The latter won her a Best Actress Oscar nomination. She lost that year to Olivia de Havilland. Crain’s popularity continued into the 1950s but suffered when she was released from her exclusive contract with 20th Century-Fox. She continued to work in films and on television until 1975.

Paul Douglas and Linda Darnell

Linda Darnell (1923 – 1965) was an American film actress. She signed a contract with 20th Century-Fox at age 15 and became a star almost overnight. She was immediately cast opposite Tyrone Power in Day-Time Wife (1939). She made two films with Power in 1940: Brigham Young and The Mark of Zorro. In 1941, she was again paired with Power in Blood and Sand, which also starred an up-and-coming Rita Hayworth. Darnell’s most famous role was that of Amber St. Clair in Forever Amber (1946), which turned out to be the biggest hit of the year. The role of Amber was the most sought-after female role since the casting of Scarlett O’Hara in Gone with the Wind (1939). Other important films she starred in include Unfaithfully Yours (1948), A Letter to Three Wives (1949), and No Way Out (1950). She died tragically at age 41 in a fire while visiting friends in Glenview, Illinois.

Ann Sothern (1909 - 2001) was an American actress who worked on the stage, radio, film, and television. Sothern’s most commercially successful film role was as Maisie Ravier in a series of films while she was at M-G-M. Maisie, a Brooklyn showgirl was based on the short stories by Nell Martin. Films in the series include Congo Maisie (1940), Gold Rush Maisie (1940), and Up Goes Maisie (1946). The character was so popular that Sothern played the character on the radio in The Adventure of Maisie (1939 - 1947) series. At M-G-M, Sothern starred in the film version of Panama Hattie (1942) opposite Red Skelton, which was a box-office success. In 1949, she starred in A Letter to Three Wives which brought her great reviews but did little to advance her career. In 1953, Sothern starred as Susie MacNamara in the television series Private Secretary, (1953 - 1957), and the next year starred in The Ann Sothern Show (1958 - 1961). Sothern continued working on stage, screen, and television. Her last film role was in The Whales of August (1987). For her role she earned her only Best Supporting Academy Award nomination.

Jeanne Crain, Jeffrey Lynn, Kirk Douglas, and Ann Sothern

A Letter to Three Wives trivia

  • Originally, the film was going to be called A Letter to Four Wives with the fourth wife being Anne Baxter, but her character wasn’t considered as strong as the other three so her segment was cut.
  • Joseph L. Mankiewicz won the Best Director and Best Screenplay Academy Awards for his work on this film and would repeat the wins the next year with All About Eve. No one has ever achieved this feat.
  • One of Thelma Ritter’s early roles, so early in fact she doesn't even receive on-screen billing.
  • Tyrone Power, Joan Crawford, Gene Tierney, Dorothy McGuire, Maureen O’Hara, and Ida Lupino were all considered for roles.
  • Linda Darnell and Mankiewicz were involved in an affair during the production.
  • Darnell and Barbara Lawrence played sisters the year before in Unfaithfully Yours.
  • Silent film star Mae Marsh has a small role as the women’s washroom attendant at the country club.


Click HERE to watch the movie on YouTube, or click on the link below.



Why watch this movie?

  • Another great example of what the studio system could produce at its peak.
  • One of writer-director Joseph L. Mankiewicz’s best films.
  • It’s a showcase for the talents of Jeanne Crain, Linda Darnell, and Ann Sothern.
  • It boasts early performances from Kirk and Paul Douglas and Thelma Ritter.

To join us for a discussion on Zoom, June 1, 2021, at 6:30 p.m. Central Time, click on the link here. Once you RSVP, you’ll receive an email with a link to the discussion on Zoom.

Discussion Questions

  1. What did you think of the ensemble cast?
  2. Do you think this film is still relevant in the 21st Century?
  3. Did you have a favorite wife?
  4. A favorite scene or piece of dialogue?
  5. How does this film compare with All About Eve released the next year?

Thursday, May 27, 2021

Jeanne Crain, Linda Darnell, and Ann Sothern receive “A Letter to Three Wives”

A Letter to Three Wives (1949) is an American romantic comedy-drama film directed by Joseph L. Mankiewicz and starring Jeanne Crain, Linda Darnell, and Ann Sothern. The supporting cast includes Kirk Douglas, Paul Douglas, Jeffrey Lynn, Connie Gilchrist, Barbara Lawrence, and Thelma Ritter.

The film is based on the novel A Letter to Five Wives (1945) by John Klempner. Mankiewicz wrote the screenplay based on an adaptation by Vera Caspary (Laura). The cinematography was by Arthur C. Miller, with music by Alfred Newman. A Letter to Three Wives was one of Twentieth Century-Fox’s most important productions of the year.

The movie tells the story of a woman (Addie Ross) who sends a letter to three of her “dearest friends” (Crain, Darnell, and Sothern) informing them that she has run off with one of their husbands but not revealing which one. The letter is delivered while the women are getting on board a riverboat to chaperone a group of underprivileged children. While they cruise up the river and spend the day picnicking with the children, each wife reflects on her marriage and wonders if it’s their husband who has run off with Ross.

Linda Darnell, Anne Sothern, and Jeanne Crain

Joseph L. Mankiewicz (1929 – 1972) was an American film director, screenwriter, and producer. Mankiewicz won Academy Awards for directing and writing A Letter to Three Wives (1949), and All About Eve (1950). He is the only director to win back-to-back Academy Awards for writing and directing. Other films directed by Mankiewicz include Dragonwyck (1946), The Ghost and Mrs. Muir (1947), Julius Caesar (1953), The Barefoot Contessa (1954), and Guys and Dolls (1955). He directed the 1963 crisis-plagued production of Cleopatra which negatively affected his career as a director.

Jeanne Crain (1925 – 2003) was an American actress whose career spanned more than three decades. While still a teenager, she was asked to take a screen test with Orson Welles. He was testing for the part of Lucy Morgan in his production of The Magnificent Ambersons (1942). She didn’t get the part (Anne Baxter did), but she was on her way. She had a bit part in The Gang’s All Here (1943) but had a leading role in Home in Indiana (1944). The film was a box office hit and Crain became a favorite of film fans everywhere. She had another hit with Winged Victory (1944) and co-starred with Dana Andrews in the musical State Fair (1945). That same year, she was the “good girl” opposite Gene Tierney’s “bad girl” in Leave Her to Heaven. More good roles came her way including leads in A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). The latter won her a Best Actress Oscar nomination. She lost that year to Olivia de Havilland. Crain’s popularity continued into the 1950s but suffered when she was released from her exclusive contract with 20th Century-Fox. She continued to work in films and on television until 1975.

Paul Douglas and Linda Darnell

Linda Darnell (1923 – 1965) was an American film actress. She signed a contract with 20th Century-Fox at age 15 and became a star almost overnight. She was immediately cast opposite Tyrone Power in Day-Time Wife (1939). She made two films with Power in 1940: Brigham Young and The Mark of Zorro. In 1941, she was again paired with Power in Blood and Sand, which also starred an up-and-coming Rita Hayworth. Darnell’s most famous role was that of Amber St. Clair in Forever Amber (1946), which turned out the be the biggest hit of the year. The role of Amber was the most sought-after female role since the casting of Scarlett O’Hara in Gone with the Wind (1939). Other important films she starred in include Unfaithfully Yours (1948), A Letter to Three Wives (1949), and No Way Out (1950). She died tragically at age 41 in a fire while visiting friends in Glenview, Illinois.

Ann Sothern (1909 - 2001) was an American actress who worked on the stage, radio, film, and television. Sothern’s most commercially successful film role was as Maisie Ravier in a series of films while she was at M-G-M. Maisie, a Brooklyn showgirl was based on the short stories by Nell Martin. Films in the series include Congo Maisie (1940), Gold Rush Maisie (1940), and Up Goes Maisie (1946). The character was so popular that Sothern played the character on the radio in The Adventure of Maisie (1939 - 1947) series. At M-G-M, Sothern starred in the film version of Panama Hattie (1942) opposite Red Skelton, which was a box office success. In 1949, she starred in A Letter to Three Wives which brought her great reviews but did little to advance her career. In 1953, Sothern starred as Susie MacNamara in the television series Private Secretary, (1953 - 1957) and the next year starred in The Ann Sothern Show (1958 - 1961). Sothern continued working on stage, screen, and television. Her last film role was in The Whales of August (1987). For her role in that film, she earned her only Best Supporting Academy Award nomination.

Jeanne Crain, Jeffrey Lynn, Kirk Douglas, and Ann Sothern

A Letter to Three Wives trivia

  • Originally, the film was going to be called A Letter to Four Wives with the fourth wife being Anne Baxter, but her character wasn’t considered as strong as the other three so her segment was cut.
  • Joseph L. Mankiewicz won the Best Director and Best Screenplay Academy Awards for his work on this film and would repeat the wins the next year with All About Eve. No one has ever achieved this feat.
  • One of Thelma Ritter’s early roles, so early in fact she doesn't even receive on-screen billing.
  • Tyrone Power, Joan Crawford, Gene Tierney, Dorothy McGuire, Maureen O’Hara, and Ida Lupino were all considered for roles.
  • Linda Darnell and Mankiewicz were involved in an affair during the production.
  • Darnell and Barbara Lawrence played sisters the year before in Unfaithfully Yours.
  • Silent film star Mae Marsh has a small role as the womens’ washroom attendant at the country club.


To watch the movie on YouTube, click on the link below.



Why watch this movie?

  • Another great example of what the studio system could produce at its peak.
  • One of writer-director Joseph L. Mankiewicz’s best films.
  • It’s a showcase for the talents of Jeanne Crain, Linda Darnell, and Ann Sothern.
  • It boasts early performances from Kirk and Paul Douglas and Thelma Ritter.

To join us for a discussion on Zoom, June 1, 2021, at 6:30 p.m. Central Time, click on the link here. Once you RSVP, you’ll receive an email with a link to the discussion on Zoom.

Discussion Questions

  1. What did you think of the ensemble cast?
  2. Do you think this film is still relevant in the 21st Century?
  3. Did you have a favorite wife?
  4. A favorite scene or piece of dialogue?


Friday, May 21, 2021

Margaret Sullavan, Ann Sothern, and Joan Blondell “Cry ‘Havoc’”

Cry ‘Havoc’ (1943) is an American World War II drama directed by Richard Thorpe and starring Margaret Sullavan, Ann Sothern, and Joan Blondell. The film features a strong supporting cast that includes Fay Bainter, Marsha Hunt, Ella Raines, Frances Gifford, Connie Gilchrist, and Diana Lewis.

The film focuses on 13 American women, two Army nurses, and 11 civilians. The setting is a field hospital during the Battle of Bataan where the Japanese forces are bearing down on the Philippine peninsula. Lt. Mary “Smitty” Smith (Sullavan) and her superior officer, Capt. Alice Marsh (Bainter) struggle to tend to the wounded with meager supplies and limited staff. They manage to round up nine women civilian refugees fleeing Manila, all from various backgrounds. Pat Conlin (Sothern), a waitress, immediately takes a dislike to Lt. Smith. Grace Lambert (Blondell) is a burlesque queen who helps relieve the tension with her talent to entertain the group.

With hope dwindling and casualties mounting, the women do their best to keep things together emotionally while carrying out their duties.

As the Japanese get closer and closer to the field hospital, will the women be able to escape with the withdrawing American troops?

Publicity still featuring the main cast

Richard Thorpe (1896 - 1991) was an American film director who had a long career at Metro-Goldwyn-Mayer where he was under contract. He was the original director assigned to The Wizard of  Oz (1939) but was fired after two weeks of shooting. The studio didn’t think Thorpe captured the fantasy that they were looking for. Thorpe survived that unfortunate event and went on to direct most of the major stars under contract at M-G-M including Robert Taylor, Joan Crawford, Esther Williams, Hedy Lamar, Gene Kelly, Wallace Beery, William Powell, Jane Powell, Ava Gardner, and Elizabeth Taylor. Some of Thorpe’s popular films include The Crowd Roars (1938), Two Girls and a Sailor (1944), Thrill of Romance (1945), A Date with Judy (1948), Ivanhoe (1952), The Prisoner of Zenda (1952), and The Knights of the Round Table (1953). He also directed Elvis Presley in Jailhouse Rock (1957) and Fun in Acapulco (1963).

Margaret Sullavan (1909 - 1960) was an American stage and film actress. Sullavan made only 16 movies but her place as a legend of classic Hollywood is secure. She starred in some of the most popular films of the 1930s and 1940s including Three Comrades (1938), The Mortal Storm (1940), and The Shop Around the Corner (1940). She was unhappy working in Hollywood and she retired from film in 1943. Other popular films starring Sullavan include The Good Fairy (1935), So Red the Rose (1935), The Shopworn Angel (1938), and Back Street (1941). Sullavan was married to the legendary director William Wyler (1934 - 1936) and screen legend Henry Fonda (1931 - 1933).

Ann Sothern and Margaret Sullavan

Ann Sothern (1909 - 2001) was an American actress who worked on the stage, radio, film, and television. Sothern’s most commercially successful film role was as Maisie Ravier in a series of films while she was at M-G-M. Maisie, a Brooklyn showgirl was based on the short stories by Nell Martin. Films in the series include Congo Maisie (1940), Gold Rush Maisie (1940), and Up Goes Maisie (1946). The character was so popular that Sothern played the character on the radio in The Adventure of Maisie (1939 - 1947) series. At M-G-M, Sothern starred in the film version of Panama Hattie (1942) opposite Red Skelton, which was a box office success. In 1949, she starred in A Letter to Three Wives which brought her great reviews but did little to advance her career. In 1953, Sothern starred as Susie MacNamara in the television series Private Secretary, (1953 - 1957) and the next year starred in The Ann Sothern Show (1958 - 1961). Sothern continued working on stage, screen, and television. Her last film role was in The Whales of August (1987). For her role in that film, she earned her only Best Supporting Academy Award nomination.

Ella Raines and Diana Lewis

Joan Blondell (1906 – 1979) was an American actress who was a top movie star during the 1930s and early 1940s. Later in her career, she became a popular character actress. Some of Blondell’s early films include The Public Enemy (1931), Gold Diggers of 1933Dames (1934), and Stand-In (1937). Later in her career, she gave notable supporting performances in The Blue Veil (1951), The Cincinnati Kid (1965), Support Your Local Gunfighter (1971), and Grease (1978).


Why watch this film?

  • The movie features several strong female characterizations from Hollywood’s Golden Age.
  • It depicts World War II through the eyes of women serving at an Army field hospital.
  • The film was made during the War so the outcome was uncertain.
  • Features the work of studio contract director Richard Thorpe.


Cry Cry ‘Havoc’ trivia

  • Joan Crawford and Merle Oberon were considered for lead roles that eventually went to Margaret Sullavan and Ann Sothern.
  • This was the second film role for actress Ella Raines.
  • Sullavan and Fay Bainter starred together in The Shining Hour (1938)
  • The film was based on a play starring Carol Channing and Ann Shoemaker.
  • It features Robert Mitchum in one of his earliest film roles.


To watch the film on YouTube, click the link below.



To join the discussion on Zoom May 25, 2021, at 6:30 p.m. Central Time, click here. Once you RSVP, you’ll receive an invitation a link to the meeting.


Discussion questions:

  1. What did you think of the ensemble cast?
  2. Did it remind you of any other films you've seen?
  3. What did you think of the three star leads: Margaret Sullavan, Ann Sothern, and Joan Blondell?
  4. Do you think the film was an accurate portrayal of nurses on the battlefield?



Saturday, July 10, 2010

Take "A Letter to Three Wives"


A  Letter to Three Wives (1949) is based on a novel by John Klempner. His novel was entitled A Letter to Five Wives. Writer-director Joseph L. Mankiewicz thought the novel was too long and would be difficult to transfer to the screen. So, he shortened it to four wives and then shortened it again to three. Mankiewicz adapted the screenplay with author and screenwriter Vera Caspary (Laura).

The plot revolves around three wives who, just before going on a boat ride and picnic with some disadvantaged children, receive a letter from a society friend named Addie Ross. In the letter, Addie says she’s run off with one of their husbands. While the women spend the afternoon volunteering, each looks back on her marriage and wonders if hers is the husband who ran off with Addie.

Is it Deborah Bishop’s (Jeanne Crain) husband Brad (Jeffrey Lynn)? Deborah, a poor farm girl, met her husband in the Navy during World War II. Somewhat insecure and naïve, she thinks Brad is attracted to Addie because she is beautiful and sophisticated. Is it Rita Phipps’s (Ann Sothern) husband George (Kirk Douglas)? Rita has a career writing radio soap operas, the quality of which, her schoolteacher-husband disapproves. She wonders if her job, which brings in some much-needed cash, is somehow intimidating to George and ruining their marriage. Is it Lora Mae Hollingsway’s (Linda Darnell) husband Porter (Paul Douglas)? Lora Mae is a girl literally from the wrong side of the tracks who tries her best to marry up by marrying her boss, in part, to help provide for her widowed mother (the wonderful Connie Gilchrist) and younger sister Babe (Barbara Lawrence).

Like Mankiewicz’s All About Eve a year later, A Letter to Three Wives has witty dialogue delivered by a cast of pros. Crain, Sothern, and Darnell are all wonderful as the three wives, with Darnell a standout. As Lora Mae, Darnell has a tough exterior, but in many ways is more vulnerable than either Crain or Sothern.

For Joseph L. Mankiewicz, 1949 was an extraordinary year. Not only did he win the Academy Award for Best Director, but he also won for Best Writing as well. Writing and directing was something Mankiewicz had always wanted to do and A Letter to Three Wives showcases Mankiewicz at the height of his creativity.





Wednesday, September 23, 2009

Classic film of the week: "A Letter to Three Wives" (1949)

A Letter to Three Wives (1949) is based on a novel by John Klempner. His novel was entitled A Letter to Five Wives. Writer-director Joseph L. Mankiewicz thought the novel was too long and would be difficult to transfer to the screen. So, he shortened it to four wives and then shortened it again to three. Mankiewicz adapted the screenplay with author and screenwriter Vera Caspary (Laura).

The plot revolves around three wives who, just before going on a boat ride and picnic with some disadvantaged children, receive a letter from a society friend named Addie Ross. In the letter, Addie says she’s run off with one of their husbands. While the women spend the afternoon volunteering, each looks back on her marriage and wonders if hers is the husband who ran off with Addie.

Is it Deborah (Jeanne Crain) Bishop’s husband Brad (Jeffrey Lynn)? Deborah, a poor farm girl, met her husband in the Navy during World War II. Somewhat insecure and naïve, she thinks Brad is attracted to Addie because she is beautiful and sophisticated. Is it Rita (Ann Sothern) Phipps’s husband George (Kirk Douglas)? Rita has a career writing radio soap operas, the quality of which, her schoolteacher-husband disapproves. She wonders if her job, which brings in some much-needed cash, is somehow intimidating to George and ruining their marriage. Is it Lora Mae (Linda Darnell) Hollingsway’s husband Porter (Paul Douglas)? Lora Mae is a girl literally from the wrong side of the tracks who tries her best to marry up by marrying her boss, in part, to help provide for her widowed mother (the wonderful Connie Gilchrist) and younger sister Babe (Barbara Lawrence).

Like Mankiewicz’s All About Eve a year later, A Letter to Three Wives has witty dialogue delivered by a cast of pros. Crain, Sothern, and Darnell are all wonderful as the three wives, with Darnell a standout. As Lora Mae, Darnell has a tough exterior, but in many ways is more vulnerable than either Crain or Sothern. Her battles with Paul Douglas are wonderfully scripted; they make a very believable married couple struggling to keep their relationship together. Also believable are character actresses Gilchrist and Thelma Ritter as Sadie Dugan, Rita and George’s maid.

For Joseph L. Mankiewicz, 1949 was an extraordinary year. Not only did he win the Academy Award for Best Director, but he also won for Best Writing as well. Writing and directing was something Mankiewicz had always wanted to do and A Letter to Three Wives showcases Mankiewicz at the height of his creativity.


Classic Movie Man Trivia: Who was set to play the fourth wife before her part was cut?
Answer: Ann Baxter


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