Down-to-Earth Sophistication: Claudette Colbert in Hollywood

Claudette Colbert’s biography could have been dreamed up by a Hollywood press agent. She was born Lily Claudette Chauchoin in Paris, France, on September 13, 1903. In 1910, Colbert’s family immigrated to America.

From an early age, Colbert wanted a career on the stage. By the late 1920s, she was a Broadway veteran, earning good notices. In 1927, Colbert tried her hand at movies. She starred in For the Love of Mike, helmed by a young director named Frank Capra. Unhappy with the results, Colbert vowed never to make another film. But when the stock market crashed, and the lights on Broadway dimmed, she gave the movies another try.

Colbert signed with Paramount Pictures in 1929, appearing in musicals, melodramas, epics, and comedies. In 1934, Colbert starred in a record three movies (It Happened One Night, Imitation of Life, and Cleopatra) that were all nominated for the Best Picture Academy Award. That same year, she won the Oscar for Best Actress, playing run-away heiress Ellie Andrews in It Happened One Night.

What made Colbert unique from other actresses, was her ability to combine class and sophistication with down-to-earth warmth and charm, a talent that endeared her to both men and women equally.

A top box office draw for over 20 years, Colbert was one of the highest paid actresses in Hollywood. She worked with the best directors in the world, including Capra, Gregory LaCava, Ernst Lubitsch, Mitchell Leisen, and Preston Sturges. Excelling at sophisticated comedy, Colbert is the only actress, from Hollywood’s golden age, to have worked with both Lubitsch and Sturges.

Few movie stars, before or since, have matched her talent. By any measure, she's one of the greatest actresses Hollywood has ever seen.

Preston Sturges: Master of the Cockeyed Caravan, Part 2

Going Hollywood
In 1932, Sturges went to Hollywood and signed on with Universal as a writer. From the get-go, his writing wasn’t a hit with the studio bosses and his scripts were rejected. On his own, Sturges wrote a screenplay called The Power and the Glory, which he sold to the Fox studios for a fee and a percentage of the gross. During his time as a freelancer, he also wrote the screenplay for The Great McGinty, but no one was interested. It was during this freelance period that Sturges decided he wanted to be a director. Again, no one was interested in his services.

Studio musical chairs
After more writing positions at several other Hollywood studios, including MGM and Columbia, Sturges found himself back on the Universal lot. Assigned to write the screenplay for the Claudette Colbert vehicle, Imitaion of Life. With the success of this film, Sturges was on his way to a successful career as a screenwriter where he found he was in demand by the likes of Sam Goldwyn and Paramount studios. It was at Paramount that he would have his most enduring success.

A Paramount experience
At Paramount, Sturges wrote the screenplay for Remember the Night starring Fred MacMurray and Barbara Stanwyck. In spite of the fact that Sturges didn’t like the script changes made by director Mitchell Leisen, the film was an enourmous success. With his stock rising, Sturges was able to finally sell The Great McGinty script for $10, with the understanding that he would not only be the film’s writer, but its director as well. Film history was about to be made.