“The Curse of the Cat People” screens at Daystar Center October 31,2015

Gothic Noir: The Horror Films of Val Lewton – The Curse of the Cat People
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: October 31, 2015
Time: 6:30 p.m.
Hosted by Stephen Reginald

The Curse of the Cat People (1944)—With the runaway success of Cat People (1942), it was inevitable that the studio executives would demand a sequel. Producer Val Lewton, ever the clever and creative man, produced this psychological masterpiece, which gave Robert Wise his first directorial credit. The film concerns a shy young girl named Amy who imagines that her secret friend is the deceased Irena from the original Cat People. Classic scenes: Amy lost in a snowstorm, as she is “pursued” and an old woman’s scary storytelling.

Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here.The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Simone Simon and Ann Carter

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.

Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.

Hitchcock’s “Saboteur” to screen September 9, 2014 at Daystar Center

When: Tuesday, September 9, 2014 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

Alfred Hitchcock’s 1942 thriller stars Priscilla Lane and Robert Cummings. Cummings plays Barry Kane, a Los Angeles aircraft factory worker who suspects the plant has been bombed by a foreign agent. Kane’s best friend is killed in the conflagration and is wrongly accused of sabotage. Along the way, Kane meets a model Patricia (Pat) Martin (Priscilla Lane). The two begin a cross-country journey in an attempt to prove Kane’s innocence and to stop more bombings planned throughout the United States.

All-American cast

Hitchcock chose an all-American cast to move the narrative along at breakneck speed. The film features some amazing set pieces, as well as some great on-location filming at Boulder Dam, New York’s Radio City Music Hall, and the Statue of Liberty. The climatic scene atop the Statue of Liberty is one of the most iconic in all of cinema.

No looking back

New York Times movie critic Bosley Crowther said in his May 8, 1942 review that “Saboteur is a swift, high-tension film which throws itself forward so rapidly that it permits slight opportunity for looking back.”

Behind the scenes at the Sutton mansion

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats.

Join the Chicago Film club, join the discussion
The Chicago Film Club is for classic movie fans. Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

“The Postman Always Rings Twice”: 5th Film in “High Heels and Fedoras” series at Daystar Center June 11, 2013

Tuesday, June 11, 2013
6:30 p.m.
The Venue 1550 at the Daystar Center
1550 S. State Street

The Postman Always Rings Twice was one of the top box office hits of 1946. It also provided stars, Lana Turner and John Garfield with, arguably, the best screen roles of their careers.

Based on the novel by James M. Cain, The Postman Always Rings Twice has a lot in common with Double Indemnity, also penned by Cain. Both feature duplicitous couples planning a murder. And just like Double Indemnity, Postman’s femme fatale is married to an older man who is “inconvenient.”

Cora Smith (Turner) is a beautiful young waitress who works at her husband Nick’s (Cecil Kellaway) gas station and hamburger restaurant. When a drifter named Frank Chambers (John Garfield) starts working alongside Cora, the sparks fly. When Cora suggests that she and Frank could be together if something should happen to Nick, things begin to get crazy. Will Cora and Frank be able to pull off the perfect crime? Will they both get away with murder? Find out on Tuesday!

Here’s what New York Times critic Bosley Crowther said about the stars’ performances in his May 3, 1946 review:

Too much cannot be said for the principals. Mr. Garfield reflects to the life the crude and confused young hobo who stumbles aimlessly into a fatal trap. And Miss Turner is remarkably effective as the cheap and uncertain blonde who has a pathetic ambition to “be somebody” and a pitiful notion that she can realize it through crime.

To purchase tickets for in advance for the June 11 screening, click here. Tickets are $5 per person general admission $3 for students and seniors. Tickets may also be purchased at the door. To stay on top of film events like this, join the Chicago Film Club Meetup.

To download a flyer to post in your building or office, click here.

Director Tay Garnett with Lana Turner and John Garfield
on the set of The Postman Always Rings Twice

The Venue 1550 is located at 1550 S. State St. in the Daystar Center. The Daystar Center offers a variety of educational, artistic and cultural activities, including classes for children that teach practical life skills like social aptitude, creativity and cultural awareness in fun ways; classes for adults that give space for self-reflection and improvement; room rentals for many different-sized groups in several multipurpose rooms. For more information, call 312.674.0001 or visit their Web site.

Long-time Host Bids Adieu to "Meet Me at the Movies"

Almost two years ago, Jackie Walker, Prairie District Neighborhood Alliance Vice President, asked me if I would volunteer and host a monthly movie event, in the South Loop that became known as “Meet Me at the Movies.” The concept: I would pick films to screen, introduce them, giving background and “color commentary” on each movie presented. Afterward we would go to a local restaurant to share a meal.

The first movie screened 17 months ago

My focus was on classic Hollywood films. The reasoning? Films made before the end of the production code—the mid-1960s—were for the most part, appropriate for all audiences and tended to fit within a two-hour time frame. In addition, it gave me great pleasure introducing these classic films to people who were unfamiliar with them.

Hollywood’s golden age was a period of great creativity and artistry. So much of our popular culture comes from the movies. “Here’s looking at you, kid,” uttered Humphrey Bogart to Ingrid Bergman in Casablanca. “How does a girl like you get to be a girl like you?” Cary Grant questioned Eva Marie Saint in North by Northwest, the very first MMATM event. But my all-time favorite line is, “For a charming, intelligent girl, you’ve certainly surrounded yourself with a remarkable collection of dopes,” spoken by Dana Andrews to Gene Tierney toward the end of Laura.

"Casablanca" really packed the house.

It was tough deciding on which classic films to screen, but I enjoyed the challenged. We screened some of the best movies Hollywood produced and showcased some of the silver screen’s most popular stars at the height of their careers, including Cary Grant, Grace Kelly, Humphrey Bogart, Ingrid Bergman, Dana Andrews, Jeanne Crain, Joseph Cotton, Teresa Wright, James Stewart, and Sophia Loren to name a few. And who could forget Marilyn Monroe, Tony Curtis, and Jack Lemmon in Some Like it Hot?

Marilyn Monroe and her "bosom" companions in "Some Like it Hot"

One of the best things about MMATM was meeting and getting to know my neighbors in the South Loop. Over the months, we developed into a community of classic movie fans, who just happened to live in the same Chicago town. What was even more gratifying were the regular attendees who came from the north and south sides of the city. I was honored that they made the trip and worked hard not to disappoint them for making the journey.

James Steward and Grace Kelly solved a murder in the Hitchcock classic, "Rear Window."

Picking movies and preparing monthly presentations may not seem like much, but it was a big time investment. For this and other reasons I decided not to move forward with MMATM. I submitted my resignation to Tina Feldstein, PDNA president, and Walker before the screening of the season’s last film, The Bishop’s Wife. According to their Web site, they’re planning to continue with MMATM starting in January. Not sure what the “new” MMATM will look like, but you might want to give it a try.

Howard Keel and Betty Hutton in "Annie Get Your Gun," the first musical screened by MMATM

Thank you to all the people who came out month after month, the ones I knew by name, and the new folk that seemed to come almost every month. It was a wonderful 17 months. I will always remember my MMATM experience with great fondness. For a look back from a regular MMATM attendee, check out Bonnie McGrath's blog at the Chicago Journal by clicking here.

Sincerely,
Stephen Reginald
South Loop Connection
Classic Movie Man

P.S. Have a great MMATM moment/story? Please share it here. 

My Man Godfrey this Friday

The Prairie District Neighborhood Alliance (PDNA) invites you to "Meet Me at the Movies," Friday September 24, 2010 at 6:30 p.m. at Sherwood Community Music School, Columbia College recital hall, 1312 S. Michigan Ave. The wrap party (dinner after movie) will be held at the Weather Mark Tavern 1503 S. Michigan Ave.

Classic performances and situations have made My Man Godfrey one of the best film comedies ever made. My Man Godfrey was the first film to receive Academy Award nominations in all four major categories, including Best Actor and Best Actress for William Powell and Carole Lombard respectively. Film critic Roger Ebert in a review of the movie simply said, “God, but this film is beautiful” and it truly is. My Man Godfrey is ranked 44 in the American Film Institute’s (AFI) “America’s 100 Funniest Movies” compiled in 2002. Not bad for a movie first released in 1936.

Lombard was so identified with the screwball comedy genre that Life magazine dubbed her “the screwball girl” in a 1938 cover story. When paired with Powell, no stranger to comedy himself, My Man Godfrey becomes a master class of screwball comedy technique.

Carole Lombard and William Powell in My Man Godfrey

Admission to the movie is $5. Dinner afterward (not required) is $15 per person. To RSVP to this event and/or the wrap party click here.

Chicago and Movie History

Gloria Swanson, Charlie Chaplin and Marion Davies

Hollywood in the Midwest?

Before anyone heard of a place called Hollywood, Chicago played an important role in the history of film in America.

Charlie Chaplin and Gloria Swanson Slept (and worked) Here

Before the sound era, Chicago housed Midwest corporate offices for Paramount, Warner Bros., Universal, and the Samuel Goldwyn studios. Most of the offices were in Chicago's South Loop along Wabash Ave. Other film offices were located one block east on Michigan Ave. During this period, major silent movie productions starring screen legends Charlie Chaplin and Gloria Swanson were made in Chicago.

Distribution Hub

Some evidence of this history still exists. The Film Exchange Lofts at 1307 S. Wabash Ave. was once owned by the Warner Bros. studio. They had corporate offices at that location, but its most important use was for storing film for distribution. With Chicago's location and access to train travel, it was the ideal distribution point for Chicago and Illinois theatres.

Ruins From Past Glories

The Universal International logo
can be seen at 1234 S. Michigan Ave.*

The famous terra cotta archway entrance to the Jesse Lasky Famous-Players (a forerunner of Paramount) building on Wabash near 13th Street was rescued from destruction by Columbia College. It now stands in their Media Production Center at 1600 S. State St.

*Ming Hin South Loop removed the Universal International logo when they opened at 1234 S. Michigan Ave. Why they felt this was necessary no one knows.

Rita Hayworth in "Gilda"

There never was a woman like Gilda!
That was the tagline for Gilda, the 1946 film classic starring Rita Hayworth and Glenn Ford. Hayworth caused a sensation as the conflicted title-named heroine. When she sang "Put the Blame on Mame," in a skintight Jean Louis gown, Hayworth secured her place in film history.

The story begins with Johnny Farrell (Ford), a down-on-his-luck small-time gambler who ends up in Buenos Aires, Argentina. After cheating two men at craps, a mysterious man (George Macready) saves him from being robbed. He proceeds to tell Johnny about an illegal casino and warns him not to use his cheating skills there.

Right-hand man
Intrigued, Johnny finds the high-class gambling joint and begins cheating the house. Before he knows what's happening, Johnny is surrounded by the casino's watchful staff and taken to the owner, Ballin Mundson, the mysterious man, who saved him from thieves! Johnny convinces Mundson that he should hire him. Mundson does just that and before you know it, Johnny is his right-hand man. 

"I hate you, Johnny!"
When Mundson returns from a trip with a beautiful, young wife (Gilda,) he asks Johnny to watch over her for him. What Mundson doesn't know is that Gilda was once Johnny's lover. The tension and hatred between Gilda and Johnny grows with each passing day. But is it really mutual hatred that stands between them?

Chemical reaction
The on-screen chemistry between Hayworth and Ford set tongues wagging about a possible off-screen relationship. Both stars denied they were ever romantically involved, but remained life-long friends.

The "Love Goddess" is born
After Betty Grable, Hayworth was the most popular pin-up girl during World War II. In a cover story in Life magazine, Hayworth was dubbed the "Love Goddess" a label that she personally hated, but one that followed Hayworth throughout her career.

Gilda was given the A-treatment by her home studio, Columbia Pictures. Charles Vidor (Cover Girl, Love Me or Leave Me) directed and cinematographer Rudolph Mate (The Pride of the Yankees, To Be or Not to Be) lovingly photographed Hayworth. As already mentioned, Jean Louis designed Hayworth's form-fitting costumes, which only served to reinforced her love goddess label.

Icon Status
Almost everything surrounding Gilda is iconic. Hayworth's look, her clothes, her "Put the Blame on Mame" performance, and even the movie poster itself is considered an iconic piece of promotional art. The Artist's Cafe in the Fine Arts Building, 412 S. Michigan Ave. has a foreign version of the Gilda poster hanging on its wall.

There were many memorable movies made and released during the late 1940s, but Gilda stands out among them and remains a classic today.