Of the 20 films profiled—starting with The Maltese Falcon (1941) and ending with L.A. Confidential (1997)—film noir fans are bound to criticize some of the choices. I for one was surprised to see Hitchcock’s Shadow of a Doubt (1943) on the list. Shadow of a Doubt is one of my all-time favorite movies and although there are noir elements to it, I don’t generally associate it with noir. The writer acknowledges this by stating, “Though Hitchcock isn’t generally associated with noir, he had worked in Berlin early in his career and was deeply influenced by German expressionism, which helped define the genre’s look.”
Some of the other film choices are obvious: Double Indemnity (1944), Laura (1944), Mildred Pierce (1945), and Out of the Past (1947). The book also looks at more modern films (Neo Noir) like Bonnie and Clyde (1967), Dirty Harry (1971), Chinatown (1974) and Taxi Driver (1976).
Designed to sell on the newsstand along with magazines like People and Us, 75 Years of the Greatest Crime Films is worth a look, but at $13.99 retail, it may be a bit steep for what it offers. You can pick up your copy wherever magazine are sold and from Amazon. But a trip to your local library may be the most economical option.