Carole Lombard, Cary Grant, and Kay Francis star in “In Name Only”

In Name Only (1939) stars Carole Lombard and Cary Grant in rare dramatic form in this marital melodrama directed by John Cromwell (Since You Went Away).

Grant is Alec Walker, a man stuck in a loveless marriage with his wife Maida (Kay Francis). Maida married Alec for his money and his social position; she never loved him. One afternoon Alec runs into Julie (Lombard), a commercial artist with a young daughter named Ellen (Peggy Ann Garner). They are instantly attracted to each other, but Maida stands in the way of their happiness.

Lombard, Grant, and Francis mug for this publicity photo for In Name Only.

Although the public loved Lombard and Grant for their comedy performances, both are believable as a couple deeply in love. Will their love survive Maida’s intrigue?

One of the great melodramas of the late-1930s, In Name Only was praised by the critics. Variety said, “In the steering of the story director John Cromwell has made every situation as believable as could be accomplished in order to sustain the dramatic undercurrent, strife and the beleaguered romance which has developed. Cary Grant and Carole Lombard emerge highly impressive.” Frank Nugent of the New York Times called the film “Soap opera par excellence…blessed with a peerless cast.”

Click HERE to watch the movie at the Internet Archive.

Click HERE to join the online discussion on March 17, 2025, Central Time. Once you RSVP, you will receive an invitation and link to join the discussion on Zoom.

In Name Only trivia

• Photoplay magazine named Lombard and Grant as the best movie performers for the month of October 1939.
• Katharine Hepburn was supposed to play the female lead and reunite with Grant, but due to the failure of Bringing Up Baby, Lombard was brought on board to replace her.
• The Hollywood Reporter said that Douglas Fairbanks Jr. was set to play the role of Alec.
• Lombard insisted on casting her friend Kay Francis in the role of Maida after Francis was dropped from Warner Bros.
• The home used as the location for the garden party, is the front portico of the old Selznick Studio in Culver City, where Gone with the Wind (1939) was being filmed at the same time as In Name Only.
• This was Peggy Ann Garner’s first credited role.
• In Name Only premiered in New York at the city’s famed Radio City Music Hall on August 4, 1939 where it was held over for several weeks.

Discussion questions

1. What did you think of the acting of Grant and Lombard? Were they convincing
2. Was Lombard right to insist that Kay Francis play the part of Maida? Was Francis convincing as the gold-digging wife?
3. Was the romantic triangle realistic and/or believable?
4. Charles Coburn did a rare dramatic turn as the father of Alec. What did you think of his performance?
5. Was there anything about this film that surprised you?
6. Did In Name Only remind you of any other films?

Humphrey Bogart and Lizabeth Scott face a “Dead Reckoning”

Dead Reckoning (1947) is an American film noir directed by John Cromwell and starring Humphrey Bogart and Lizabeth Scott.

Bogart plays Capt. Warren “Rip” Murdock who is trying to unlock the mystery surrounding the disappearance and death of his WW II buddy Sergeant Johnny Drake. During his search he meets Drake’s girlfriend Coral (Scott). During his search, Rip falls in love with Coral but is she worthy of his trust.

Humphrey Bogart and Lizabeth Scott

John Cromwell (1886 – 1979) was an American film and stage director. Cromwell started his career as an actor on the stage and in the early days of talking pictures. He was under contract to Paramount where he directed many pre-Code films. Some of the stars he directed during this time included Kay Francis, William Powell, and Jean Arthur. In 1933, he moved to RKO and directed Irene Dunne in Ann Vickers (1933), Spitfire (1934) with Katharine Hepburn, and Of Human Bondage (1934) with Leslie Howard and Bette Davis. Of Human Bondage was a tremendous box office success and made Cromwell a top director in Hollywood. Other films he directed include Little Lord Fauntleroy (1936) The Prisoner of Zenda (1937), Since You Went Away (1944), Anna and the Kind of Siam (1946), and Dead Reckoning. He is the father of actor James Cromwell.

Lizabeth Scott (1922 – 2015) was an American actress dubbed “The Threat” because she had a similar husky voice and screen persona as Lauren Bacall. Scott was understudy to Tallulah Bankhead in The Skin of Our Teeth but never got the opportunity to replace Bankhead’s run of the play. When Bankhead was replaced by Miriam Hopkins, Scott did go on for one night and received good reviews. It wasn’t long for Hollywood to take notice and producer Wallis signed her to a contract. She made her film debut as Ivy Hotchkiss in You Came Along (1945) with Robert Cummings. The Strange Love of Martha Ivers (1946) was Scott’s second feature. She went on to star in Dead Reckoning (1947) with Humphrey Bogart, I Walk Alone (1947) with Burt Lancaster, and Dark City (1950) with Charlton Heston in his film debut. She had a falling out with producer Wallis after starring in Loving You (1957) with Elvis Presley and another Wallis contract player, Wendell Corey. She basically retired from film after Loving You but appeared on television sporadically during the 1950s and 1960s.

Dead Reckoning trivia

• Rita Hayworth was the original choice to play Coral but she was committed to The Lady from Shanghai with her estranged husband, Orson Welles.
• Lizabeth Scott was on loan from Paramount to play Coral and Bogart was on loan from Warner Bros. to play Rip.
• Bogart was miffed about the terms of his loan out from Warner Bros. because Columbia paid Warner Bros. more than his salary.
• Coral’s car is a 1941 Lincoln Continental convertible. Only 400 were made.
• Lizabeth Scott was billed as “The Threat.” Lauren Bacall was tagged as “The Look” and Scott was often compared to Bacall.
• Lauren Bacall supposedly thought Scott did a good job in the picture.

 

Click HERE to join the discussion on May 6, 2024, 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

Click HERE to watch the film on YouTube.

Discussion questions

1. Does this film fit all the film noir tropes?
2. What did you think of the pairing of Bogart and Scott?
3. Like many film noirs, the plot has many twists and turns. Were you able to follow it?
4. What did you think of the film’s production? Does it fit your idea of a “film noir style?”
5. Do you think the film would have been different had Rita Hayworth played Cora?

Carole Lombard and James Stewart are “Made for Each Other”

 Made for Each Other (1939) is an American romantic comedy directed by John Cromwell and starring Carole Lombard, James Stewart, and Charles Coburn. The film was produced by David O. Selznick and the film was photographed by Leon Shamroy.

The film concerns John Mason (Steward), a young attorney in New York City, and his new bride Jane (Lombard). Mason is mild-mannered and a bit timid for a lawyer. When he is overlooked for a promotion, Jane encourages him to demand a raise and a promotion. Due to the Depression, instead of a raise, Judge Doolittle (Coburn) the head of the firm, requires all employees to take a pay cut. To make things more complicated, John’s mother Harriet (Lucile Watson) comes to live with the young couple. When Jane has a baby and the bills pile up, John is discouraged and feels like he is a failure.

Will things turn around for John and Jane?

John Cromwell (1886 – 1979) was an American film and stage director. Cromwell started his career as an actor on the stage and in the early days of talking pictures. He was under contract to Paramount where he directed many pre-Code films. Some of the stars he directed during this time included Kay Francis, William Powell, and Jean Arthur. In 1933, he moved to RKO and directed Irene Dunne in Ann Vickers (1933), Spitfire (1934) with Katharine Hepburn, and Of Human Bondage (1934) with Leslie Howard and Bette Davis. Of Human Bondage was a tremendous box office success and made Cromwell a top director in Hollywood. Other films he directed include Little Lord Fauntleroy (1936) The Prisoner of Zenda (1937), Since You Went Away (1944), Anna and the Kind of Siam (1946), and Dead Reckoning. He is the father of actor James Cromwell.

James Steward and Carole Lombard

Carole Lombard (1908 – 1942) was an American actress, well regarded for her many screwball comedy film roles. During the late 1930s, she was the highest-paid star in Hollywood. Lombard got her start in silent films as a child and set her mind on making movie acting her career. She was one of Mack Sennett’s bathing beauties, appearing in 15 of his comedy shorts before moving on to feature films. Her breakout performance came in 1934’s Twentieth Century co-starring John Barrymore. After that film, Lombard’s career soared. She starred in many successful comedies including Hands Across the Table (1935), My Man Godfrey (1936), which brought her a Best Actress Academy Award nomination, Mr. & Mrs. Smith (1941), and To Be or Not to Be (1942), her final film.

James Stewart (1908 - 1997) was an American actor whose career spanned almost five decades and 80 films. Stewart often portrayed the ideal of the average American who was decent and honest. Stewart signed a seven-year contract with Metro-Goldwyn-Mayer where he appeared in a variety of supporting roles in B and A pictures. It wasn’t until he was loaned out to Columbia Pictures to costar in Frank Capra’s You Can’t Take It With You (1938) that his home studio began to take notice. Still, his best roles were on loan to other studios including Mr. Smith Goes to Washinton (1939) at Columbia again and Destry Rides Again (1939) at Universal. M-G-M eventually cast him in The Philadelphia Story (1940) where he won the Academy Award for Best Actor which cemented his reputation as a leading man and star. From there he went on to make The Shop Around the Corner (1940) and The Mortal Storm (1940). After serving in the United States Army from 1941 - 1945, Stewart returned to Hollywood where he continued as a popular leading man. During the 1950s, Steward made two films with director Alfred Hitchcock which are considered two of the director’s best films: Rear Window (1954) and Vertigo (1958). Vertigo was voted the greatest film ever made by Sight & Sound in 2012.

Charles Coburn (1877 – 1961) was an Academy-Award-winning character actor. Coburn was one of the most popular character actors in film during the 1940s. He was nominated for three Best Support Actor Academy Awards for The Devil and Miss Jones (1941), for The More the Merrier (1943)—won, and The Green Years (1946). Other classic films featuring Coburn include The Lady Eve (1941), Kings Row (1942), The Constant Nymph (1943), Monkey Business (1952), and Gentlemen Prefer Blondes (1953).

Lombard and Stewart with the director and crew; ya gotta love Lombard’s movie star fur coat!

Made for Each Other trivia:

• The film was well-received by the critics but the film was a box office failure.
• The ocean liner pictured in the film is the SS Normandie.
• Some of the film’s dramatic moments were based on events in producer David O. Selznick’s life.
• A special effects technician died when he fell from a catwalk while he was releasing balloons for the New Year’s Eve party scenes.
• Lombard praised co-star Stewart’s performance in several media interviews at the time of the film’s release.

To watch the film on YouTube, click on the link below.

To join the discussion on Zoom, March 23, 2021, at 6:30 p.m. click here. Once you RSVP, you will receive an invitation to the discussion with a link to the Zoom meeting.

Questions for discussion:

1. What did you think of the pairing of Lombard and Stewart? Was it a good fit?
2. Do you think the film has any relevance to audiences today? Can we relate to the characters?
3. Did you have a favorite performance from any of the character actors?
4. Do you think the relationship between Watson and Lombard’s characters was realistic?
5. Why do you think the film wasn’t a bigger hit with audiences in 1939?

Ann Harding and William Powell share a "Double Harness"

 Double Harness (1933) is a pre-Code melodrama directed by John Cromwell (Of Human Bondage) and starring Ann Harding and William Powell. The screenplay was written by Jane Murfin (What Price Hollywood?, Alice Adams), and the music was by Max Steiner.

The plot concerns Joan Colby (Harding), the sensible older sister who decides to get married not for love but for her own betterment. She sets her sights on rich playboy, John Fletcher (Powell) who owns a shipping line that is floundering due to his indifference in working for a living.

Joan tricks John into marrying her but she turns out to be a great asset. She encourages him to take an interest in the family business which he does to great success. Everything comes undone when John discovers the truth surrounding their marriage. Will Joan be able to convince her husband that their marriage wasn’t a mistake?

William Powell and Ann Harding

John Cromwell (1886 – 1979) was an American film and stage director. Cromwell started his career as an actor on the stage and in the early days of talking pictures. He was under contract to Paramount where he directed many pre-Code films. Some of the stars he directed during this time included Kay Francis, William Powell, and Jean Arthur. In 1933, he moved to RKO and directed Irene Dunne in Ann Vickers (1933), Spitfire (1934) with Katharine Hepburn, and Of Human Bondage (1934) with Leslie Howard and Bette Davis. Of Human Bondage was a tremendous box office success and made Cromwell a top director in Hollywood. Other films he directed include Little Lord Fauntleroy (1936), The Prisoner of Zenda (1937), Since You Went Away (1944), Anna and the Kind of Siam (1946), and Dead Reckoning. He is the father of actor James Cromwell.

The Strand Theatre in Plainfield, NJ promotes Double Harness

Ann Harding (1901 - 1981) was an American stage, radio, movie, and television actress. She acted on Broadway and with other theater companies before going to Hollywood. Harding arrived in Hollywood just as the sound era in movies was beginning. Due to her stage training and perfect diction, Harding was one of the first major stars to emerge in the early days of talking pictures. Harding was under contract to Pathe, which was eventually taken over by RKO Pictures where she became one of its top female stars alongside Helen Twelvetrees and Constance Bennett. Harding received an Academy Award nomination for Best Actress for her performance in Holiday (1930). Katharine Hepburn played the same role in the 1938 version, and like Hepburn, Harding attended Bryn Mawr College. Other popular films starring Harding include The Animal Kingdon (1932), When Ladies Meet (1933), and Peter Ibbetson (1935). After the end of the 1930s, Harding’s popularity as a leading lady waned and she started playing secondary leads and character roles. She continued to act on the stage, radio, and television until her retirement in 1965.

William Powell (1892 – 1984) was an American actor who was most famous for the Thin Man series in which he costarred with Myrna Loy. Loy and Powell made 14 films together. Powell was nominated for the Academy Award for Best Actor three times: The Thin Man (1934), My Many Godfrey (1936), and Life With Father (1947). Powell was under contract to Paramount, Warner Bros., and Metro-Goldwyn-Mayer where he had his greatest success. Some of Powell’s popular films include Manhattan Melodrama (1934), The Great Ziegfeld (1936), Libeled Lady (1936), The Last of Mrs. Cheney (1937), Love Crazy (1941), Life with Father (1947), The Senator Was Indiscreet (1947), Dancing in the Dark (1949), How to Marry a Millionare (1953), and Mister Roberts (1955).

Double Harness trivia:

• The $5000  (each) set aside for Joan and Valerie to be used for their wedding is equal to over $92,000 today.
• The newspaper announcing the home of Valerie and Dennis at being at 2200 Lombard Street in San Francisco was home to a pizzeria in 2016.
• The film had been out of circulation for decades due to a dispute with the producer’s estate. TCM acquired the rights to six films from RKO in 2007. Double Harness was one of the six.
• The film played Radio City Music Hall in New York City.

To watch the film on YouTube, click on the link below.

To join the discussion on Zoom on February 23, 2021, at 6:30 p.m. Central Time, click on the link here. Once you RSVP, you will get an email with a Zoom link.

Questions for discussion:

1. What do you think is the significance of the title?
2. What did you think of Joan’s plan to trap John into marriage?
3. Why do you think Joan acted so diligently on behalf of John’s business?
4. What do you think made John return to Joan and their marriage?
5. Ann Harding was a favorite of actress Barbara Stanwyck.What do you think Stanwyck saw in Harding’s acting style?

Leslie Howard and Bette Davis in the pre-Code classic “Of Human Bondage”

Of Human Bondage (1934) is a pre-Code drama directed by John Cromwell and starring Leslie Howard, Bette Davis, and Francis Dee. The film was based on W. Somerset Maugham’s 1915 novel. The music was by Max Steiner.

Leslie Howard and Bette Davis

Leslie Howard stars as Philip Carey a club-footed British man studying art in Paris. After his teacher tells him that he really has no talent as an artist, he returns to London to study medicine. While in London, he falls desperately in love with a waitress named Mildred Rogers (Davis). Philip’s passion is constantly spurned by Mildred, but he finds himself hopelessly drawn to her, to the point of financial and personal ruin.

Will Philip escape from his destructive infatuation with Mildred or will it destroy his life and medical career?

Of Human Bondage is a pre-Code film. Films released before 1934 did not follow strict rules as to what themes or characters could be expressed onscreen. Prior to the implementation of the Production Code, the public was becoming concerned with explicit film content. Rather than be subjected to government oversight, the movie studios united to create and live by a set of rules that each studio would abide by. With the collapse of the studio system, the Production Code ended in 1968 in favor of the film rating system we have today.

John Cromwell (1886 – 1979) was an American film and stage director. Cromwell started his career as an actor on the stage and in the early days of talking pictures. He was under contract to Paramount where he directed many pre-Code films. Some of the stars he directed during this time included Kay Francis, William Powell, and Jean Arthur. In 1933, he moved to RKO and directed Irene Dunne in Ann Vickers (1933), Spitfire (1934) with Katharine Hepburn, and Of Human Bondage (1934) with Leslie Howard and Bette Davis. Of Human Bondage was a tremendous box office success and made Cromwell a top director in Hollywood. Other films he directed include Little Lord Fauntleroy (1936), The Prisoner of Zenda (1937), Since You Went Away (1944), Anna and the Kind of Siam (1946), and Dead Reckoning. He is the father of actor James Cromwell.

Leslie Howard (1893 – 1943) was an English film and stage actor. He was a popular movie star on both sides of the Atlantic, working in both England and the United States. He is probably best remembered for playing Ashley Wilkes in Gone with the Wind (1939), but Howard was a big box office draw during the 1930s starring in The Scarlet Pimpernel (1934), The Petrified Forest (1936), Pygmalion (1938), and Intermezzo (1939). Howard’s life and career were cut short when the plane he was flying in was shot down over the Atlantic in 1943 during World War II.

Bette Davis eyes!

Bette Davis (1908 – 1989) was an American actress who had a career on stage and screen that spanned more than 50 years. Davis came to Hollywood in 1930 and within four years of her arrival, she was one of its biggest stars winning her first Best Actress Academy Award for her role in Dangerous (1935). Her starring role in Jezebel (1938) won her a second Best Actress Oscar. Davis would go on to star in many popular films during the 1940s including Dark Victory (1939), The Letter (1940), The Little Foxes (1941), and Now, Voyager (1942). In 1950 she starred as Margo Channing in All About Eve (1950), a role she is probably most identified with today. Other popular films include The Old Maid (1939), All This and Heaven Too (1940), Mr. Skeffington (1944), and The Corn is Green (1945).

Of Human Bondage trivia:

• Bette Davis begged Jack Warner to let her out of her contract so she could star in the film.
• Katherine Hepburn, Ann Sheridan, and Irene Dunne all turned down the part of Mildred.
• Leslie Howard was not happy that an American was cast as Mildred, but Davis eventually won him over.
• The film premiered at Radio City Music Hall on June 28, 1934.

To watch the film on YouTube, click on the link below.

To join the discussion on Zoom on January 26, 2021, at 6:30 p.m. Central Time, click here. Once you RSVP, you will get an invitation with links to the discussion.

Questions for discussion:

1. Why do you think Philip was drawn to Mildred?
2. Why did Philip choose Mildred over Norah?
3. Davis’s performance was considered a tour de force when released. Do you think it holds up by today’s acting standards?
4. This movie was made during the pre-Code era. Did you notice things in this film that you didn’t see in films released after 1934?

Great Films of 1939: "In Name Only" June 11 at Daystar Center

Great films of 1939: In Name Only
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: June 11, 2016
Time: 6:45 p.m.
Hosted by Stephen Reginald

In Name Only (1939) stars Carole Lombard and Cary Grant in rare dramatic form in this marital melodrama directed by John Cromwell (Since You Went Away).

Grant is Alec Walker, a man stuck in a loveless marriage with his wife Maida (Kay Francis). Maida married Alec for his money and his social position; she never loved him. One afternoon Alec runs into Julie (Lombard), a commercial artist with a young daughter named Ellen (Peggy Ann Garner). They are instantly attracted to each other, but Maida stands in the way of their happiness.

Carole Lombard, Cary Grant and Kay Francis mug for the camera in this
publicity photo for In Name Only

Although the public loved Lombard and Grant for their comedy performances, both are believable as a couple deeply in love. Will their love survive Maida’s intrigue?

One of the great melodramas of the late-1930s, In Name Only was praised by the critics. Variety said, “In the steering of the story director John Cromwell has made every situation as believable as could be accomplished in order to sustain the dramatic undercurrent, strife and the beleaguered romance which has developed. Cary Grant and Carole Lombard emerge highly impressive.” Frank Nugent of the New York Times called the film “Soap opera par excellence…blessed with a peerless cast.”

In Name Only premiered in New York at the city’s famed Radio City Music Hall on August 4, 1939 where it was held over for several weeks.

Have some Joe and Enjoy the Show!

Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion

Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.

Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.