Teresa Wright and Joseph Cotten star in Alfred Hitchcock’s “Shadow of a Doubt”

A Personal Favorite

Considered Alfred Hitchcock’s personal favorite of all his films, Shadow of a Doubt (1943), is also the only film he ever shot entirely on location. Hitchcock picked Santa Rosa, CA, because it exemplified, at least it did in 1942, the ideal American town. Film critic Bosley Crowther said in his review of the film, “The flavor and ‘feel’ of a small town has been beautifully impressed in this film by the simple expedient of shooting most of it in Santa Rosa, California.”

No Prima Donnas
One of the reasons Shadow of a Doubt was Hitchcock’s favorite was due to the cast. Teresa Wright and Joseph Cotten were movie stars but weren’t prima donnas. The director was impressed with Wright’s professionalism and preparation for her role. Cotten thought Hitchcock was one of the easiest directors he ever worked with. The two hit it off and remained great friends for the rest of their lives. The rest of the supporting cast, Henry Travers, Patricia Collinge, Hume Cronyn, and MacDonald Carey were all pros, with Cronyn, before this film, a stage actor, making his movie debut in Shadow of a Doubt. He too, along with his wife, Jessica Tandy (Tandy would appear in The Birds some 20 years later.) remained friends with Hitchcock for the rest of their lives.

Teresa Wright

Idolizing Uncle Charlie
When Uncle Charlie (Joseph Cotton) travels west to visit his sister and her family, the sleepy town of Santa Rosa is never the same. Handsome and debonair, Uncle Charlie is idolized by his young niece Charlene “Charlie” Newton (Teresa Wright) who has become disenchanted with her small-town life. Uncle Charlie represents glamour and excitement to young Charlie and she craves his attention.

Word of Mouth
As word spreads about a man they call the Merry Widow murderer, Charley suspects that he and her beloved uncle are one and the same. But when a government agent investigating the case befriends her, Charley is faced with some tough choices. Does she cooperate, putting her uncle at risk, and upsetting her mother? By getting closer to her uncle, does she put her own life in jeopardy?

Where Evil Lurks

With the help of playwright Thorton Wilder (Our Town) and screenwriter Sally Benson (Meet Me in St. Louis), Hitchcock created a truly suspenseful film. Shadow of a Doubt demonstrates one of Hitchcock’s favorite themes: evil can lurk in the most unlikely and innocent of places…within our own towns or cities and among our own families.

Alfred Hitchcock (1899 – 1980) was an English film director, producer, and screenwriter. He is one of the most influential filmmakers of the 20th century. Hitchcock directed over 50 feature films, many classics that have been honored and studied for years. Some of Hitchcock’s classic films include The 39 Steps (1939), Rebecca (1940), Suspicion (1941), Shadow of a Doubt (1943), Notorious (1946), Rear Window (1954), Vertigo (1958), North by Northwest (1959), and Psycho (1960).

Teresa Wright (1918 - 2005) was an American stage, film, and television actress. She received Academy Award nominations in her first three films, a record that still holds today. In 1942, she was nominated for Best Supporting Actress for Mrs. Miniver and Best Actress in The Pride of the Yankees. She won the Supporting Oscar for Mrs. Miniver, and her co-star, Greer Garson won Best Actress. Today Wright is most famous for playing Lou Gehrig’s wife in The Pride of the Yankees, The Best Years of Our Lives, and Alfred Hitchcock’s Shadow of a Doubt (1943). Wright was a popular star throughout the 1940s starring opposite Robert Mitchum, Ray Milland, Gary Cooper, and David Niven. She starred opposite Marlon Brando in his first film role in The Men (1950). Wright continued working in film, with her last role as Miss Birdie in The Rainmaker (1997). Wright was the only non-baseball player to be honored by the New York Yankees when she passed away at age 86. 

Joseph Cotten (1905 - 1994) was an American film, stage, radio, and television actor. Cotten achieved fame on Broadway in the original stage productions of The Philadelphia Story and Sabrina Fair.  He became famous worldwide after appearing in Citizen Kane (1941) and The Magnificent Ambersons (1942). As one of the most popular leading men of the 1940s, Cotten starred in Shadow of a Doubt (1943), Gaslight (1943), Duel in the Sun (1946), and The Third Man (1949). Cotten alternated between work on stage and film into the late-1950s. Cotten also appeared on television guest-starring on The Name of the Game, Cimarron Strip, and Ironside. Cotten’s last film role was in 1981.

Joseph Cotten and Teresa Wright in a tense scene

Shadow of a Doubt trivia

• Teresa Wright didn't read the script; Alfred Hitchcock described the entire movie to her and agreed to star in it on the spot.
• Edna May Wonacott (Ann Newton) and Estelle Jewell (Catherine) were locals of Santa Rosa, where this movie was shot on location. Many of the extras were residents of the town, which was too far away from Hollywood to be affected by Actors Guild guidelines demanding the use of professional actors and actresses.
• The $40,000 Uncle Charlie deposits in the bank is equivalent to over $600,000 today.
• Hitchcock wanted William Powell to play Uncle Charlie but M-G-M wouldn’t loan him.
• The Newton home and the railway station are still standing in Santa Rosa. The library was demolished due to earthquake concerns as some of the other buildings were destroyed in the earthquake of 1969.
• Teresa Wright who played a teenager in the film was 25 years old when the film was in production.

Click HERE to watch the film on the Internet Archive. Click HERE to watch it on YouTube

Click HERE to join the online discussion on September 2, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

Discussion questions

1. Why do you think this was Alfred Hitchcock's favorite of all his films?
2. Was the setting of the film similar in some ways to the location of Boomerang!?
3. Teresa Wright and Joseph Cotten give terrific performances but neither were nominated for action Oscars. Do you think this was an oversight on the Academy’s part?
4. The supporting cast is strong with many outstanding performances. Do you have a favorite?
5. Did you have a favorite scene from the film?
6. The film plays with doubles: two Charlies, the waitress working at the Til-Two bar for two weeks, and the two detectives. Did you find any other doubles?
7. Did the ending surprise you? Was it satisfying?

Hitchcock’s “Shadow of a Doubt” to screen October 14, 2014 at Daystar Center

When: Tuesday, October 14, 2014 6:30 p.m.
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street

A Personal Favorite
Considered Alfred Hitchcock’s personal favorite of all his films, Shadow of a Doubt (1943), is also the only film he ever shot entirely on location. Hitchcock picked Santa Rosa, CA, because it exemplified, at least it did in 1942, the ideal American town. Film critic Bosley Crowther said in his review of the film, “The flavor and ‘feel’ of a small town has been beautifully impressed in this film by the simple expedient of shooting most of it in Santa Rosa, Calif.”

No Prima Donnas
One of the reasons Shadow of a Doubt was Hitchcock’s favorite was due to the cast. Teresa Wright and Joseph Cotton, although movie stars, weren’t prima donnas. The director was impressed with Wright’s professionalism and preparation for her role. Cotton thought Hitchcock was one of the easiest directors he ever worked with. The two hit it off from the start and remained great friends for the rest of their lives. The rest of the supporting cast, Henry Travers, Patricia Collinge, Hume Cronyn, and MacDonald Carey were all pros, with Cronyn, prior to this film, a stage actor, making his movie debut in Shadow of a Doubt. He too, along with his wife, Jessica Tandy (Tandy would  appear in The Birds some 20 years later.) remained friends with Hitchcock for the rest of his lives.

Teresa Wright

Idolizing Uncle Charlie
When Uncle Charlie (Joseph Cotton) travels west to visit his sister and her family, the sleepy town of Santa Rosa is never the same. Handsome and debonair, Uncle Charlie is idolized by his young niece Charlene “Charlie” Newton (Teresa Wright) who has become disenchanted with her small-town life. Uncle Charlie represents glamour and excitement to young Charlie and she craves his attention.

Word of Mouth
As word spreads about a man they call the Merry Widow murderer, Charley suspects that he and her beloved uncle to be one in the same. But when a government agent investigating the case befriends her, Charley is faced with some tough choices. Does she cooperate, putting her uncle at risk, and upsetting her mother? By getting closer to her uncle, does she put her own life in jeopardy?

Where Evil Lurks

With the help of playwright Thorton Wilder (Our Town) and screenwriter Sally Benson (Meet Me in St. Louis), Hitchcock created a truly suspenseful film. Shadow of a Doubt demonstrates one of Hitchcock’s favorite themes: evil can lurk in the most unlikely and innocent of places…within our own towns or cities and in the midst our own families.

Joseph Cotton

Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats.

Join the Chicago Film club; join the discussion
Once a month we screen a classic film and have a brief discussion afterward. For more information, including how to join (it’s free), click here. To purchase your ticket in advance, click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Backstory: Teresa Wright was nominated for Academy Awards for her first three film roles. It’s a record that stands to this day. She won for her performance in Mrs. Miniver (Best Supporting Actress). Shadow of a Doubt was only her fourth film where she was top billed. Wright was a legitimate stage actress, understudying for Martha Scott who was the original Emily in Thornton Wilder’s Our Town. She originated the role of Mary Skinner in the Broadway production of Life With Father, the role Elizabeth Taylor played on the screen.

The most chilling of them all: Joseph Cotten in “Shadow of a Doubt”

Joseph Cotten created the role of C. K. Dexter Haven in the original Broadway production of The Philadelphia Story, opposite Katharine Hepburn. After the play’s successful run, Cotten thought he had a shot at playing Dexter in the film version. That didn’t happen, obviously, but Cotten stayed in Hollywood and we’re glad he did.

Our first glimpse of Uncle Charlie

Cotten is perhaps most famous for his films with Orson Welles, but his best screen performance, in my opinion, is as the mysterious Uncle Charlie in the Alfred Hitchcock classic, Shadow of a Doubt. As the dapper and sophisticated uncle visiting his older sister’s family in California, Cotten establishes himself as a menacing presence from the moment he first appears on the screen.

Our first glimpse of Charles Oakley is of him laying on a bed in a boarding house, dressed in a perfectly tailored suit, smoking a cigar. The way the scene is shot and Cotten’s non-verbal, acting, we’re tipped off that Uncle Charlie is an unsavory sort. His face is stiff and immobile at times. His movements measured and deliberate.

Was there ever a more menacing train?

While the audience suspects Uncle Charlie may have a darker side, it isn’t immediately obvious to his niece Charlotte “Charley” Newton, played by Teresa Wright. Young Charley, as she is called, is bored with what she thinks is a pretty dull life. When she finds out that her favorite uncle is coming to visit, she’s excited and happy, thinking he will snap the Newton family out of their drab existence.

Uncle Charlie travels to Santa Rosa, California, by railroad. When the train arrives, the engine’s smoke stack spits out the biggest, darkest cloud of smoke, casting a shadow on the small train station, another clue that this is no ordinary family visit. In the beginning, all is well. Charlie loves showing off her handsome uncle who dresses like a first class passenger on a luxury ocean liner. Then, little by little, things begin to change.

“You’re hurting me, Uncle Charlie!”

After dinner one evening, Uncle Charley is seen making a house out of newspaper, ostensibly to amuse the two younger Newton children, Ann (Edna May Wonacott) and Roger (Charles Bates). It’s clear to the audience that there is something in that newspaper that he doesn’t want anyone to see. The children are not amused and Young Charley senses this house-made-out-of-paper game is fishy too. Before she goes to bed, Young Charley brings a pitcher of water to her uncle. She spies the clipping that Uncle Charley ripped out of the paper. She grabs it, but Uncle Charley, who has been polishing his shoes, jumps out of his chair, face a blank, to wrestle the article out of Young Charley’s hands, hurting her.

Uncle Charlie, a murderer?

When two detectives, pretending to be government employees doing a profile of an “average American family,” show up asking questions, things begin to get tense. Uncle Charlie’s behavior becomes darker and just plain creepy. One of the detectives, Jack Graham (Macdonald Carey) takes Young Charlie on a date. He tells her that her uncle might be a killer. She doesn’t believe it’s possible, but there is a shadow of a doubt. What was in that newspaper article that Uncle Charley didn’t want anyone to see?

At the library, Young Charley finds the article that her uncle ripped out of the paper. It says that there are two men suspected of being the “Merry- Widow” Murderer. A man back east and one out west. One of the victims has the same initials that were engraved in a ring Young Charley’s uncle gave her. She is now convinced her uncle is a murderer. At dinner the next day, Uncle Charley talks about rich women, widows and all their money. The money their husbands made that they’re spending “frivolously.” Moments before Young Charley recounts a dream that makes it clear that she knows something about her uncle. From that moment on, the tension increases and it’s clear that Uncle Charley isn’t going to let his niece get in the way of his plans: to settle down in Santa Rosa. Cotten’s performance which had hints of menace now goes full throttle, warning his niece not to get in his way in so many words. The glimpses of charm that Young Charley saw earlier have vanished. Cotten’s face becomes tighter, more mask-like; it’s hard to know what he’s thinking, but you’re convinced it isn’t anything good.

“…or are they fat, wheezing animals?”

Now with things out in the open, Uncle Charlie does his best to intimidate his niece and when that doesn’t work, he tries to bump her off. He messes with the back stairs. Young Charley nearly falls down the entire flight when one of the steps breaks. Next he tries asphyxiating her in the garage with the family car running. She survives that attempt and it looks like she may have won the battle, especially when it is revealed that Uncle Charlie is leaving Santa Rosa rather suddenly.

Finally Uncle Charlie is leaving town by train. Young Charlie, Ann and Roger are on the train saying their good-byes. While Ann and Roger get off the train, Uncle Charlie grabs his niece. As the train starts moving, Young Charlie realizes that he’s going to kill her. “Your hands,” she shouts, as their struggle now becomes physical.

“Your hands!”

Of all the evil screen villains, and there are many, Joseph Cotten’s performance is one of the most chilling. Hitchcock loved exploring the theme that evil isn’t always “out there,” but generally closer to home. Contrasted against his young innocent niece and the All-American surroundings of Santa Rosa, Uncle Charlie’s evil is all the more striking.

Cotten is so good in Shadow of a Doubt that it is incredible to me that he was passed over come Oscar time. Cotten’s performance is so well played that it just looked too easy, I guess. Still it’s one of the great Hollywood injustices that He wasn’t even nominated.

If you’re looking for a good screen villain, you can’t do much better than Uncle Charlie in Shadow of a Doubt.

This post is part of the Great Villain Blogathon hosted by Ruth of Silver Screenings, Karen of Shadows & Satin, and Kristina of Speakeasy. Click on any of the links to read more posts on great movie villains.

Bring Two Friends and Win a Prize

Bring two friends who have never been to a "Meet Me at the Movies" event and win a free MMATM coffee mug. Your friends will be glad you invited them and you'll love the mug!

Teresa Wright and Joseph Cotten star in the Hitchcock classic, Shadow of a Doubt.

The Prairie District Neighborhood Alliance (PDNA) invites you to "Meet Me at the Movies," Friday October 29, 2010 at 6:30 p.m. at Sherwood Community Music School, Columbia College recital hall, 1312 S. Michigan Ave. Shadow of a Doubt starring Teresa Wright and Joseph Cotton is the classic movie to be screened. The cost for the movie is $5 per person. 

Coffee taste better in a "Meet Me at the Movies" mug.

The "Wright" Stuff: Teresa Wright Makes Her Mark

Studio portrait of Teresa Wright

"I only ever wanted to be an actress, not a star."
During the early 1940s, few movie actresses made the impact that Teresa Wright did. Wright was Oscar-nominated for the first three movies she appeared in, a record that no other actor or actress has accomplished. Embraced by the public and critics as well, Wright never wanted to be a movie star.

Muriel Teresa Wright was born in 1919 in New York City. After seeing Helen Hayes on the stage, Wright decided she wanted to be an actress. After gaining experience in regional theater, she decided to try her luck on Broadway during the late 1930s.

Early Broadway Success
Almost immediately, Wright found herself playing a small role in Thorton Wilder’s Our Town. During the play’s run, she understudied for Martha Scott, who had the lead role of Emily. When Martha Scott left for Hollywood, Wright stepped into the lead. After her success in Our Town, she was cast as Mary Skinner in an even bigger success, Life With Father. During one performance, a talent scout from the Samuel Goldwyn studios noticed something special about Wright.

Goldwyn was looking for someone to play Bette Davis’s daughter in his production of The Little Foxes, someone who would be able to stand up to the formidable Miss Davis on the big screen. The talent scout thought Wright was up to the task. Before long, she was brought to Hollywood and signed a long-term contract with Goldwyn.

When The Little Foxes was released in 1941, Wright was nominated for Best Supporting Actress, alongside Bette Davis who was nominated for Best Actress. The Goldwyn talent scout’s faith in Wright was validated.

Hot Property
Samuel Goldwyn immediately arranged for Wright to costar in William Wyler’s production of Mrs. Miniver at MGM starring Greer Garson and Walter Pigeon. After she completed that film, she was costarring opposite Gary Cooper in The Pride of the Yankees, directed by Sam Wood. Both Mrs. Miniver and The Pride of the Yankees were released in 1942 and Wright was showered with critical accolades once again.

During that eventful 1942, Wright found herself nominated for both Best Supporting Actress for Mrs. Miniver and Best Actress for The Pride of the Yankees! She lost the Best Actress award to Greer Garson, but won the Best Supporting Actress award for her role as Garson’s daughter-in-law in Mrs. Miniver.

Hitchcock Comes a Calling
When director Alfred Hitchcock was casting Shadow of a Doubt, he considered  Wright for the lead role of Charlotte (Charlie) Newton. He wanted her for her obvious talent, but Hitchcock also wanted her because she was considered a hot property and her appeal would add to the box office. He was correct on both counts. From the start Hitchcock was impressed not only with Wright’s talent, but her professionalism on the set. Wright’s characterization is a tour-de-force. She begins the film as a naive, innocent girl and ends it as a mature worldly-wise young woman.

Wright is top billed in the Hitchcock classic

During its initial release, Shadow of a Doubt  was a critical and popular success. Today it is considered Hitchcock’s first great American film. Unlike his earlier U.S. movies, Shadow of a Doubt was set in a small American town populated with average people living seemingly average lives. The notion that innocence and evil live side by side would become a popular theme that Hitchcock would continue to explore in later films.

Wright starred alongside some of the biggest male stars of the 1940s.

A Major Star
After working with Hitchcock, Wright became a major star, appearing opposite some of Hollywood’s most famous leading men, including Dana Andrews, Robert Mitchum, Ray Milland, and Gary Cooper (after Pride of the Yankees, they starred together again in Casanova Brown). During the late 1940s, Wright lost out on two important film roles that hurt her career.
  

Pursued is considered the first psychological western.

The Roles That Got Away
Wright’s husband, Niven Busch was a screenwriter and popular novelist. He wrote the best-selling novel Duel in the Sun and adapted the screenplay for producer David O. Selznick. Wright was set to star as the half-breed Pearl Chavez. The role was to be a change of pace for the actress. During production, Wright became pregnant and had to drop out. Jennifer Jones, another actress with a girl-next-door image picked up the role and a Best Actress nomination to boot.

The role of Pearl Chavez was written for Wright.

The next role that Teresa Wright lost, again due to pregnancy, was the portrayal of Julia Broughan in The Bishop’s Wife. The role eventually went to Loretta Young, and again, another box office hit slipped through Wright’s fingers.

You're Fired!
In 1948, Wright made a movie for Goldwyn called Enchantment. Goldwyn had high hopes for the film and Wright had one of the key roles. When production wrapped, Wright didn’t particularly like the result. Scheduled to travel to publicize the film, Wright said she was ill and couldn’t participate. Goldwyn didn’t believe Wright and he fired her. Overnight, Wright was a star without a studio. Used to making $5000 a week and $200,000 per picture, Wright was now a freelance artist during a turbulent time in Hollywood. The major studios were losing money because they were forced to give up their theater ownership, which reaped them huge profits.

Wright was Marlon Brando's first leading lady.

In 1950, Wright agreed to star opposite a Hollywood newcomer named Marlon Brando in what would be his very first film, The Men. The film was an independent low-budget production for which Wright accepted a salary of $25,000. Wright said that after she made that film for that low fee, she was rarely given A-list material again. She still had starring roles in movies, but none matched the quality of her early successes.

Wright Finds Work During Television's "Golden Age"
Instead of giving up on acting, Wright started working in TV during its golden age. She was Emmy-nominated for playing Annie Sullivan in a TV production of The Miracle Worker five years before the film version was made. Later she portrayed famed photographer Margaret Bourke-White in a 1960 TV production. In addition to her TV work, Wright went back to Broadway starring in The Country Girl, Bell, Book and Candle, The Heiress, and Death of a Salesman opposite George C. Scott.

During the 1970s, Wright occasionally worked in films and television. During this period she had roles in Roseland and Somewhere in Time. Her last major role was playing Miss Birdie, Matt Damon’s landlady, in John Grisham’s The Rainmaker in 1977.

Teresa Wright died of a heart attack on March 6, 2005. She was 86 years old.

“Shadow of a Doubt”: Hitchcock’s Favorite

Alfred Hitchcock’s personal favorite of all his films, Shadow of a Doubt (1942), is also the only film he ever shot entirely on location (Santa Rosa, CA).

When Uncle Charlie (Joseph Cotton) travels west to visit his sister and her family, the sleepy town of Santa Rosa is never the same. Handsome and debonair, Uncle Charlie is idolized by his young niece Charlene “Charley” Newton (Teresa Wright) who has become disenchanted with her small-town life. Uncle Charlie represents glamour and excitement to young Charlie and she craves his attention.

As word spreads about a man they call the Merry Widow murderer, Charley suspects that he and her beloved uncle to be one in the same. When she is befriended by a government agent investigating the case, Charley is faced with some tough choices. Does she cooperate, putting her uncle at risk, and upsetting her mother? By getting closer to her uncle, does she put her own life at risk?

With the help of playwright Thorton Wilder (Our Town) and screenwriter Sally Benson (Meet Me in St. Louis), Hitchcock created a truly suspenseful film. Shadow of a Doubt demonstrates one of Hitchcock’s favorite themes: evil can lurk in the most unlikely and innocent of places…within our own towns or cities and among our own families.