Tuesday, December 27, 2016

“Stanwyck on State Street” film series at Daystar Center

The Chicago Film Club will present “Stanwyck on State Street” at Daystar Center, 1550 S. State Street. The series showcasing the films of Barbara Stanwyck will begin with The Miracle Woman (1931) on January 14. The legendary Frank Capra directed the story of a popular American evangelist played by Stanwyck. Capra and Stanwyck made five films together; The Miracle Woman was their second.
Stanwyck in Stella Dallas
Other films to be screened include, Baby Face (1933), Stella Dallas (1937), The Mad Miss Manton (1938), Union Pacific (1939), Golden Boy (1939), and Ball of Fire (1941).

Stanwyck and Henry Fonda in The Mad Miss Manton
Stanwyck’s film career began with appearances in silent films. Director Frank Capra cast her in his film Ladies of Leisure (1930), which helped established her as a major movie star. In interviews, Capra always spoke of his admiration for Stanwyck. When talking about the great actresses he worked with: Jean Arthur, Claudette Colbert, and Stanwyck, it was obvious which of the three he preferred. Of Stanwyck he said: “She [could] give you that burst of emotion better than the other two could … she [was] probably the most interesting of the three. She [was] also the hardest to define … she played the parts that were a little tougher.”

Stanwyck in between Joel McCrea and Robert Preston in Union Pacific
Perhaps more than any other actress of her generation, Stanwyck’s versatility and modern acting style still intrigue film critics and moviegoers alike. It’s hard to parody her films in the way it’s easy to mimic the performances of  Katharine Hepburn and Bette Davis. Her performances are lacking in exaggerated physical movements and tics, trademarks of Hepburn and Davis.

Besides Capra, Stanwyck worked the top directors of the day, including Howard Hawks, Cecil B. DeMille, Preston Sturges, King Vidor, William Wellman, Rouben Mamoulian, Melvin LeRoy, Wesley Ruggles, Billy Wilder, Fritz Lang, Lewis Milestone, Mitchell Leisen, Robert Wise, Anatole Litvak, and George Stevens.

Movies scheduled listed below. Saturday films begin at 6:45 p.m.; Tuesday movies begin at 6:30 p.m.More films will be scheduled later.

The Miracle Woman (1931) – January 14
Baby Face (1933) – February 18
Stella Dallas (1937) – March 11
The Mad Miss Manton (1938) – April 1
Union Pacific (1939) – May 13

Monday, December 12, 2016

Classic Movie Man’s Favorite Christmas Movies: 2016 Edition

It’s getting harder and harder to find classic movies that I haven’t featured before, but I was able to come up with some “new” ones. Not all of the movies I picked this year are Christmas movies, but all have scenes set during the holidays. For a list of more holiday movie classics, see the links below. Please feel free to share your Christmas favorites in the comments section. Merry Christmas!

The Miracle of Morgan’s Creek—1944 Preston Sturges’s satirical masterpiece a Christmas movie? The comedy classic spends a lot of time tearing down and building up some sacred cows, including marriage and the military. Featuring breakout performances by Betty Hutton and Eddie Bracken, the “miracle” takes place on Christmas day!

Backstory: Considered mild stuff by today’s standards, The Miracle of Morgan’s Creek was thought to be borderline offensive (and to many moviegoers in 1944 it crossed the border) in its day.

The Lemon Drop Kid—1951 Based on a Damon Runyon short story, The Lemon Drop Kid features Bob Hope (the Kid) as a racetrack tout who gets on the bad side of gangster Moose Moran (Fred Clark) when a bet placed by the gangster’s moll goes south. If the Kid doesn’t come up with $10,000 by Christmas Eve, he “won’t make it to New Year’s,” according to Moran. The film features a great supporting cast that includes Marilyn Maxwell, Lloyd Nolan, Jane Darwell, and William Frawley.

Backstory: The song “Silver Bells” was introduced in The Lemon Drop Kid and sung by Hope and Maxwell. William Frawley also appeared in the 1934 version of The Lemon Drop Kid.



Stalag 17—1953 You wouldn’t necessarily associate this movie with Christmas, but a major event takes place on the holiday. Set in a German prisoner of war camp during World War II, the film tells the story of American airmen held there, who come to suspect that one of them is an informant. Stalag 17 features an Academy Award winning performance by William Holden (Best Actor) and tight writing and direction from Billy Wilder. How could you go wrong?

Backstory: Charlton Heston and Kirk Douglas were first considered for the role that eventually went to William Holden.



We’re No Angels 1955—Just before Christmas, three convicts (Humphrey Bogart, Aldo Ray, and Peter Ustinov) escape from Devil’s Island. They wander into a French village nearby and end up helping the Ducotel family (Joan Bennett, Leo G. Carroll, and Gloria Talbott) managers of a store in financial trouble. Will the convicts be successful in helping the Ducotels hold onto their store or will they make a break for it, which was their plan all along? The film also features Basil Rathbone as absentee store owner, Andre Trochard.

Backstory: Released by Paramount, this rare Bogart comedy was directed by Michael Curtiz who also directed Bogart in the classic Casablanca (1942) when both were under contract at Warner Bros.



Babes in Toyland 1961—This Disney musical is based on the Victor Herbert operetta, but takes many liberties with the plot. The Technicolor production stars Ray Bolger as the evil Barnaby, Tommy Sands as Tom Piper, and Annette Funicello as Mary Contrary. Part of the plot surrounds the efforts of the Toymaker in Toyland (Ed Wynn) and his efforts and those of his apprentice, Grumio (Tommy Kirk) to make enough toys for Christmas. Will they be successful or will Barnaby foil their plans and ruin the lives of Tom and Mary?

Backstory: The movie was a financial failure and Disney didn’t make another musical on this scale again until Mary Poppins (1964), which became one of the studio’s biggest box office hits during Walt Disney’s lifetime. This was the first film in which Ray Bolger played an evil character.

Sunday, December 4, 2016

Chicago Film Club Holiday Movie: "My Reputation" December 10 at Daystar Center

Annual Holiday Film: My Reputation
Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL
When: December 10, 2016
Time: 6:45 p.m.
Hosted by Stephen Reginald


My Reputation (1946) stars Barbara Stanwyck as Jessica Drummond, a widow with two young sons who falls in love with an army officer (George Brent). This romance comes too soon, according to her domineering mother (Lucile Watson) and Jessica’s upper-class Chicago friends. Fortunately for Jessica she has a supportive best friend in Ginna Abbot (Eve Arden) who helps her navigate this new chapter in her life. With major action set during the Christmas and New Year’s holidays, My Reputation is a worthy choice as this year's holiday movie.


Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.


Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.


Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.


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