Joel McCrea and Laraine Day in Alfred Hitchcock’s “Foreign Correspondent”

Foreign Correspondent (1940) is an American spy thriller directed by Alfred Hitchcock and starring Joel McCrea, Laraine Day, Herbert Marshall, and George Sanders. The screenplay was written by Charles Bennett and Joan Harrison. The music was by Alfred Newman and the cinematography was by Rudolph Mate.

Before the outbreak of World War II, Mr. Powers (Harry Davenport), editor of the New York Morning Globe, sends crime reporter John Jones (McCrea) to report on the situation there.

While in the Netherlands, Jones attends an event sponsored by the Universal Peace Party led by Stephen Fisher (Marshall). When the keynote speaker Van Meer (Albert Basserman) becomes ill, he is replaced by Carol Fisher (Day), Stephen Fisher’s daughter. Earlier, Jones had insulted Carol but now finds her irresistible.

As Jones continues to delve into European politics, he becomes suspicious of the Universal Peace Party and Carol’s father.

Does the Universal Peace Party really stand for peace or do they have another agenda?

Alfred Hitchcock (1899 – 1980) was an English film director, producer, and screenwriter. He is one of the most influential filmmakers of the 20th century. Hitchcock directed over 50 feature films, many are classics that have been honored and studied for years. Some of Hitchcock’s classic films include The 39 Steps (1939), Rebecca (1940), Suspicion (1941), Shadow of a Doubt (1943), Notorious (1946), Rear Window (1954), Vertigo (1958), North by Northwest (1959), and Psycho (1960).

Joel McCrea (1905 – 1990) was an American movie star who appeared in over 100 films. During his almost-five-decades career, McCrea worked with some of the top directors in Hollywood including Alfred Hitchcock (Foreign Correspondent 1940), Preston Sturges (Sullivan’s Travels 1941, The Palm Beach Story 1942), and George Stevens (The More the Merrier 1943). McCrea worked opposite some of the top leading actresses of the day including Miriam Hopkins, Irene Dunne, Veronica Lake, Claudette Colbert, and Barbara Stanwyck with whom he made six films. He was the first actor to play Dr. Kildare in the film Internes Can’t Take Money (1937) costarring Stanwyck. McCrea married actress Frances Dee in 1933. The two were married until Joel died in 1990.

Laraine Day (1920 – 2007) was an American actress. Day appeared in films, stage, radio, and television. In 1939, she signed with M-G-M and starred as Nurse Mary Lamont in the popular film series Dr. Kildare. She made seven Dr. Kildare movies with Lew Ayres in the title role. In 1946, she signed a contract with RKO. Her contract stipulated that she would make one movie per year at $100,000. During the late 1940s, Day co-starred with John Wayne, Kirk Douglas, and Robert Mitchum. Some of Day’s films include Those Endearing Young Charms (1945), The Locket (1946), and Tycoon (1947) with John Wayne.

 

Foreign Correspondent trivia

• Gary Cooper was offered the John Jones role but turned it down. He regretted it once he saw the film.
• Alfred Hitchcock had two films up for Best Picture of 1940. This film and Rebecca.
• Hitchcock had wanted Barbara Stanwyck or Joan Fontaine for the female lead.
• The film was made before the U.S. had entered the war. The closing scenes of the movie were added when it became clear that the bombing of London was imminent.
• An entire square was built on a ten-acre site for $200,000 (over $4M today).
• A flight on the Clipper 314 cost $675.00 round trip which is roughly $12,000 in today’s dollars.
• Laraine Day was 19 years old during production.
• The film was a box-office hit but the film’s budget was so high that it didn’t make a profit for the filmmakers.

 

Joel McCrea, Laraine Day, and George Sanders

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Click HERE to watch the movie on YouTube.

Discussion questions

1. Where do you think this film ranks with other Hitchcock movies?
2. The film is famous for its elaborate set pieces. Were you impressed with the film’s recreation of Amsterdam?
3. Joel McCrea was Hitchcock’s second choice for the lead. What did you think of his performance?
4. Laraine Day was only 19 years old when she took on the role of Carol Fisher. What did you think of her performance?
5. Were there any other performances that you enjoyed?

 

Jeanne Crain, William Holden, and Edmund Gwenn in "Apartment for Peggy"

Apartment for Peggy (1948) is an American comedy-drama directed and written by George Seaton (Miracle on 34th Street) and starring Jeanne Crain, William Holden, and Edmund Gwenn. The supporting cast includes Gene Lockhart, Randy Stewart, Charles Lane, and Cliff Barnett. The screenplay was based on the novel An Apartment for Jenny (1947) by Faith Baldwin.

Jeanne Crain and William Holden play a young married couple trying to cope with the GI housing shortage after the war. The movie begins with Peggy (Crain), who appears to be very pregnant, taking a short rest on a park bench next to retired Professor Henry Barnes (Gwenn). Peggy immediately likes the old professor; she calls him “pops” and baffles him with her rapid-fire speech and modern slang. When she finds out that Barnes’s friend, Professor Bell, (Lockhart) might have “suction” with veteran housing on campus, Peggy asks Barnes to please put in a good word for her.

Before you know it, Peggy and Jason are turning Professor Barnes’s attic into a very comfortable and functional living space. Even Professor Barnes is amazed at the transformation. Reluctant at first to this “home invasion,” Professor Barnes learns to enjoy sharing his home with the young couple, although living with Peggy can be challenging at times.

What Peggy and Jason don’t know, is that before they moved in, the professor was planning his own suicide. The university forced him to retire years earlier and Barnes thinks his usefulness has come to an end. His wife is deceased and his only son was killed in the First World War. He concludes that he’s lived a satisfying life and feels it’s time to exit on his own terms.

What will become of the professor, Jason, and Peggy?

William Holden and Jeanne Crain

George Seaton (1911 - 1979) was an American director, screenwriter, and producer. Seaton started out as an actor and played the Lone Ranger o the radio. He got a job as a contract writer at M-G-M in 1933. His first credited script was for the Marx Brothers’comedy A Day at the Races (1937). Unhappy with only working on comedies, Seaton moved to Columbia in 1940. In the early 1940s, he went to 20^th Century-Fox where he achieved his greatest success as a writer and director. At Fox, he wrote the scripts for That Night in Rio (1941), Moon Over Miami (1941), and The Song of Bernadette (1943). He made his directorial debut with Diamond Horseshoe (1945) starring Betty Grable. He wrote and directed Junior Miss (1945) starring Peggy Ann Garner. Seaton wrote and directed the classic Miracle on 34^th Street. He won an Academy Award for his screenplay. Other films directed by Seaton include Apartment for Peggy (1948), The Country Girl (1954), Teacher’s Pet (1958), The Counterfeit Traitor (1962), 36 Hours (1964), What’s So Bad About Feeling Good (1968), and Airport (1970), the biggest hit of Seaton’s career.

Jeanne Crain (1925 – 2003) was an American actress whose career spanned more than three decades. While still a teenager, she was asked to take a screen test with Orson Welles. He was testing for the part of Lucy Morgan in his production of The Magnificent Ambersons (1942). She didn’t get the part (Anne Baxter did), but she was on her way. She had a bit part in The Gang’s All Here (1943), but had a leading role in Home in Indiana (1944). The film was a box office hit and Crain became a favorite of film fans everywhere. She had another hit with Winged Victory (1944) and co-starred with Dana Andrews in the musical State Fair (1945). That same year, she was the “good girl” opposite Gene Tierney’s “bad girl” in Leave Her to Heaven. More good roles came her way including leads in A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). The latter won her a Best Actress Oscar nomination. She lost that year to Olivia de Havilland. Crain’s popularity continued into the 1950s but suffered when she was released from her exclusive contract with 20th Century-Fox. She continued to work in films and on television until 1975.

William Holden (1918 - 1981) was an American actor and major movie star. He was one of the most bankable stars of the 1950s. Holden starred in some of the most popular and beloved films of all time including Sunset Boulevard, Sabrina, Picnic (1955), The Bridge on the River Kwai (1957), and Stalag 17 for which he won the Academy Award for Best Actor. Holden became a star with his very first role in Golden Boy (1939). He had lead roles in other popular films like Our Town (1940), and  I Wanted Wings (1941). World War II interrupted his career. Holden was a first lieutenant in the United States Army Air Force. After the war, he made some popular but forgettable films. It wasn’t after he collaborated with director Wilder on Sunset Boulevard that Holden’s popularity and stature in Hollywood grew to superstar status.

Edmund Gwenn (1877 – 1959) was an English stage and film actor. He is best remembered for his role as Kris Kringle in Miracle on 34^th Street (1947) for which he won the Academy Award for Best Supporting Actor. Gwenn made his Hollywood film debut in Sylvia Scarlett (1935) and went on to have a long career in that town. He was a member of what was known as the British Colony—British ex-pats who were working in Hollywood. So of his other films include Pride and Prejudice (1940), Foreign Correspondent (1940), Lassie Come Home (1943), The Keys of the Kingdom (1944), Undercurrent (1946), Apartment for Peggy (1948), and Mister 880 (1950). The actor Cecil Kellaway was Gwenn’s cousin.

William Holden, Jeanne Crain, and Edmund Gwenn in a publicity photo for
Apartment for Peggy

Apartment for Peggy trivia

• Charles Lane as Professor Collins, Jason’s chemistry professor, was uncredited in spite of his reasonably significant role toward the movie’s end.
• Edmund Gwenn both appeared in Miracle on 34^th Street.
• Gene Nelson has an uncredited role as one of the G.I. students.
• Helen Ford’s (Emmy Swasey in The Model and the Marriage Broker) film debut.
• Lux Radio Theater broadcast a 60-minute radio adaptation of the movie on February 28, 1949, with Jeanne Crain, William Holden, and Edmund Gwenn reprising their film roles.
• Jeanne Crain was the first actress to portray an obviously pregnant woman on screen. 

To watch the movie on YouTube, click on the link below.

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Discussion questions

1. The film gives us a glimpse of what life was like after the end of World War II and its effects on returning war veterans. Was it successful in capturing that time period?
2. What did you think of the performances of Jeanne Crain and William Holden? Were they believable as a young, married couple?
3. This was Edmund Gwenn’s second film under the direction of George Seaton. Was he as good here as in Miracle on 34th Street?
4. A lot of the film is lighthearted but it does deal with some difficult issues. Was the film successful in blending comedy with drama?
5. Did the film have a theme or message?
6. New York Times movie critic, Bosley Crowther thought Appartment for Peggy was a better movie than Miracle on 34th Street. Crowther also noted that Crain’s “vivid characterization” as Peggy contributed to the film’s overall success. Do you agree with his review?

Maureen O'Hara and John Payne experience the "Miracle on 34th Street"

Miracle on 34th Street (1947) is a comedy-drama directed by George Seaton and starring Maureen O'Hara, John Payne, and Edmund Gwenn. Others in the cast include Natalie Wood, Gene Lockhart, Porter Hall, Jerome Cowan, William Frawley, Theresa Harris, Jack Albertson, and in her screen debut, Thelma Ritter.

Doris Walker (O’Hara) is an executive with Macy’s Department Store in New York City. She’s also a divorced single mom raising her daughter Susan (Wood). Due to her disappointment with marriage, she’s raised Susan not to believe in fairy tales and Santa Claus.

When Doris hires a man named Kris Kringle to play Santa Claus in the annual Macy’s Thanksgiving Day Parade, things get interesting. Kris doesn’t just play Santa Claus, he believes he is Santa Claus!

Fred Gailey, a lawyer who lives in the same apartment building as Doris and Susan. He befriended Susan in an effort to meet Doris. His plan works and he and Doris begin a relationship. Things get complicated when the two clash on whether or not Susan should be exposed to the “myth” of Santa Claus.

Kris Kringle suspects that Susan doesn’t believe in Santa Claus and he makes it his mission to make her think otherwise.

Wilk Kris be successful? And is there really a Santa Claus and is his name Kris Kringle?

Edmund Gwenn and Natalie Wood

George Seaton (1911 - 1979) was an American director, screenwriter, and producer. Seaton started out as an actor and played the Lone Ranger o the radio. He got a job as a contract writer at M-G-M in 1933. His first credited script was for the Marx Brothers' comedy A Day at the Races (1937). Unhappy with only working on comedies, Seaton moved to Columbia in 1940. In the early 1940s, he went to 20^th Century-Fox where he achieved his greatest success as a writer and director. At Fox, he wrote the scripts for That Night in Rio (1941), Moon Over Miami (1941), and The Song of Bernadette (1943). He made his directorial debut with Diamond Horseshoe (1945) starring Betty Grable. He wrote and directed Junior Miss (1945) starring Peggy Ann Garner. Seaton wrote and directed the classic Miracle on 34^th Street. He won an Academy Award for his screenplay. Other films directed by Seaton include Apartment for Peggy (1948), The Country Girl (1954), Teacher’s Pet (1958), The Counterfeit Traitor (1962), 36 Hours (1964), What’s So Bad About Feeling Good (1968), and Airport (1970), the biggest hit of Seaton’s career.

Maureen O’Hara (1920 - 2015) was an Irish-American actress and singer. In her native Ireland, O’Hara trained with the Abbey Theatre at age 14. She screen-tested for the role of Mary Yellan in Jamaica Inn at age 19. Director Hitchcock wasn't impressed with O’Hara’s test but Laughton persuaded him to cast her. After finishing the film, O’Hara moved to Hollywood where she was signed to a contract at RKO. In 1941 she starred in How Green Was My Valley, her first collaboration with director John Ford. She starred alongside Tyrone Power in The Black Swan (1942), The Spanish Main (1945) with Paul Henreid, and Sinbad the Sailor (1947) with Douglas Fairbanks Jr. That same year she starred in the Christmas classic Miracle on 34th Street with John Payne, Edmund Gwenn, and a young Natalie Wood. Other popular films include The Quiet Man (1952), The Parent Trap (1961), and McLintock! (1963). 

John Payne (1912 – 1989) was an American film actor. He made his film debut in Dodsworth (1936). He had roles are various studios but found stardom at 20^th Century-Fox. At Fox, he had major roles in Tin Pan Ally (1940), Sun Valley Serenade (1941), The Dolly Sisters (1945), The Razor’s Edge (1946), and perhaps his most famous role as Fred Gayley in Miracle on 34^th Street (1947). Payne wasn’t happy with the roles he was being offered at Fox so he broke his contract which had four more years to go. As an independent freelance actor, Payne then specialized in westerns and films noir. During this period, he starred in Kansas City Confidential (1952), 99 River Street (1953), and Santa Fe Passage (1955). From 1957 to 1959, he starred as Vint Bonner in the western TV series, The Restless Gun. Payne’s final role was in an episode of Columbo in 1975.

Edmund Gwenn (1877 – 1959) was an English stage and film actor. He is best remembered for his role as Kris Kringle in Miracle on 34^th Street (1947) for which he won the Academy Award for Best Supporting Actor. Gwenn made his Hollywood film debut in Sylvia Scarlett (1935) and went on to have a long career in that town. He was a member of what was known as the British Colony—British ex-pats who were working in Hollywood. So of his other films include Pride and Prejudice (1940), Foreign Correspondent (1940), Lassie Come Home (1943), The Keys of the Kingdom (1944), Undercurrent (1946), Apartment for Peggy (1948), and Mister 880 (1950). The actor Cecil Kellaway was Gwenn’s cousin.

Maureen O'Hara, John Payne, and Edmund Gwenn

Miracle on 34th Street trivia

• The team at Twentieth-Century Fox filmed the actual Macy's Thanksgiving Day Parade in 1946.
• Edmund Gwenn actually played Santa Claus in that 1946 parade!
• Both Macy's and Gimbel's gave their permission to have their names used in the movie...after they saw the completed film!
• Gwenn gained 30 pounds to play Kris.
• This as Thelma Ritter's film debut; she was soon under contract with Fox and was nominated six times for Best Supporting Actress Oscars. She never won.
• The marketers at Fox didn't promote the film as a Christmas movie and came up with a crazy trailer that doesn't mention Christmas at all. (see trailer below)
• Miracle on 34th Street was released in theaters on June 11, 1947.
• The movie grossed four times its production cost.

To watch the film on YouTube, click the link below.

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Discussion questions

1. The film is an acknowledged holiday classic. Is it one of your favorites?
2. Does this film hold up in the 21st century?
3. What did you think of the relationship between Maureen O'Hara and John Payne? Did they have screen chemistry?
4. This movie put a young Natalie Wood on the map. After this performance, every studio in Hollywood wanted her in one of their movies. What did you think of her performance?
5. If you saw Edmund Gwenn, would you believe he was Santa Claus?
6. Do you have a favorite scene or piece of dialogue?

The original trailer for Miracle on 34th Street, featuring several movie stars on the Fox lot

Classic Films in Context: “Apartment for Peggy”

Of all the movies made about returning World War II veterans and their struggles, Apartment for Peggy (1948) probably isn’t the first one that comes to mind. Directed by George Seaton and released a year after his award winning holiday classic Miracle on 34th Street, Apartment for Peggy holds up remarkably well.

William Holden, Jeanne Crain, and Edmund Gwenn

Jeanne Crain and William Holden play a young married couple trying to cope with the GI housing shortage after the war. The movie begins with Peggy (Crain), who appears to be very pregnant, taking a short rest on a park bench next to retired Professor Henry Barnes (Edmund Gwenn). Peggy takes an immediate liking to the old professor; she calls him “pops” and baffles him with her rapid-fire speech and modern slang. When she finds out that Barnes’s friend, Professor Bell, (Gene Lockhart) might have “suction” with veteran housing on campus, Peggy asks Barnes to please put in a good word for her.

Before you know it, Peggy and Jason are turning Professor Barnes’s attic into a very comfortable and functional living space. Even Professor Barnes is amazed at the transformation. Reluctant at first to this “home invasion,” Professor Barnes learns to enjoy sharing his home with the young couple, although living with Peggy can be challenging at times.

What Peggy and Jason don’t know, is that before they moved in, the professor was planning his own suicide. The university forced him to retire years earlier and Barnes thinks his usefulness has come to an end. His wife is deceased and his only son was killed in the First World War. He concludes that he’s lived a good, satisfying life and feels it’s time to exit on his own terms.

Peggy (Crain, center) and Jason (Holden, right)
serve Professor Barnes tea in his renovated attic.

With all the veterans attending college, learning new things, the wives feel left out in the cold. Some think their husbands are drifting away. Peggy feels that it would be great if there was some way for the wives to get an overview of what their husbands are learning so they can grow together instead of apart. Peggy “volunteers” Professor Barnes for the job of organizing the instruction. At first he is annoyed with Peggy for saying he would take on such a task, after all, he has a suicide to arrange. But after a few classes with the wives, Barnes finds himself enjoying teaching like he never did before. He also discovers that he’s becoming involved in the lives of Peggy and Jason, something he never imagined.

At her baby shower, Peggy feels that something is wrong. She goes to the hospital where she miscarries, leaving Jason and Professor Barnes at a loss for words. Jason and the professor walk home from the hospital in silence, grief and disappointment etched on their faces.

When Jason gets a job in Chicago as a used car salesman, things begin to fall apart for Peggy and Professor Barnes. Peggy’s dreams of having a chemistry-teacher husband evaporate like steam from a teakettle. And what’s worse, Peggy is convinced that Jason really wants to be a professor, but thinks that he should be earning more money to provide for his wife.

Peggy reluctantly announces that she’s moving out to be with Jason in Chicago. Once again, Professor Barnes feels that he has no useful purpose in life. In his despair, he takes an overdose of sleeping pills. When Peggy finds out what he’s done, she forces black coffee down his throat and makes him walk around the house to stay awake. When Jason arrives on the scene and finds out what the professor has done, he gives him a tough-love speech. The speech is effective enough that Professor Barnes decides he really wants to live. In the end, Jason decides that he wants to be a chemistry teacher in spite of it all.

Holden as Jason Taylor

Seaton demonstrates his ability to portray characters that are true to life. The interactions between Crain, Gwenn, and Holden seem natural, not forced. Seaton manages to inspire the audience without being corny or overly sentimental. He also gets wonderful performances from the three stars, but Crain really shines as Peggy. The success of the movie rests on her shoulders. If you don’t care about Peggy, the movie falls apart. New York Times movie critic, Bosley Crowther thought Appartment for Peggy was a better movie than Miracle on 34th Street. Crowther also noted that Crain’s “vivid characterization” as Peggy contributed to the film’s overall success.

Through Seaton’s writing and direction, we see how liberating education, and not just the book kind, can be. The enthusiasm the wives show in Professor Barnes’s philosophy class is inspiring; the joy of learning is obvious and contagious. And what about the joy the instructor expresses? Seaton makes it clear there is wisdom in old age and it should be respected and appreciated, not thrown away or pushed aside.

Apartment for Peggy is a time capsule of what life was like (including the colorful slang of the day) during post-World War II America. It’s funny without being overly cute. It’s sad without being depressing. Seaton manages to capture the entire human experience in a wonderfully entertaining package. It’s a neglected classic that needs to be given its due.


Backstory: Apartment for Peggy was the first movie to actually portray a pregnant woman on screen with a large belly! Prior to this film, women were not pictured on screen in the “family way.”

Apartment for Peggy is available on DVD as part of Twentieth Century Fox’s Cinema Archives releases. The Technicolor Print is adequate, with interior scenes appearing on the dark side and with little contrast. The sound is perfect, but as with all of the on-demand Cinema Archives editions, it has no extras. It’s unfortunate that Fox didn’t think this film was worthy of a restoration with extras, considering the talent involved. It really deserves a better presentation on video.

Classic Film of the Week: "Life With Father"

Hot Property
During the late 1940s, one of the most sought-after properties was the film rights to Life With Father, the longest-running non-musical play on Broadway. The play written by Howard Lindsey and Russel Crouse, based on stories by Clarence Day, opened in 1939 and ran for seven years. The story has a relatively simple plot: a wife, after discovering her husband hasn’t been baptized, does her best to convince him he needs to, if he wants to see his family in heaven.

From the earliest days of its run, Hollywood was interested in obtaining the film rights. William Powell, after seeing the play, wanted his home studio, MGM, to buy the property for him. He thought the part of Clarence Day (Father) would be the role of a lifetime.

America's Sweetheart No More
While the play was still on Broadway, sisters Lillian and Dorothy Gish both portrayed Lavinia (Mrs. Day) in out-of-town productions. Lillian, who was headlining the Chicago production, thought the role of Lavinia would be perfect for her friend, Mary Pickford. Pickford, the silent-film icon, was looking for a property to make a movie comeback. Gish advised her friend to buy the film rights, but Pickford didn’t act swiftly enough. Soon all the major studios were actively negotiating with the playwrights and members of the Day family. With all this competition, the price skyrocketed and the contract stipulations were too much for most. Warner Bros. eventually bought the rights with a down payment of $500,000 plus half of the film’s profits. Warner Bros. thought Life With Father had the potential to be as big as Gone With The Wind, so they were willing to pay the price.

Powell is Clarence Day

When William Powell found out that Warner Bros. obtained the rights, he asked MGM to consider loaning him out for the role. They did, Warner Bros. accepted, and Powell was in. The choice of Powell to play Clarence Day proved popular with the movie-going public, but the casting of Lavinia would prove more troublesome.

Davis Drops Out
Bette Davis, the top female star on the Warner Bros. lot at the time, was offered the role of Lavinia Day. Davis struggled to adequately portray the character’s gentleness and decided not to take the role. Mary Pickford, who missed out on buying the film rights, was in the running. Apparently, her screen tests were good, but director Michael Curtiz (Casablanca) didn’t think she had any box office appeal. She had, after all, been away from the screen for thirteen years.

From Anna to Lavinia: Irene Dunne Takes a Chance

From most accounts, Curtiz wanted Irene Dunne to play Lavinia. Dunne said she had no interest in playing a woman who seemed to cry when things didn’t go her way. But Curtiz thought she would be perfect in the role. Curtiz admired Dunne’s talent as an actress, but he also wanted her because she was a top box office draw. Dunne’s recent success in Anna and the King of Siam was one of the reasons the director pursued her. Curtiz kept asking Dunne to reconsider and he eventually wore her down. In a 1978 interview, Dunne revealed that Curtiz motivated her on the set “because I didn’t like the role very much and he had to placate me to make it more palatable.” Dunne’s acceptance of the role meant there would never be a movie comeback for Mary Pickford.

The supporting players were easier to find. Elizabeth Taylor, (who was barely 15 years old) was loaned out by MGM to play Mary Skinner, a role created on the stage by Teresa Wright. Zasu Pitts, Jimmy Lydon, and Edmund Gwenn rounded out the rest of the cast.

Impeccable Production

Life With Father was one of Warner Bros.’s most important and costly films during the late 1940s. The set decoration and costume designs were impeccable. A huge outdoor set was built to recreate New York City’s Madison Ave. during the 1880s. Elaborate indoor sets for Delmonico’s restaurant and McCreery’s Department Store were built, adding to the historical accuracy. The set decorators and the Warner production crew went to great lengths with even the small details. For example, there is a scene where Powell’s character takes a horse-drawn trolley to work. As he enters the trolley to sit down, you notice, in the background, advertisements inside the trolley, but only for a fraction of a second. You can argue whether that detail was necessary, but it shows the seriousness with which Warner Bros. handled the material.

Star Billing at the Flip of a Coin

Both Irene Dunne and William Powell were major movie stars when Life With Father went into production. Dunne, never regarded as a diva, but a shrewd negotiator and businesswoman where her career was concerned, insisted on receiving top billing. It could be argued that, at this time, she was the bigger box office draw. Powell on the other hand had the title role, the movie was Life with Father. A compromise was struck. Fifty percent of the movie prints would give Dunne top billing and fifty percent would have Powell’s name in front of Dunne’s! This held true for the movie posters (illustrated at left and below) and publicity releases as well. Supposedly, for the New York premiere, they flipped a coin to see which print would be used.

A Success for All
Life With Father premiered in August 1947 and was an immediate critical and financial success. Not quite the blockbuster the Warner Bros. studios had expected or hoped, but one that was profitable enough to make all the accountants happy. For Powell, it did turn out to be the role of a lifetime and he received his third Best Actor Academy Award nomination (Ronald Colman won for A Double Life). For Dunne, one of her best roles would come two years later in the George Stevens production, I Remember Mama.

Neglected Classic
Due to the unusual contractual arrangements between Warner Bros. and Lindsay and Crouse, the movie, after its initial release and re-release in 1948, pretty much vanished into obscurity. And for reasons not known to this writer, it fell into the public domain. Since Life With Father went into the public domain, there have been numerous inferior prints of the movie classic. With most, the color and sound are degraded. One can hope that someday a restored version will be available so modern viewers can see this wonderful American classic the way audiences did in 1947.



Sources used for this post: Romantic Comedy in Hollywood: From Lubitsch to Sturges (1987) by James Harvey; Life With Father Audience Guide (2008) compiled and edited by Jack Marshall;
Irene Dunne: First Lady of Hollywood by Wes D. Gehring