Showing posts with label Gary Merrill. Show all posts
Showing posts with label Gary Merrill. Show all posts

Tuesday, May 6, 2025

Dana Andrews and Gene Tierney find out “Where the Sidewalk Ends”

Where the Sidewalk Ends (1950) is an American film noir directed and produced by Otto Preminger and starring Dana Andrews and Gene Tierney. The screenplay was written by Ben Hecht, and the cinematography was by Joseph LaShelle.

Mark Dixon (Andrews) is a tough New York City cop who was demoted due to excessive force in the line of duty. During a routine investigation with a witness to a crime (a possible murder), things go terribly wrong. When Dixon questions Ken Paine (Craig Stevens), a drunk Paine becomes angry and starts a fight. Defending himself, Dixon punches Paine who falls and hits his head, killing him instantly. In a panic, because of his recent demotion and fearing his career would be over if he told his superiors, Dixon disposes of Paine’s body. 

Paine’s estranged wife, model Morgan Taylor (Tierney), is brought in for questioning because she too was a possible witness to the murder. Morgan’s husband used her as “bait” to lure a Texas tycoon to a floating crap game at mobster Tommy Scalise’s (Gary Merrill) apartment. The tycoon ends up dead and it looks like Scalise was trying to pin it on Paine. When circumstantial evidence gets Morgan’s father (Tom Tully) arrested for the murder of his son-in-law, Dixon finds himself with a moral dilemma, complicated by his attraction to Morgan.

Will Dixon come clean and face the consequences, or will he let Morgan’s father take the fall?


Otto Preminger (1905 -1986) was an American film director who made more than 35 feature films during a five-decade career. Born in Austro-Hungarian into a Jewish family. Preminger was drawn to acting from an early age and became the apprentice of famed stage director Max Reinhardt. In 1935, he was recruited by Twentieth Century-Fox to apprentice as a director at the studio. After a rocky start, Preminger established himself as an A-list director after Rouben Mamoulian was fired from Laura (1944). The film noir classic made major stars of Gene Tierney and Dana Andrews and is considered one of the best film noirs of all time. While under contract to Fox, Preminger directed Fallen Angel (1945), Centennial Summer (1946), Forever Amber (1947), and Daisy Kenyon (1947). After he left Fox, Preminger became a maverick, constantly clashing with members of the Production Code. He released two films without the approval of the Production Code: The Moon is Blue (1953) and The Man with the Golden Arm (1955). Both films were financial successes and helped bring an end to the Code entirely. Later successes for Preminger include Anatomy of a Murder (1959) and Exodus (1960).


Dana Andrews (1909 – 1992) was an American stage, film, and television actor. During the 1940s, Andrews was a major star and leading man, starring in Laura (1944), State Fair (1945), A Walk in the Sun (1945), The Best Years of Our Lives (1946), Canyon Passage (1946), Boomerang! (1947), and Daisy Kenyon (1947), the latter co-starring Joan Crawford and Henry Fonda. During the 1950s, film roles were harder to come by, but he had success in Elephant Walk (1954) co-starring Elizabeth Taylor and Peter Finch, While the City Sleeps (1956), and Curse of the Demon (1957). In 1958, he replaced Henry Fonda on Broadway in Two for the Seesaw. Andrews worked a lot on television, guest-starring on shows like The Twilight ZoneCheckmateThe Barbara Stanwyck ShowBen Casey, The Love BoatIronside, and Falcon Crest. He also starred in the daytime soap opera Bright Promise (1969 - 1971).



Gene Tierney (1920 – 1991) was an American actress. Tierney got her start on the stage where she played the ingenue lead in The Male Animal. She was spotted by 20th Century-Fox Studio head Darryl F. Zanuck and he offered her a movie contract. Zanuck said that Tierney was the most beautiful woman in the movies. Tierney proved that she could carry a film not completely based on her beauty in films like Laura (1944) and Leave Her To Heaven (1945) for which she was nominated for her first and only Best Actress Academy Award. Other important films include The Razor’s Edge (1946), Dragonwyck (1946), The Ghost and Mrs. Muir (1947), The Iron Curtain (1948), Whirlpool (1949), and The Mating Season (1951). In the late 1940s, she struggled with mental illness which negatively affected her career. After 1955’s The Left Hand of God, Tierney was off the screen until Advice & Consent (1962). She appeared in two films after that, but her career in film effectively ended in 1964 after a guest appearance in The Pleasure Seekers.


Where the Sidewalk Ends trivia:
  • This was the last film that director Otto Preminger directed under contract to 20th Century-Fox.
  • It reunited Dana Andrews, Gene Tierney, cinematographer Joseph LaShelle, and Preminger, who all worked on the classic film noir Laura (1944). 
  • Andrews and Tierney starred in five films together; this was their last.
  • Designer Oleg Cassini, who was married to Gene Tierney at the time, has a small role as a fashion designer in the film. While the two were married, Cassini designed many of the film costumes for Tierney.
  • Craig Stevens, who played Ken Paine went on to fame on the small screen in the television series Peter Gunn.
  • Otto Preminger made more films with Dana Andrews than any other actor; the two made five films together.

Why watch this film?
The film has a reputation as one of the first, if not the first, of the “bad cop” films. Dana Andrews delivers a great multi-layered performance as Dixon. Otto Preminger was a master of the film noir genre, and this is one of his best.
It’s the last time Andrews and Gene Tierney appeared together on film.


Click HERE to join the online discussion on May 12, 2025, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

Click HERE to watch the movie on YouTube.




Discussion questions:
  1. What did you make of  Dixon’s character? Were you rooting for or against him?
  2. How do you think the director handled the subject matter? Was it believable?
  3. Did anything in the film surprise you?
  4. The film had some amazing character actors. Did you have a favorite?
  5. Was the chemistry between Andrews and Tierney believable?
  6. Did the film end the way you expected it to? Did you find it satisfying?

Wednesday, March 26, 2025

Gregory Peck in “Twelve O’Clock High”

Twelve O’Clock High is an American WW II drama directed by Henry King and starring Gregory Peck. The strong supporting cast includes Hugh Marlowe, Gary Merrill, Millard Mitchell, and Dean Jagger.

Brigadier General Frank Savage (Peck) replaces Colonel Keith Davenport (Merrill), who was accused of being too involved with the men under his command. Savage struggles with some of the same issues that challenged Davenport.

The film, told in flashback, focuses on Savage's leadership in England and how he struggled to bring discipline to the group that he found lacking.

Does this look back change defend  Savage’s leadership?

Gary Merrill and Gregory Peck

Henry King (1886 - 1982) was an American actor and director. He was nominated for two Academy Awards for Best Director, and seven films he directed were nominated for Best Picture, including The Song of Bernadette (1943), where he directed Jennifer Jones to a Best Actress Academy Award. While under contract to Twentieth Century-Fox directed many films starring Tyrone Power and Gregory Peck. Some popular films directed by King include Lloyd's of London (1936), In Old Chicago (1937), Jesse James (1939), Twelve O'Clock High (1949), The Gunfighter (1950), David and Bathsheba (1951), The Sun Also Rises (1957), and The Bravados (1958).

Gregory Peck (1916 – 2002) was one of the biggest stars in Hollywood. He had three Best Actor nominations early in his career for The Keys to the Kingdom (1944), The Yearling (1946), Gentleman’s Agreement (1947), and Twelve O’Clock High (1949). He had non-exclusive contracts with David O. Selznick and Twentieth Century-Fox, which gave him great flexibility in the roles he chose to play. Other classic Peck film roles include Roman Holiday (1953), The Big Country (1958), The Guns of Navarone (1961). He finally won a Best Actor Academy Award for his iconic portrayal of Atticus Finch in To Kill a Mockingbird (1962).

Twelve O’Clock High trivia

  • Gregory Peck originally turned the role down. He was convinced to take the role by the director Henry King. Peck would go on to make five more films together. John Wayne was offered the role but turned it down.
  • An early Hollywood film to deal with the psychological effects of soldiers at war.
  • The film was originally planned to be filmed in color but was filmed in black and white so they could incorporate black and white stock footage.
  • The B-17 was intentionally crashed by stunt pilot Paul Mantz. He was paid $4,500 for the stunt.
  • Dean Jagger won a Best Supporting Actor Academy Award for his performance.

 

Click HERE to watch the movie on YouTube.

 


Click HERE to join the online discussion on March 31, 2025, at 6:30 p.m. Once you RSVP, you will receive an email invitation with a link to join the discussion on Zoom.

 

Discussion questions

  1. Did you think this was a realistic portrayal of men at war?
  2. What did you think of Gregory Peck’s performance?
  3. The film has a strong supporting cast. Did any member stand out to you?
  4. Dean Jagger won a Best Supporting Actor Oscar for his performance. Was it well deserved in your opinion?

 

Tuesday, September 3, 2024

Bette Davis learns "All About Eve" in Joseph L. Mankiewicz’s classic film

 All About Eve (1950) is an American drama written and directed by Joseph L. Mankiewicz and starring Bette Davis, Anne Baxter, George Sanders, and Celeste Holm. Other cast members include Gary Merrill, Hugh Marlow, Thelma Ritter, and Marilyn Monroe.

Broadway star Margo Channing (Davis) has recently turned 40 and is wondering how long she can sustain her career. Then one evening after Margo’s latest performance, her best friend Karen Richards (Holm) brings a seemingly helpless superfan named Eve Harrington (Baxter). Eve followed Margo’s career when she was on tour in San Francisco and now in New York City.

Karen introduces Eve to Margo’s friends, including Karen’s husband playwright Lloyd Richards (Marlowe). Slowly, Eve becomes part of Margo’s inner circle making Margo’s personal assistant Birdie (Ritter) suspicious. So cunning is Eve, that she replaces Birdie as Margo’s new assistant.

Other complications arise from Margo’s relationship with the director of her current play Bill Sampson (Merrill), 8 years her junior. Margo is insecure in their relationship due to their age difference and unbeknownst to her, Eve attempts to replace Margo in Bill’s affections.

How does this all end? Will Margo overcome her insecurities about her age, career, and relationship with Bill or will Eve stand in her way?

Anne Baxter and Bette Davis square off

Joseph L. Mankiewicz (1929 – 1972) was an American film director, screenwriter, and producer. Mankiewicz won Academy Awards for directing and writing A Letter to Three Wives (1949), and All About Eve (1950). He is the only director to win back-to-back Academy Awards for writing and directing. Other films directed by Mankiewicz include Dragonwyck (1946), The Ghost and Mrs. Muir (1947), Julius Caesar (1953), The Barefoot Contessa (1954), and Guys and Dolls (1955). He directed the 1963 crisis-plagued production of Cleopatra which negatively affected his career as a director.

Bette Davis (1908 – 1989) was an American actress whose stage and screen career spanned more than 50 years. Davis came to Hollywood in 1930 and within four years of her arrival, she was one of its biggest stars winning her first Best Actress Academy Award for her role in Dangerous (1935). Her starring role in Jezebel (1938) won her a second Best Actress Oscar. Davis would go on to star in many popular films during the 1940s including Dark Victory (1939), The Letter (1940), The Little Foxes (1941), and Now, Voyager (1942). In 1950 she starred as Margo Channing in All About Eve (1950), a role she is probably most identified with today. Other popular films include The Old Maid (1939), All This and Heaven Too (1940), Mr. Skeffington (1944), and The Corn is Green (1945).

Anne Baxter (1923 – 1985) won a Best Supporting Actress Oscar for her role as Sophie MacDonald in The Razor’s Edge (1946). She was signed to a contract with Twentieth Century-Fox in 1940. In 1948, Baxter starred in four movies, with Yellow Sky being her most prominent role to date. She went on to have a prolific career in film, television, and theater. She is probably best known for her Oscar-nominated performance as Eve Harrington in All About Eve. Frank Lloyd Wright was Baxter’s grandfather.

George Sanders (1906 – 1972) was a British film and stage actor who also had a fine singing voice. Hollywood was looking for a villain to star opposite a young Tyrone Power in Lloyd’s of London (1936) and Sanders more than fit the bill. His performance in that film would forever stamp him as a sophisticated bad guy. Before his acting career, he worked in the textile industry, which must have helped him with his role in The Strange Affair of Uncle Harry. In the 1960s, Sanders played Mr. Freeze in the Batman (1966) television series.

Celeste Holm (1917 – 2012) was an American stage, film, and television actress. She won a Best Supporting Actress award for her role in Gentleman’s Agreement (1947) and was nominated for her roles in Come to the Stable (1949) and All About Eve (1950). She originated the role of Ado Annie in the landmark stage musical Oklahoma! (1943).

 


All About Eve trivia

  • Claudette Colbert was the director’s first choice to play Margo Channing. In fact, Colbert was contracted to play the part but had to drop out due to a back injury she suffered during the filming of Three Came Home (1950).
  • Bette Davis and Gary Merrill fell in love during filming and were married a few weeks after the production wrapped.
  • The film holds the record for the most female Oscar-nominated performances: Anne Baxter and Bette Davis for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress.
  • Davis said this film saved her career after a series of unsuccessful films. She said Mankiewicz “…resurrected me from the dead.”
  • Producer Darryl F. Zanuck changed the working title Best Performance to All About Eve after reading one of Addison DeWitt’s lines in the opening narration of the script.
  • Zanuck wanted Jeanne Crain to play Eve, but she became pregnant and Anne Baxter was offered the role.

 

Click HERE to watch the film at the Internet Archive.


Click HERE to join the online discussion on September 9, 2024, at 6:30 p.m. Central Time. Once you RSVP, you will receive an invitation and a link to join the discussion on Zoom.

 

Discussion questions

  1. All About Eve’s reputation over the years has achieved legendary status. Do you think its reputation as a great film is well deserved?
  2. The film is filled with wonderful performances by a great cast. Did one performance stand out to you or were all of equal weight in your estimation?
  3. What do you think will become of Eve as she goes forward with her career? Will she always be under the thumb of Addison?
  4. Do you think that Margo and Bill will have a successful marriage? Why or why not?
  5. How well does the film hold up in the 21st century?
  6. Was there anything in the film that surprised you?
  7. If this movie were remade, who would you cast as Margo and Eve?

 

 

Thursday, October 21, 2021

Dana Andrews and Gene Tierney find out “Where the Sidewalk Ends”

Where the Sidewalk Ends (1950) is an American film noir directed and produced by Otto Preminger and starring Dana Andrews and Gene Tierney. The screenplay was written by Ben Hecht and the cinematography was by Joseph LaShelle.

Mark Dixon (Andrews) is a tough New York City cop who was demoted due to excessive force in the line of duty. During a routine investigation with a witness to a crime (a possible murder), things go terribly wrong. When Dixon questions Ken Paine (Craig Stevens), a drunk Paine becomes angry and starts a fight. Defending himself, Dixon punches Paine who falls and hits his head, killing him instantly. In a panic, because of his recent demotion and fearing his career would be over if he told his superiors, Dixon disposes of Paine’s body. 

Paine’s estranged wife, model Morgan Taylor (Tierney), is brought in for questioning because she too was a possible witness to the murder. Morgan’s husband used her as “bait” to lure a Texas tycoon to a floating crap game at mobster Tommy Scalise’s (Gary Merrill) apartment. The tycoon ends up dead and it looks like Scalise was trying to pin it on Paine. When circumstantial evidence gets Morgan’s father (Tom Tully) arrested for the murder of his son-in-law, Dixon finds himself with a moral dilemma, complicated by his attraction to Morgan.

Will Dixon come clean and face the consequences or will he let Morgan’s father take the fall?



Otto Preminger (1905 -1986) was an American film director who made more than 35 feature films during a five-decade career. Born in Austro-Hungarian into a Jewish family. Preminger was drawn to acting from an early age and became the apprentice of famed stage director Max Reinhardt. In 1935, he was recruited by Twentieth Century-Fox to apprentice as a director at the studio. After a rocky start, Preminger established himself as an A-list director after Rouben Mamoulian was fired from Laura (1944). The film noir classic made major stars of Gene Tierney and Dana Andrews and is considered one of the best film noirs of all time. While under contract to Fox, Preminger directed Fallen Angel (1945), Centennial Summer (1946), Forever Amber (1947), and Daisy Kenyon (1947). After he left Fox, Preminger became a maverick, constantly clashing with members of the Production Code. He released two films without the approval of the Production Code: The Moon is Blue (1953) and The Man with the Golden Arm (1955). Both films were financial successes and helped bring an end to the Code entirely. Later successes for Preminger include Anatomy of a Murder (1959) and Exodus (1960).



Dana Andrews (1909 – 1992) was an American stage, film, and television actor. During the 1940s, Andrews was a major star and leading man starring in Laura (1944), State Fair (1945), A Walk in the Sun (1945), The Best Years of Our Lives (1946), Canyon Passage (1946), Boomerang! (1947), and Daisy Kenyon (1947), the latter co-starring Joan Crawford and Henry Fonda. During the 1950s, film roles were harder to come by, but he had success in Elephant Walk (1954) co-starring Elizabeth Taylor and Peter Finch, While the City Sleeps (1956), and Curse of the Demon (1957). In 1958 he replaced Henry Fonda on Broadway in Two for the Seesaw. Andrews worked a lot on television guest-starring on shows like The Twilight Zone, Checkmate, The Barbara Stanwyck Show, Ben Casey, The Love Boat, Ironside, and Falcon Crest. He also starred in the daytime soap opera Bright Promise (1969 - 1971).



Gene Tierney (1920 – 1991) was an American actress. Tierney got her start on the stage where she played the ingenue lead in The Male Animal. She was spotted by 20th Century-Fox Studio head Darryl F. Zanuck and he offered her a movie contract. Zanuck said that Tierney was the most beautiful woman in the movies. Tierney proved that she could carry a film not completely based on her beauty in films like Laura (1944) and Leave Her To Heaven (1945) for which she was nominated for her first and only Best Actress Academy Award. Other important films include The Razor’s Edge (1946), Dragonwyck (1946)The Ghost and Mrs. Muir (1947), The Iron Curtain (1948), Whirlpool (1949), and The Mating Season (1951). In the late 1940s, she struggled with mental illness which negatively affected her career. After 1955’s The Left Hand of God, Tierney was off the screen until Advice & Consent (1962). She appeared in two films after that, but her career in film effectively ended in 1964 after a guest appearance in The Pleasure Seekers.


Where the Side Walk Ends trivia:
  • This was the last film director Otto Preminger directed under contract to 20th Century-Fox.
  • It reunited Dana Andrews, Gene Tierney, cinematographer Joseph LaShelle, and Preminger who all worked on the classic film noir Laura (1944). 
  • Andrews and Tierney starred in five films together; this was their last.
  • Designer Oleg Cassini, who was married to Gene Tierney at the time, has a small role as a fashion designer in the film. While the two were married, Cassini designed many of the film costumes for Tierney.
  • Craig Stevens who played Ken Paine went on to fame on the small screen in the television series Peter Gunn.
  • Otto Preminger made more films with Dana Andrews more than any other actor; the two made five films together.


To watch the film on YouTube, click the link below.



Why watch this film?
The film has a reputation as one of the first, if not the first, of the “bad cop” films.
Dana Andrews delivers a great multi-layered performance as Dixon.
Otto Preminger was a master of the film noir genre and this is one of his best.
It’s the last time Andrews and Gene Tierney appeared together on film.


To join the discussion on October 25, 2021, at 6:30 p.m., click here. Once you RSVP, you will receive an invitation with a link to join the discussion on Zoom.

Discussion questions:
  1. What did you make of  Dixon’s character? Were you rooting for or against him?
  2. How do you think the director handled the subject matter? Was it believable?
  3. Did anything in the film surprise you?
  4. The film had some amazing character actors. Did you have a  favorite?
  5. Was the chemistry between Andrews and Tierney believable?
  6. Did the film end the way you expected it to? Did you find it satisfying?

Wednesday, November 15, 2017

Screening of "Where the Sidewalk Ends" at Daystar Center November 18

“Noirvember” Series: Where the Sidewalk Ends (1950)
Where: Daystar Center, 1550 S. State Street
When: November 18, 2017
Time: 6:45 p.m.
Hosted by Stephen Reginald

Where the Sidewalk Ends (1950) reunites the star’s of Laura (1944), Dana Andrews and Gene Tierney in another classic film noir directed by Otto Preminger. The plot concerns a rogue cop, Mark Dixon (Andrews) who goes a little too far when pursuing some crooks and hoodlums. When he accidentally kills one of the suspects involved with gangster Steve Scalise (Gary Merrill), Dixon’s life begins to spiral out of control. Things become even more complicated when Dixon begins to fall in love with Morgan Taylor-Paine (Tierney) the widow of the suspect he killed. Will Dixon be able to solve the case without implicating himself? The film boast a superior supporting cast including, Karl Malden, Ruth Donnelly, and Craig Stevens.


Backstory: Dana Andrews and Gene Tierney made five movies together: Tobacco Road, Belle Starr (both 1941), Laura (1944), The Iron Curtain (1948), and Where the Sidewalk Ends (1950). Where the Sidewalk Ends was the last film that Otto Preminger made under his contract with Twentieth Century-Fox.


Have some Joe and Enjoy the Show!
You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.

Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.

Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.


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